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Author: Dixon Wheeler Winston Dixon
Publisher: Edinburgh University Press
ISBN: 1474467768
Category : Electronic books
Languages : en
Pages : 208
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Book Description
Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950s, by television, and later videocassettes, the web, and the Internet, to create, by the early 21st century a hypersurveillant atmosphere in which no one can avoid the barrage of images that continually assault our senses. The book begins with the return of American soldiers from World War II, 'liberated' from war in the Pacific by the newly created atomic bomb, which will come to rule American consciousness through much of the 1950s and 1960s and then, in a newer, more small-scale way, become a fixture of terrorist hardware in the post-paranoid ear of the 21st century. Film Noir and the Cinema of Paranoia is constructed in six chapters, each highlighting a particular 'raising of the cinematic stakes' in the creation of a completely immersible universe of images. Selling points:*Expands the definition of noir to include numerous lesser known works.*Deals with Red Scare films of the 1950s in the US.*Examines the 'dark side' of the 1960s, or films that questioned the emerging counterculture.*Explores such neo-noir films as The Last Seduction (1993), Angel Heart (1987), The Grifters (1990), Red Rock West (1993), The Usual Suspects (1995), Mulholland Drive (2001), L.A. Confidential (1997), and Memento (2000).*Details the 'noir' aspects of the cybernetic age, both in online and videogame uses.
Author: Dixon Wheeler Winston Dixon
Publisher: Edinburgh University Press
ISBN: 1474467768
Category : Electronic books
Languages : en
Pages : 208
Get Book Here
Book Description
Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950s, by television, and later videocassettes, the web, and the Internet, to create, by the early 21st century a hypersurveillant atmosphere in which no one can avoid the barrage of images that continually assault our senses. The book begins with the return of American soldiers from World War II, 'liberated' from war in the Pacific by the newly created atomic bomb, which will come to rule American consciousness through much of the 1950s and 1960s and then, in a newer, more small-scale way, become a fixture of terrorist hardware in the post-paranoid ear of the 21st century. Film Noir and the Cinema of Paranoia is constructed in six chapters, each highlighting a particular 'raising of the cinematic stakes' in the creation of a completely immersible universe of images. Selling points:*Expands the definition of noir to include numerous lesser known works.*Deals with Red Scare films of the 1950s in the US.*Examines the 'dark side' of the 1960s, or films that questioned the emerging counterculture.*Explores such neo-noir films as The Last Seduction (1993), Angel Heart (1987), The Grifters (1990), Red Rock West (1993), The Usual Suspects (1995), Mulholland Drive (2001), L.A. Confidential (1997), and Memento (2000).*Details the 'noir' aspects of the cybernetic age, both in online and videogame uses.
Author: Wheeler W. Dixon
Publisher: Rutgers University Press
ISBN: 0813537002
Category : History
Languages : en
Pages : 301
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Book Description
The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life with such films as Citizen Kane, Rebecca, The Lady Eve, Sergeant York, How Green Was My Valley, Casablanca, Mrs. Miniver, The Road to Morocco, Yankee Doodle Dandy, Kiss of Death, Force of Evil, Caught, and Apology for Murder. Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.
Author: Wheeler Winston Dixon
Publisher:
ISBN: 9780748624003
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
Wheeler Winston Dixon's comprehensive work engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s that contradicted an American split-level dream of safety and security. The dark cinema of the 1960s hosted films that reflected the tensions of a society facing a new and, to some, menacing era of social expression. From smaller studio work to the vibrating pulse of today's "click and kill" video games, Dixon boldly addresses the noir artistry that keeps audiences in an ever-consumptive stupor.
Author: Nicholas Christopher
Publisher: Simon and Schuster
ISBN: 1439137617
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
Author: Mark Osteen
Publisher: JHU Press
ISBN: 1421408325
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Classic film noir offers more than pesky private eyes and beautiful bad girls—it explores the quest for the not-so-attainable American dream. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Desperate young lovers on the lam (They Live by Night), a cynical con man making a fortune as a mentalist (Nightmare Alley), a penniless pregnant girl mistaken for a wealthy heiress (No Man of Her Own), a wounded veteran who has forgotten his own name (Somewhere in the Night)—this gallery of film noir characters challenges the stereotypes of the wise-cracking detective and the alluring femme fatale. Despite their differences, they all have something in common: a belief in self-reinvention. Nightmare Alley is a thorough examination of how film noir disputes this notion at the heart of the American Dream. Central to many of these films, Mark Osteen argues, is the story of an individual trying, by dint of hard work or, more often, illicit enterprises, to overcome his or her origins and achieve material success. In the wake of World War II, the noir genre tested the dream of upward mobility and the ideas of individualism, liberty, equality, and free enterprise that accompany it. Employing an impressive array of theoretical perspectives (including psychoanalysis, art history, feminism, and music theory) and combining close reading with original primary source research, Nightmare Alley proves both the diversity of classic noir and its potency. This provocative and wide-ranging study revises and refreshes our understanding of noir's characters, themes, and cultural significance.
Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 1107094518
Category : Music
Languages : en
Pages : 439
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Book Description
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Author: Bruce Crowther
Publisher: Burns & Oates
ISBN:
Category : Film noir
Languages : en
Pages : 200
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Book Description
Author: Ian Cameron
Publisher:
ISBN: 9780289800485
Category : Film noir
Languages : en
Pages : 288
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Book Description
This illustrated volume covers the films, directors and themes of the film noir genre 1945-1955. Including an analysis of film noir classics such as "Double Indemnity" and "The Big Sleep", it shows how the shadowy world portrayed related to social and political uncertainties of the McCarthy era.
Author: Paul Meehan
Publisher: McFarland
ISBN: 147660973X
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.
