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Author: New York Graphic Society
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 572
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Book Description
Author: New York Graphic Society
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 572
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Book Description
Author: Rick J. Delanty
Publisher:
ISBN: 9780578872346
Category :
Languages : en
Pages :
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Book Description
This portfolio of oil and acrylic paintings by award-winning California landscape painter Rick J. Delanty is accompanied by inspirational short essays, each focusing on the theme of beauty. Personal anecdotes from the artist's life experience of over 40 years as a professional fine artist give the reader insight into the artist's creative process. Hardcover, 120 pages.
Author: Jim Nickelson
Publisher: Rocky Nook, Inc.
ISBN: 1681982064
Category : Photography
Languages : en
Pages : 324
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Book Description
In an era of digital capture, digital darkrooms, and online galleries, serious photographers still have a deep respect for the photographic print. There is a profound difference between posting your image to a website and printing and sharing your photographic work. For many, the photographic print is the only way to complete the photographic process that begins with the image’s capture. In Fine Art Inkjet Printing: The Craft and the Art of the Fine Digital Print, photographers learn all they need to know to be able to create beautiful prints worthy of building a print portfolio, selling to clients, or hanging in a home or gallery. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'; min-height: 16.0px} span.s1 {font: 11.0px Symbol} span.Apple-tab-span {white-space:pre} Author Jim Nickelson—photographer, master printer, and educator—guides you through the entire process step by step, beginning with the principles of creating a fine print. In Fine Art Inkjet Printing, you’ll learn all about: • Hardware considerations, including Epson and Canon printers • The color management process, from camera to software (Adobe Lightroom and Photoshop) to your printer’s color profiles • The best ways to capture images for maximum post-processing flexibility • Both global and local adjustments in Lightroom and Photoshop • Sharpening and noise reduction for printing • Creating black-and-white conversions for optimal printing results • Soft-proofing • Print settings for both hardware and software • Different paper options, including surfaces, substrates, brightness, color, thickness, and optical brightening agents (OBAs) • Finishing and protecting your print (flattening, drying and outgassing, trimming, signing, and using protective sprays) • Printer maintenance • How to make artistic choices based on intent and interpretation
Author: Robert Genn
Publisher: Studio Beckett Publications
ISBN: 9781550564792
Category : Art
Languages : en
Pages : 164
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Book Description
Author: Vincent Van Gogh
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
Still-life painting has served artists for centuries as a sort of "practice" activity where the "subjects" are totally cooperative, just sitting or standing inanimately in view. Vincent Van Gogh was able to take the genre to new heights of expression, infusing life and vitality into shoes, smoked fish, fruits, vegetables, books, human skulls, mugs and dishes -- in early years by unique juxtapositions of items, in later years by the technique of his swirling, pulsating background. In some of his finest work, the objects are inseparably linked with the human elements that inspired them, edging over into literary and social criticism.As with other motifs of Vincent Van Gogh's artistic repertoire, his still life paintings enjoyed their zenith in the five-year span from 1886-1890, which also marked the master's last years of life. The lively color, form, and swirling post-Impressionistic grace found in art of inanimate objects form another proof of Van Gogh's genius. NOTE: An appendix featuring "Living Life" of the artists' depictions of birds and animals, contrasting the "Still Life" images, is an extra bonus found at the end of this volume. STILL LIFE Images include: Still Life with Beer Mug and Fruit, 1881Cabbage, Potatoes and Wooden Shoes, 1881Still Life with Jugs, Bottle and a White Bowl, 1884"Bearded Man" Beer Mug, Coffee Mill and Pipe Pouch, 1884Still Life with Two Bags and a Bottle, 1884Still Life with Paint Brushes in a Flower Pot, 1884Still Life with Three Bottles and Earthenware, 1884Biblical Book of Isaiah and Zola's Novel, "Joie de Vivre," 1886Still Life with Fruits and Vegetables, 1885Still Life with Yellow Straw Hat, 1885Still Life with Potatoes in Bowl, 1885Still Life with Clay Pot, Bottle and Wooden Shoes, 1885Still Life with Five Bird Nests, 1885Skull with Lit Cigarette, 1885Plaster Model of a Female Torso, 1886Plaster Model of a Kneeling Man, 1886Still Life with Bottle, Glasses, Cheese and Bread, 1886Pair of Shoes I, 1886Still Life with Mackerels, Lemons and Tomatoes, 1886Still Life with Apple Basket, Meat and a Baguette, 1886Still Life with Mussels and Shrimp, 1886Three Pairs of Shoes, 1886Pair of Shoes II, 1887Pair of Shoes III, 1887Still Life with Baked Goods, 1887Crocuses in Basket, 1887Still Life with Lemons on a Plate, 1887Flower Pot with Chives, 1887Still Life with Absinthe, 1887Still Life with Bottle and Lemons on a Plate, 1887Hyacinth Bulbs in a Basket (Oil on Wood), 1887Still Life with Three Books (Naturalist Novels by Jean Richepin, Emile Zola & Edmond de Goncourt, Oil on Wood), 1887Still Life with Smoked Herrings and Garlic, 1887Still Life with Red Cabbage and Onions, 1887Still Life with French Novels and a Rose in a Glass, 1887Still Life with Grapes, Pears and Lemons, 1887Still Life with Grapes, Apples, Lemons and Pears, 1887Still Life with Grapes, 1887Still Life with an Apple Basket, 1887Plaster Torso, Rose, and Two Novels (Edmont de Goncourt's "Germinie Lacerteux" and Maupassant's "Bel Ami"), 1887Still Life with Pears, 1887Skull, 1887Still Life with Potatoes in a Yellow Bowl, 1888Still Life with a Pair of Wooden Shoes, 1888Still Life with Coffee Pot, Dishes and Fruit, 1888Still Life with Bottle, Lemons and Oranges, 1888Pair of Shoes IV, 1888Still Life with Drawing Board, Pipe, Onions, Sealing Wax and Raspail's "Manual on Health", 1889Still Life with Smoked Herrings on Yellow Paper, 1889Still Life with Oranges, Lemons and Gloves, 1889
Author: Eugene Field
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 252
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Book Description
Author: Sarah Hamill
Publisher: Getty Publications
ISBN: 1606065343
Category : Photography
Languages : en
Pages : 314
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Book Description
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Author: Roger W. Moss
Publisher: Holt Paperbacks
ISBN: 9780805023138
Category : House & Home
Languages : en
Pages : 128
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Book Description
Victorian Exterior Decoration provides a foolproof system for choosing the colors that will best suit the particular style of any house.
Author: Frank E. Schoonover
Publisher: New York : Watson-Guptill Publications
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Frank Schooner, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life.--From jacket flap.
Author: Amy Von Lintel
Publisher: American Wests, Sponsored by W
ISBN: 9781648430152
Category : Art
Languages : en
Pages : 341
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Book Description
Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.
