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Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 806
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Book Description
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 806
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Book Description
Author: Jack Sargeant
Publisher: Catapult
ISBN: 1933368950
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
This exhaustive study focuses on the New York filmmakers that coalesced around the radical manifesto espoused by downtown filmmaker Nick Zedd: “none shall emerge unscathed.” Placing their work within the wider alternative film and downtown post-punk scenes, Deathtripping offers detailed analyses of the movement’s films alongside interviews with the filmmakers and their collaborators, including Richard Kern, Nick Zedd, Tommy Turner, Beth B, Joe Coleman, and Lydia Lunch. Also discussed are seminal influences such as the Kuchar brothers, Jack Smith, and Andy Warhol as well as the history of underground and trash cinema.
Author: United States. Assistant Secretary of Defense (Public Affairs)
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 496
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Book Description
Author: NA NA
Publisher: Springer
ISBN: 1137081686
Category : Technology & Engineering
Languages : en
Pages : 205
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Book Description
This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.
Author: Jim Pauley
Publisher: Rowman & Littlefield
ISBN: 1493086758
Category : Performing Arts
Languages : en
Pages : 425
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Book Description
Columbia Pictures reaches a major milestone in 2024 by celebrating the 100-year anniversary of Columbia’s incorporation. In the same vein of recent Hollywood movie studio titles such as Warner Bros.: Hollywood’s Ultimate Backlot, Paramount: City of Dreams, and MGM: Hollywood’s Greatest Backlot, this new book documents the studio history of Columbia Pictures Corporation in Hollywood, as well as Columbia’s back lot in Burbank, California. This book reveals how Columbia came to be founded by Joe Brandt and brothers Harry and Jack Cohn in 1924, and uses the “studio tour” concept to describe Columbia's history of filmmaking, which includes Lost Horizon, Mr. Smith Goes to Washington, From Here to Eternity, The Bridge on the River Kwai, as well as many serials and television programs. The book has hundreds of photos, including studio documents, vintage publicity stills, and candids, along with aerial views and maps. The majority of the photos have never been published before.
Author: Paul Kerr
Publisher: Bloomsbury Publishing USA
ISBN: 1501336762
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1294
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Book Description
Author: Sally Dux
Publisher: Manchester University Press
ISBN: 1526111780
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Richard Attenborough’s film career has stretched across seven decades; surprisingly, Sally Dux’s book is the first detailed scholarly analysis of his work as a filmmaker. Concentrating on his work behind the camera, she explores his initial role as a producer, including his partnerships with Bryan Forbes in Beaver Films (1959–64) and with Allied Film Makers (1960–64). As we know, Attenborough went on to direct twelve films, many of which achieved great acclaim, most notably Gandhi, which won eight Academy Awards in 1982 Attenborough is most renowned for his biographical films including Young Winston, Cry Freedom, Chaplin and Shadowlands, which helped to establish the genre within British cinema. Although his work has often attracted controversy, particularly regarding the representation of individuals and historical events, his films are noted for extracting acclaimed performances from unknown actors such as Ben Kingsley (Gandhi), while maintaining his moral and thematic concerns.
Author: Tim Bergfelder
Publisher: Berghahn Books
ISBN: 9781571815385
Category : History
Languages : en
Pages : 294
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Book Description
A comprehensive account of the popular German film industry of the 1960s, its main protagonists, and its production strategies. The book challenges traditional assumptions about this mode of film-making.
Author: Brian Hannan
Publisher: McFarland
ISBN: 1476633916
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Conflicts among Hollywood studios and exhibitors have been going on for years. At their heart are questions about how films should be released--where, when and at what speed. Both sides of this disagreement are losers, with exhibitors using the law via various Consent Decrees and studios retaliating by tightly controlling output. In the Silent Era, movies were not released nearly as widely as they are now. This book tells the story of how the few became the many. It explores the contraction of the release cycle, the maximization of the marketing dollar, and the democratization of consumer access. It also offers a comprehensive list of wide releases and rebuts much of what previous scholars have found.
