Author: Neil Fulwood
Publisher: Batsford Books
ISBN: 1849942544
Category : Performing Arts
Languages : en
Pages : 401
Book Description
A detailed look at the work of one of America's great film directors. Sam Peckinpah helped to redefine the Western, clearing the board of genre cliches in order to present an intelligent examination of the motivation behind, and effects of, violence. The accusations against Peckinpah for making violent films, both Westerns and non-Westerns, for the sake of it as well as misogyny have become cliches themselves. Like their creator, the men who walk or ride through Peckinpah's films are deep, complex and often flawed. Technical accomplishment and the ability to draw out great preformances from his actors are only part of what sets Peckinpah's Films apart. It is their depth and intensity that make them unique. This book takes an in-depth look at the man, his early work for television, and all his films. It covers the critical reception of his films, Peckinpah's approach to film direction, his on-set behaviour, and studio interference during editing. An Appraisal of the iconography of his films plus an analysis of recurring themes and pre-occupations show that his best work was the most personal.
Films of Sam Peckinpah
Author: Neil Fulwood
Publisher: Batsford Books
ISBN: 1849942544
Category : Performing Arts
Languages : en
Pages : 401
Book Description
A detailed look at the work of one of America's great film directors. Sam Peckinpah helped to redefine the Western, clearing the board of genre cliches in order to present an intelligent examination of the motivation behind, and effects of, violence. The accusations against Peckinpah for making violent films, both Westerns and non-Westerns, for the sake of it as well as misogyny have become cliches themselves. Like their creator, the men who walk or ride through Peckinpah's films are deep, complex and often flawed. Technical accomplishment and the ability to draw out great preformances from his actors are only part of what sets Peckinpah's Films apart. It is their depth and intensity that make them unique. This book takes an in-depth look at the man, his early work for television, and all his films. It covers the critical reception of his films, Peckinpah's approach to film direction, his on-set behaviour, and studio interference during editing. An Appraisal of the iconography of his films plus an analysis of recurring themes and pre-occupations show that his best work was the most personal.
Publisher: Batsford Books
ISBN: 1849942544
Category : Performing Arts
Languages : en
Pages : 401
Book Description
A detailed look at the work of one of America's great film directors. Sam Peckinpah helped to redefine the Western, clearing the board of genre cliches in order to present an intelligent examination of the motivation behind, and effects of, violence. The accusations against Peckinpah for making violent films, both Westerns and non-Westerns, for the sake of it as well as misogyny have become cliches themselves. Like their creator, the men who walk or ride through Peckinpah's films are deep, complex and often flawed. Technical accomplishment and the ability to draw out great preformances from his actors are only part of what sets Peckinpah's Films apart. It is their depth and intensity that make them unique. This book takes an in-depth look at the man, his early work for television, and all his films. It covers the critical reception of his films, Peckinpah's approach to film direction, his on-set behaviour, and studio interference during editing. An Appraisal of the iconography of his films plus an analysis of recurring themes and pre-occupations show that his best work was the most personal.
Savage Cinema
Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Sam Peckinpah's Feature Films
Author: Bernard F. Dukore
Publisher: University of Illinois Press
ISBN: 9780252068027
Category : Motion picture producers and directors
Languages : en
Pages : 278
Book Description
One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films. At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood. Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.
Publisher: University of Illinois Press
ISBN: 9780252068027
Category : Motion picture producers and directors
Languages : en
Pages : 278
Book Description
One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films. At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood. Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.
"If They Move . . . Kill 'Em!"
