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Author: Fine Arts Museums of San Francisco
Publisher:
ISBN:
Category : Gobelin tapestry
Languages : en
Pages : 276
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Book Description
Tapestry at art museums in San Francisco and spanning five centuries are critiqued.
Author: Fine Arts Museums of San Francisco
Publisher:
ISBN:
Category : Gobelin tapestry
Languages : en
Pages : 276
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Book Description
Tapestry at art museums in San Francisco and spanning five centuries are critiqued.
Author: Fine Arts Museums of San Francisco
Publisher: Fine Arts Museum of San Francisco
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 352
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Book Description
Reveals the evolution of tapestry as a unique and enduring art form, from the late Middle Ages through the twentieth century.
Author: Anna Gray Bennett
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Frances Lennard
Publisher: Routledge
ISBN: 113636014X
Category : Antiques & Collectibles
Languages : en
Pages : 280
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Book Description
Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. The book facilitates more informed conservation practice and decision-making, and helps custodians to select the most appropriate method of intervention.
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
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Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870996444
Category : Tapestry
Languages : en
Pages : 689
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Book Description
A study of the condition, subject, design, manufacture, ownership, and exhibitions for each tapestry or set of tapestries in the Museum's medieval tapestry collection. -- Metropolitan Museum of Art.
Author: Thomas Patrick Campbell
Publisher: Metropolitan Museum of Art
ISBN: 030015514X
Category : Tapestry
Languages : en
Pages : 367
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Book Description
This illustrated volume is a comprehensive survey of 17th century European tapestry. It features some of the finest surviving examples from many international collections, as well as a number of related designs and oil sketches.
Author: Charissa Bremer-David
Publisher: Getty Publications
ISBN: 1606064533
Category : Art
Languages : en
Pages : 80
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Book Description
The whimsical imagery of four tapestries in the permanent collection of the J. Paul Getty Museum and currently on display at the Getty Center is perplexing. Created in France at the Beauvais manufactory between 1690 and 1730, these charming hangings, unlike most French tapestries of the period, appear to be purely decorative, with no narrative thread, no theological moral, and no allegorical symbolism. They belong to a series called theGrotesques, inspired by ancient frescos discovered during the excavation of the Roman emperor Nero’s Domus Aurea, or Golden House, but the origins of their mysterious subject matter have long eluded art historians. Based on seven years of research, Conundrum: Puzzles in the Grotesques Tapestry Series reveals for the first time that the artist responsible for these designs, Jean-Baptiste Monnoyer (1636–1699), actually incorporated dozens of motifs and vignettes from a surprising range of sources: antique statuary, Renaissance prints, Mannerist tapestry, and Baroque art, as well as contemporary seventeenth century urban festivals, court spectacle, and theater. Conundrum illustrates the most interesting of these sources alongside full-color details and overall views of the four tapestries. The book’s informative and engaging essay identifies and decodes the tapestries’ intriguing visual puzzles, enlightening our understanding and appreciation of the series’ unexpectedly rich intellectual underpinnings.
Author: Stefan Huygebaert
Publisher: Springer
ISBN: 3319907875
Category : Law
Languages : en
Pages : 462
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Book Description
The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other.
Author: Babette Bohn
Publisher: John Wiley & Sons
ISBN: 1118391519
Category : Art
Languages : en
Pages : 797
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Book Description
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
