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Author: Argha Banerjee
Publisher: Atlantic Publishers & Dist
ISBN: 9788126901746
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
The Book, Female Voices In Keats'S Poetry Studies Some Major Women Figures In John Keats'S Poetry In The Light Of Recent Criticism Of Sexual Ambiguity In Keats. Sexual Ambiguity, As Scholars Have Discussed, Refers To The Sexual Identity Or Fragmented Poetic Self As Reflected In John Keats'S Verse. It Examines Some Central Women Characters Of Keatsian Verse In The Light Of This Dual Strand: First, As To How Far These Women Figures Are Projections Of Keats'S Own Poetic Self; And Secondly, What Do They Reveal, As Regards Attitudes Of A Male Poet Towards Women. A Study Of These Women Figures Provides Interesting Observations On Feminine Projections Besides Trying To Correlate The Shaping Of These Attitudes With The Psychological And Biographical Strands Of The Poet'S Life. The Study Of Keatsian Verse Complicates The Issue Of Gender, Has Already Been Highlighted By Recent Criticism. The Book Examines The Female Characters In His Poetry In The Light Of Deeper Conflicts, Complexities And Confusions Within Keats'S Own Poetic Self.
Author: Argha Banerjee
Publisher: Atlantic Publishers & Dist
ISBN: 9788126901746
Category : Literary Criticism
Languages : en
Pages : 176
Get Book
Book Description
The Book, Female Voices In Keats'S Poetry Studies Some Major Women Figures In John Keats'S Poetry In The Light Of Recent Criticism Of Sexual Ambiguity In Keats. Sexual Ambiguity, As Scholars Have Discussed, Refers To The Sexual Identity Or Fragmented Poetic Self As Reflected In John Keats'S Verse. It Examines Some Central Women Characters Of Keatsian Verse In The Light Of This Dual Strand: First, As To How Far These Women Figures Are Projections Of Keats'S Own Poetic Self; And Secondly, What Do They Reveal, As Regards Attitudes Of A Male Poet Towards Women. A Study Of These Women Figures Provides Interesting Observations On Feminine Projections Besides Trying To Correlate The Shaping Of These Attitudes With The Psychological And Biographical Strands Of The Poet'S Life. The Study Of Keatsian Verse Complicates The Issue Of Gender, Has Already Been Highlighted By Recent Criticism. The Book Examines The Female Characters In His Poetry In The Light Of Deeper Conflicts, Complexities And Confusions Within Keats'S Own Poetic Self.
Author: Karla Alwes
Publisher: SIU Press
ISBN: 9780809318353
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
From the mortal maidens of 1817 to the omnipotent goddesses of 1819, Keats uses successive female characters as symbols portraying the salvation and destruction, the passion and fear that the imagination elicits. Karla Alwes traces the change in these female figures—multidimensional and mysteriously protean—and shows that they do more than comprise a symbol of the female as a romantic lover. They are the gauge of Keats’s search for identity. As Keats’s poetry changes with experience, from celebration to denial of the earth, the females change from meek to threatening to a final maternal and conciliatory figure. Keats consistently maintained a strict dichotomy between the flesh-and-blood women he referred to in his letters and the created females of his poetry, in the same way that he rigorously sought to abandon the real for the ideal in his poetry. In her study of Keats’s poetry, Alwes dramatizes the poet’s struggle to come to terms with his two consummate ideals—women and poetry. She demonstrates how his female characters, serving as lovers, guides, and nemeses to the male heroes of the poems, embody not only the hope but also the disappointment that the poet discovers as he strives to reconcile feminine and masculine creativity. Alwes also shows how the myths of Apollo, which Keats integrated into his poetry as early as February 1815, point up his contradictory need for, yet fear of, the feminine. She argues that Keats’s attempt to overcome this fear, impossible to do by concentrating solely on Apollo as a metaphor for the imagination, resulted in his eventual use of maternal goddesses as poetic symbols. The goddess Moneta in "The Fall of Hyperion" reclaims the power of the maternal earth to represent the final stage in the development of the female. In combining the wisdom of the Apollonian realm with the compassion of the feminine earth, Moneta is more powerful than Apollo and able to show the poet who does not recognize both realms that he is only a "dreamer," one who "venoms all his days, / Bearing more woe than all his sins deserve." Because of Moneta’s admonishment, Keats becomes the poet capable of creating "To Autumn." In this final ode, Keats taps the transcendent power inherent in the temporal beauty of the earth. His imagination, once attempting to leave the earth, now goes beyond the Apollonian ideal into the realm of salvation—the human heart—that connects him to the earth. And because of his poetic reconciliation between heaven and earth, Keats is ultimately able to portray an earthly timelessness in which "summer has o’er-brimmed" the bees’ "clammy cells," making for "warm days [that] will never cease."