Author: David Weddle
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190081
Category : Biography & Autobiography
Languages : en
Pages : 453
Book Description
“A probing biography of the enfant terrible of 1960s and 1970s film-making . . . exhaustive and endlessly intriguing.” —Booklist Written by the film critic and historian David Weddle, this fascinating account does critical justice to an important body of cinema as it spins the tale of David Samuel Peckinpah’s dramatic, overcharged life and the turbulent times through which he moved. Sam Peckinpah was born into a clan of lumberjacks, cattle ranchers, and frontier lawyers. After a hitch with the Marines, he made his way to Hollywood, where he worked on a string of low-budget features. In 1955 he began writing scripts for Gunsmoke; in less than a year he was one of the hottest writers in television, with two classic series, The Rifleman and The Westerner, to his credit. From there he went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. Peckinpah was both a hopeless romantic and a grim nihilist, a filmmaker who defined his era as much as he was shaped by it. Rising to prominence in the social and political upheaval of the late sixties and early seventies, Peckinpah and his generation of directors—Stanley Kubrick, Arthur Penn, Robert Altman—broke with convention and turned the traditional genres of Western, science fiction, war, and detective movies inside out. No other era in Hollywood has matched it for sheer energy, audacity, and originality; no one cut a wider path through that time than Sam Peckinpah. “Groundbreaking.” —Michael Sragow, The Atlantic
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190081
Category : Biography & Autobiography
Languages : en
Pages : 453
Book Description
“A probing biography of the enfant terrible of 1960s and 1970s film-making . . . exhaustive and endlessly intriguing.” —Booklist Written by the film critic and historian David Weddle, this fascinating account does critical justice to an important body of cinema as it spins the tale of David Samuel Peckinpah’s dramatic, overcharged life and the turbulent times through which he moved. Sam Peckinpah was born into a clan of lumberjacks, cattle ranchers, and frontier lawyers. After a hitch with the Marines, he made his way to Hollywood, where he worked on a string of low-budget features. In 1955 he began writing scripts for Gunsmoke; in less than a year he was one of the hottest writers in television, with two classic series, The Rifleman and The Westerner, to his credit. From there he went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. Peckinpah was both a hopeless romantic and a grim nihilist, a filmmaker who defined his era as much as he was shaped by it. Rising to prominence in the social and political upheaval of the late sixties and early seventies, Peckinpah and his generation of directors—Stanley Kubrick, Arthur Penn, Robert Altman—broke with convention and turned the traditional genres of Western, science fiction, war, and detective movies inside out. No other era in Hollywood has matched it for sheer energy, audacity, and originality; no one cut a wider path through that time than Sam Peckinpah. “Groundbreaking.” —Michael Sragow, The Atlantic
The Wild Bunch
Author: W. K. Stratton
Publisher: Bloomsbury Publishing USA
ISBN: 163286214X
Category : Performing Arts
Languages : en
Pages : 353
Book Description
For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O'Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it.
Publisher: Bloomsbury Publishing USA
ISBN: 163286214X
Category : Performing Arts
Languages : en
Pages : 353
Book Description
For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O'Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it.
Goin' Crazy with Sam Peckinpah and All Our Friends
Author: Max Evans
Publisher: University of New Mexico Press
ISBN: 082633587X
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
Almost as famous for the legendary excesses of his personal life as for his films, Sam Peckinpah (1925-1984) cemented his reputation as one of the great American directors with movies such as The Wild Bunch and Pat Garrett and Billy the Kid. Max Evans, one of Peckinpah's best friends, experienced the director's mercurial character and personal demons firsthand. In this enthralling memoir we follow Evans and Peckinpah through conversations in bars, family gatherings, binges on drugs and alcohol, struggles with film producers and executives, and Peckinpah's abusive behavior--sometimes directed at Evans himself. Evans's stories--most previously unpublished--provide a uniquely intimate look at Peckinpah, their famous friends (including Lee Marvin, Brian Keith, Joel McCrea, and James Coburn), and the business of Hollywood in the 1960s and 1970s.
