Origins of European Printmaking PDF Download
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Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: Library of Congress
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
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Book Description
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.
Author: Jon Crabb
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 194
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Book Description
The invention of the printing press led to an explosion of cheap printed materials in the 16th and 17th centuries. Ballads were no longer limited to oral tradition, agitators no longer confined to the soapbox. Mass communication was now possible. The broadsides pasted on walls and disseminated among the masses, together with the written ballads hawked at street corners, represented the zeitgeist of popular culture in early modern Britain. Frequently designed in "blackletter" gothic type and accompanied with distinctive woodcut illustrations, this dynamic, lively form encompassed the obsessions and characteristic humor of the times. This beautifully designed book highlights some of the most striking and amusing examples from the British Library's collections and provides brief commentary on the political and social background of the times. Frequent topics of illustration include monsters, witches, criminals, drinking, war and politics.
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Illustrated books
Languages : en
Pages : 588
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Book Description
Author: David Landau
Publisher: Yale University Press
ISBN: 0300068832
Category : Art
Languages : en
Pages : 453
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Book Description
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Author: Naoko Takahatake
Publisher: National Geographic Books
ISBN: 3791357395
Category : Art
Languages : en
Pages : 0
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Book Description
A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 154
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Book Description
Author: Grażyna Jurkowlaniec
Publisher: Routledge
ISBN: 1000173127
Category : Art
Languages : en
Pages : 421
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Book Description
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda
Author: Sir William Martin Conway
Publisher:
ISBN:
Category : Block books
Languages : en
Pages : 388
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Book Description
Author: Elizabeth Savage
Publisher:
ISBN: 9781911300755
Category : Color prints
Languages : en
Pages : 0
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Book Description
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as well as unfairly overlooked entrepreneurs and innovators like Erasmus Loy (and his daughter Anna). Their breakthroughs reproduced artworks and simplified astronomical calculations. They created trends in interior design and signalled 'red-letter days'. They helped musicians sight-read and they color-coded metals for goldsmiths. These diverse new functions and markets might seem unrelated. But they are connected, and they cannot be understood in isolation. From artworks to missals, icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. The many inventions of color printing in the German-speaking lands began with medieval novel solutions. They were devised long before color printing inks could be formulated. Then, color printing techniques transformed how printed material could be used during the technological and cultural revolutions of the sixteenth century. Later designers and artists around Europe celebrated these techniques' heritage for centuries, from the 'D rer Renaissance' until chromolithography revolutionized the print market in the nineteenth century. Early Colour Printing captures this story in rich detail. It sets the stage for second wave of German color woodcut, which was triggered by the Expressionist revival at the turn of the twentieth century. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself. Early Colour Printing: German Renaissance Woodcuts at the British Museum offers significant new research, including previously unidentified examples of early modern color-printing. Some are believed to be unique in the world; others were made decades before the landmark invention of colorful chiaroscuro woodcut in Italy in 1516. By modeling a printer- and technology-based approach to the history of printing, it contributes to scholarship by pinpointing attributions to printers--not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. This publication derives from an exhibition at the British Museum curated by Elizabeth Savage.
