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Author: Amanda W. Dotseth
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
"One of the most important art works produced in late fifteenth-century Spain is the group of twenty-six panels from the main altarpiece of the cathedral of Ciudad Rodrigo in Castile." "This publication sheds light on the altarpiece and its context, and includes essays on the provenance of the altarpiece."--BOOK JACKET.
Author: Amanda W. Dotseth
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
"One of the most important art works produced in late fifteenth-century Spain is the group of twenty-six panels from the main altarpiece of the cathedral of Ciudad Rodrigo in Castile." "This publication sheds light on the altarpiece and its context, and includes essays on the provenance of the altarpiece."--BOOK JACKET.
Author: Amanda W. Dotseth
Publisher:
ISBN:
Category : Altarpieces / Spain / Ciudad-Rodrigo
Languages : en
Pages : 360
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Book Description
"One of the most important art works produced in late fifteenth-century Spain is the group of twenty-six panels from the main altarpiece of the cathedral of Ciudad Rodrigo in Castile." "This publication sheds light on the altarpiece and its context, and includes essays on the provenance of the altarpiece."--BOOK JACKET.
Author:
Publisher: BRILL
ISBN: 900436384X
Category : History
Languages : en
Pages : 683
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Book Description
This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies. Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Ballesté, Judith Berg Sobré, Carme Berlabé, Eduardo Carrero, Ximo Company, Francesca Español, Francesc Fité, Montserrat Jardí, Nicola Jennings, Fernando Marías, Didier Martens, Isidre Puig, Nuria Ramón, Pedro José Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluïsa Tolosa, Alberto Velasco, and Joaquín Yarza (†).
Author: Cynthia Robinson
Publisher: Penn State Press
ISBN: 0271054107
Category : Art
Languages : en
Pages : 482
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Book Description
"An interdisciplinary reassessment of the creation and reception of religious imagery, and of its place in the devotional practices of Castilian Christians, situated against the broader panorama of Spanish culture in the fourteenth and fifteenth centuries"--Provided by publisher.
Author: Babette Bohn
Publisher: John Wiley & Sons
ISBN: 1118391519
Category : Art
Languages : en
Pages : 797
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Book Description
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110285428
Category : Literary Criticism
Languages : en
Pages : 932
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Book Description
Older research on the premodern world limited its focus on the Church, the court, and, more recently, on urban space. The present volume invites readers to consider the meaning of rural space, both in light of ecocritical readings and social-historical approaches. While previous scholars examined the figure of the peasant in the premodern world, the current volume combines a large number of specialized studies that investigate how the natural environment and the appearance of members of the rural population interacted with the world of the court and of the city. The experience in rural space was important already for writers and artists in the premodern era, as the large variety of scholarly approaches indicates. The present volume signals how much the surprisingly close interaction between members of the aristocratic and of the peasant class determined many literary and art-historical works. In a surprisingly large number of cases we can even discover elements of utopia hidden in rural space. We also observe how much the rural world was a significant element already in early-medieval mentality. Moreover, as many authors point out, the impact of natural forces on premodern society was tremendous, if not catastrophic.
Author: Jeanette Favrot Peterson
Publisher: University of Texas Press
ISBN: 1477318429
Category : Art
Languages : en
Pages : 252
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Book Description
Honorable Mention, 2021 LASA Mexico Humanities Book Prize, Latin American Studies Association, Mexico Section In the sixteenth century, the Franciscan friar Bernardino de Sahagún and a team of indigenous grammarians, scribes, and painters completed decades of work on an extraordinary encyclopedic project titled General History of the Things of New Spain, known as the Florentine Codex (1575–1577). Now housed in the Biblioteca Medicea Laurenziana in Florence and bound in three lavishly illustrated volumes, the codex is a remarkable product of cultural exchange in the early Americas. In this edited volume, experts from multiple disciplines analyze the manuscript’s bilingual texts and more than 2,000 painted images and offer fascinating, new insights on its twelve books. The contributors examine the “three texts” of the codex—the original Nahuatl, its translation into Spanish, and its painted images. Together, these constitute complementary, as well as conflicting, voices of an extended dialogue that occurred in and around Mexico City. The volume chapters address a range of subjects, from Nahua sacred beliefs, moral discourse, and natural history to the Florentine artists’ models and the manuscript’s reception in Europe. The Florentine Codex ultimately yields new perspectives on the Nahua world several decades after the fall of the Aztec empire.
Author: Albrecht Classen
Publisher: Rowman & Littlefield
ISBN: 0739177842
Category : Biography & Autobiography
Languages : en
Pages : 230
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Book Description
The history of the United States has been deeply determined by Germans throughout time, but hardly anyone has noticed that this was the case in the Southwest as well, known as Arizona/Sonora today, in the eighteenth century as Pimer a Alta. This was the area where the Jesuits operated all by themselves, and many of them, at least since the 1730s, originated from the Holy Roman Empire, hence were identified as Germans (including Swiss, Austrians, Bohemians, Croats, Alsatians, and Poles). Most of them were highly devout and dedicated, hard working and very intelligent people, achieving wonders in terms of settling the native population, teaching and converting them to Christianity. However, because of complex political processes and the effects of the 'black legend' all Jesuit missionaries were expelled from the Americas in 1767, and the order was banned globally in 1773. As this book illustrates, a surprisingly large number of these German Jesuits composed extensive reports and even encyclopedias, not to forget letters, about the Sonoran Desert and its people. Much of what we know about that world derives from their writing, which proves to be fascinating, lively, and highly informative reading material.
Author: Jennifer M. Feltman
Publisher: Routledge
ISBN: 1351181106
Category : Art
Languages : en
Pages : 359
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Book Description
Traditional histories of medieval art and architecture often privilege the moment of a work’s creation, yet surviving works designated as "medieval" have long and expansive lives. Many have extended prehistories emerging from their sites and contexts of creation, and most have undergone a variety of interventions, including adaptations and restorations, since coming into being. The lives of these works have been further extended through historiography, museum exhibitions, and digital media. Inspired by the literary category of biography and the methods of longue durée historians, the introduction and seventeen chapters of this volume provide an extended meditation on the longevity of medieval works of art and the aspect of time as a factor in shaping our interpretations of them. While the metaphor of "lives" invokes associations with the origin of the discipline of art history, focus is shifted away from temporal constraints of a single human lifespan or generation to consider the continued lives of medieval works even into our present moment. Chapters on works from the modern countries of Italy, France, England, Spain, and Germany are drawn together here by the thematic threads of essence and continuity, transformation, memory and oblivion, and restoration. Together, they tell an object-oriented history of art and architecture that is necessarily entangled with numerous individuals and institutions.
Author:
Publisher: BRILL
ISBN: 9004379592
Category : Art
Languages : en
Pages : 541
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Book Description
Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