Publisher: University of New Mexico Press
ISBN: 082633587X
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
Almost as famous for the legendary excesses of his personal life as for his films, Sam Peckinpah (1925-1984) cemented his reputation as one of the great American directors with movies such as The Wild Bunch and Pat Garrett and Billy the Kid. Max Evans, one of Peckinpah's best friends, experienced the director's mercurial character and personal demons firsthand. In this enthralling memoir we follow Evans and Peckinpah through conversations in bars, family gatherings, binges on drugs and alcohol, struggles with film producers and executives, and Peckinpah's abusive behavior--sometimes directed at Evans himself. Evans's stories--most previously unpublished--provide a uniquely intimate look at Peckinpah, their famous friends (including Lee Marvin, Brian Keith, Joel McCrea, and James Coburn), and the business of Hollywood in the 1960s and 1970s.
Bloody Sam
Author: Marshall Fine
Publisher: Miramax
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 452
Book Description
A comprehensive biography of the legendary creator of The Wild Bunch, Straw Dogs and The Getaway, taking an aptly no-holds-barred look at his life, his vision and his influence on modern cinema. Famed and reviled in equal measure for his no-frills approach to violent realism, Peckinpah refused to compromise his ideas for his producers, with the result that his films were decried for their apparent amoralism as much as lauded for their groundbreaking style and savage intensity. A complete look at the life and work of a modern seer.
Publisher: Miramax
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 452
Book Description
A comprehensive biography of the legendary creator of The Wild Bunch, Straw Dogs and The Getaway, taking an aptly no-holds-barred look at his life, his vision and his influence on modern cinema. Famed and reviled in equal measure for his no-frills approach to violent realism, Peckinpah refused to compromise his ideas for his producers, with the result that his films were decried for their apparent amoralism as much as lauded for their groundbreaking style and savage intensity. A complete look at the life and work of a modern seer.
Ultraviolent Movies
Author: Laurent Bouzereau
Publisher: Citadel Press
ISBN: 9780806520452
Category : Performing Arts
Languages : en
Pages : 266
Book Description
A history of extreme violence in movies analyzes the public response to this ever-growing phenomenon, tracing its beginnings in films such as Bonnie and Clyde and discussing how it fits into the artistic vision of filmmakers including Quentin Tarantino and Martin Scorcese. Original.
Publisher: Citadel Press
ISBN: 9780806520452
Category : Performing Arts
Languages : en
Pages : 266
Book Description
A history of extreme violence in movies analyzes the public response to this ever-growing phenomenon, tracing its beginnings in films such as Bonnie and Clyde and discussing how it fits into the artistic vision of filmmakers including Quentin Tarantino and Martin Scorcese. Original.
Sam Peckinpah
Author: Kevin J. Hayes
Publisher: Univ. Press of Mississippi
ISBN: 9781934110645
Category : Biography & Autobiography
Languages : en
Pages : 220
Book Description
Collected interviews with the combustible director of The Wild Bunch, Ride the High Country, Straw Dogs, The Getaway, and other films
Publisher: Univ. Press of Mississippi
ISBN: 9781934110645
Category : Biography & Autobiography
Languages : en
Pages : 220
Book Description
Collected interviews with the combustible director of The Wild Bunch, Ride the High Country, Straw Dogs, The Getaway, and other films
Sam Peckinpah
Author: Fernando Ganzo
Publisher: Intellect Books
ISBN: 9781783206193
Category : Motion picture producers and directors
Languages : en
Pages : 0
Book Description
Sam Peckinpah never won an Oscar, his filmography is short and uneven, and he has not always found favor with the public. Yet many moviegoers and great film-makers today - Tarantino and Scorsese to name just two -claim to have been hugely influenced by him. This book looks at why this should be so, analysing films divided into three periods: 1961-1
Publisher: Intellect Books
ISBN: 9781783206193
Category : Motion picture producers and directors
Languages : en
Pages : 0
Book Description
Sam Peckinpah never won an Oscar, his filmography is short and uneven, and he has not always found favor with the public. Yet many moviegoers and great film-makers today - Tarantino and Scorsese to name just two -claim to have been hugely influenced by him. This book looks at why this should be so, analysing films divided into three periods: 1961-1