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Author: Eric Ames
Publisher:
ISBN: 9780816677634
Category : Documentary films
Languages : en
Pages : 0
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Book Description
Over the course of his career Werner Herzog has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: "There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization." This book asks how this conviction, hostile to the traditional tenets of documentary, can inform the work of one of the world's most provocative documentarians. In close, contextualized analysis of more than twenty-five films spanning Herzog's career, the author makes a case for exploring documentary films in terms of performance and explains what it means to do so.--From publisher description.
Author: Eric Ames
Publisher:
ISBN: 9780816677634
Category : Documentary films
Languages : en
Pages : 0
Get Book
Book Description
Over the course of his career Werner Herzog has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: "There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization." This book asks how this conviction, hostile to the traditional tenets of documentary, can inform the work of one of the world's most provocative documentarians. In close, contextualized analysis of more than twenty-five films spanning Herzog's career, the author makes a case for exploring documentary films in terms of performance and explains what it means to do so.--From publisher description.
Author: Susan Scott
Publisher: Penguin
ISBN: 9780425193372
Category : Self-Help
Languages : en
Pages : 324
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Book Description
Fully revised and updated—the national bestselling communication skills guide that will help you achieve personal and professional success one conversation at a time. The master teacher of positive change through powerful communication, Susan Scott wants you to succeed. To do that, she explains, you must transform everyday conversations at work and at home with effective ways to get your message across—and get what you want. In this guide, which includes a workbook and The Seven Principles of Fierce Conversations, Scott teaches you how to: • Overcome barriers to meaningful communication • Expand and enrich relationships with colleagues, friends, and family • Increase clarity and improve understanding • Handle strong emotions—on both sides of the table • Connect with colleagues, customers and family at a deep level Includes a Foreword by Ken Blanchard, the bestselling co-author of The One Minute Manager
Author: Thomas J. Loughman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
The 17th-century was a period of extraordinary achievement in Italian painting that placed Naples at the center of international artistic taste. The almost continuous artistic accomplishments in Naples at this time left an imprint on the history of European art. This exhibition catalog presents 50 paintings-including both familiar icons and many important works visiting North America for the first time-by such artists as Artemisia Gentileschi, Luca Giordano, Francesco Guarino, Salvatore Rosa, Jusepe De Ribera, and more. The paintings depict religious and secular subjects, still life, portraiture, and 17th-century city life in Naples, including the ravages of rebellion and plague, and the moments of great triumph.
Author: Eric Ames
Publisher:
ISBN: 9780816682010
Category : ART
Languages : en
Pages : 349
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Book Description
Over the course of his career Werner Herzog, known for such visionary masterpieces as "Aguirre: The Wrath of God" (1972) and "The Enigma of Kaspar Hauser" (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: OC There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.OCO "Ferocious Reality" is the first book to ask how this conviction, so hostile to the traditional tenets of documentary, can inform the work of one of the worldOCOs most provocative documentarians. Herzog, whose "Cave of Forgotten Dreams "was perhaps the most celebrated documentary of 2010, may be the most influential filmmaker missing from major studies and histories of documentary. Examining such notable films as "Lessons of Darkness" (1992) and "Grizzly Man" (2005), Eric Ames shows how Herzog dismisses documentary as a mode of filmmaking in order to creatively intervene and participate in it. In close, contextualized analysis of more than twenty-five films spanning HerzogOCOs career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. Thus his book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner HerzogOCOs extraordinary oeuvre.
Author: Didier Maleuvre
Publisher: CUA Press
ISBN: 0813214548
Category : Art
Languages : en
Pages : 329
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Book Description
The book first argues that religious feeling persists in the secular western mind; that it has taken refuge in the unlikeliest of camps, indeed with the supposed debunker of religious creed: the rationalist existential ego.
Author: Vivian Sobchack
Publisher: Univ of California Press
ISBN: 0520241282
Category : History
Languages : en
Pages : 341
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Book Description
A group of sophisticated essays on how we experience film with all fives senses--and our sense of history .
Author: Christie Milliken
Publisher: Indiana University Press
ISBN: 0253056896
Category : Performing Arts
Languages : en
Pages : 406
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Book Description
The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary reverses this long-standing tendency by showing that documentaries can be—and are—made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms—including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand—and offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Author: Dara Waldron
Publisher: Bloomsbury Publishing USA
ISBN: 1501322508
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film,' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.
Author: Tim Bergfelder
Publisher: Bloomsbury Publishing
ISBN: 1911239414
Category : History
Languages : en
Pages : 624
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Book Description
This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
Author: David LaRocca
Publisher: Lexington Books
ISBN: 1498504523
Category : Philosophy
Languages : en
Pages : 645
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Book Description
The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sciences, and even natural sciences (in so far as we are biological beings who are trying to track our cognitive and perceptual understanding of a nonbiological thing—namely, film, whether celluloid-based or in digital form); these disciplines, so habitually cordoned off from one another, are brought together into a shared conversation about a common object and domain of investigation. This book will be of interest to theorists and practitioners of nonfiction film; to emerging and established scholars contributing to the secondary literature; and to those who are intrigued by the kinds of questions and claims that seem native to nonfiction film, and who may wish to explore some critical responses to them written in engaging language.