Author: Merve Günday
Publisher: Taylor & Francis
ISBN: 1040040292
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
This book claims that Keats’s poetry is a reaction against the discourse of modernity which traumatized the human subject by creating a divide between human and nature, subject and object. It argues that by transcending this divide and acknowledging the agency of both subject and object, Keats makes an ideological statement and offers a new site of existence or relationality to readers. This site also implies a response to the accusations that the Romantics were not interested in the realities of their time. What Keats does is to give an aestheticized response to the hardcore facts of his time. Departing from previous studies due to its emphasis on subjectivity and relationality, the book discusses Keats with regard to post/non-anthropocentric, alternative subject positions and subject-object relations in his “Ode to a Nightingale,” “In drear nighted December,” “Isabella; or, The Pot of Basil,” “Lamia,” “La Belle Dame sans Mercy,” and “Ode on a Grecian Urn.” Drawing on Lacanian and Braidottian epistemologies in its discussion of the intricacy between the imaginary and the symbolic, the irruption of the psychotic into the symbolic, and the agency of the object on the subject in Keats’s poetry, the book suggests that the inner dynamics of both the subject and the object acquire agency, which shatters Oneness and totality assumed in the Cartesian self.
Author: Michael O'Neill
Publisher: Taylor & Francis
ISBN: 9780415247252
Category : European literature
Languages : en
Pages : 412
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Book Description
Author: Rachel Schulkins
Publisher: Routledge
ISBN: 131710935X
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
Examining John Keats’s reworking of the romance genre, Rachel Schulkins argues that he is responding to and critiquing the ideals of feminine modesty and asexual femininity advocated in the early nineteenth century. Through close readings of Isabella; or the Pot of Basil, The Eve of St. Agnes, Lamia and ’La Belle Dame sans Merci,’ Schulkins offers a re-evaluation of Keats and his poetry designed to demonstrate that Keats’s sexual imagery counters conservative morality by encoding taboo desires and the pleasures of masturbation. In so doing, Keats presents a version of female sexuality that undermines the conventional notion of the asexual female. Schulkins engages with feminist criticism that largely views Keats as a misogynist poet who is threatened by the female’s overwhelming sexual and creative presence. Such criticism, Schulkins shows, tends towards a problematic identification between poet and protagonist, with the text seen as a direct rendering of authorial ideology. Such an interpretation neither distinguishes between author, protagonist, text, social norms and cultural history nor recognises the socio-sexual and political undertones embedded in Keats’s rendering of the female. Ultimately, Schulkins’s book reveals how Keats’s sexual politics and his refutation of the asexual female model fed the design, plot and vocabulary of his romances.
Author: Susan J. Wolfson
Publisher: Cambridge University Press
ISBN: 9780521658393
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In The Cambridge Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Keats's life in London's intellectual, aesthetic and literary culture and the relation of his poetry to the visual arts. These specially commissioned essays are sophisticated but accessible, challenging but lucid, and are complemented by an introduction to Keats's life, a chronology, a list of contemporary people and periodicals, a source reference for famous phrases and ideas articulated in Keats's letters, a glossary of literary terms and a guide to further reading.
Author: Polina Mackay
Publisher: Routledge
ISBN: 1000509885
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
This is the first book-length study to read women of the Beat Generation as feminist writers. The book focuses on one author from each of the three generations that comprise the groups of female writers associated with the Beats – Diane di Prima, ruth weiss and Anne Waldman – as well as on experimental and multimedia artists, such as Laurie Anderson and Kathy Acker, who have not been read through the prism of Beat feminism before. This book argues that these writers’ feminism evolved over time but persistently focussed on intertextuality, transformation, revisionism, gender, interventionist poetics and activism. It demonstrates how these Beat feminisms counteract the ways in which women have been undermined, possessed or silenced.
Author: Brian Rejack
Publisher: Oxford University Press
ISBN: 1786941813
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Few critical terms coined by poets are more famous than "negative capability." Though Keats uses the mysterious term only once, a consensus about its meaning has taken shape over the last two centuries. Keats's Negative Capability: New Origins and Afterlives offers alternative ways to approach and understand Keats's seductive term.
Author: Gaura Shankar Narayan
Publisher: Peter Lang
ISBN: 9781433104114
Category : Foreign Language Study
Languages : en
Pages : 218
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Book Description
"Real and Imagined Women in British Romanticism uses feminist ideology and deconstructive criticism to reconstruct the cultural context embedded in Romantic canonical texts. To achieve this end, the book undertakes a close textual study of these texts and places them in the intellectual context of Mary Wollstonecraft's critique of culture. As a result of intellectual contextuallzing as well as theoretical applications, the Romantic imagination, as represented by William Wordsworth and John Keats, emerges as the place where gender division and gender certitude break down. This book intervenes in the traditional critical debates about the Romantic imagination to show that the Romantic imagination, as set forth in these texts, registers the vigorous cultural politics of gender and aesthetics that defined the 1790s and continued to exert influence for decades." --Book Jacket.
Author: Subashish Bhattacharjee
Publisher: Cambridge Scholars Publishing
ISBN: 1527523403
Category : Social Science
Languages : en
Pages : 274
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Book Description
The uptake of women’s writing as a distinct genre in literature since the 1960s has been rapid and multifarious. This development has fuelled a generation of literary and cultural studies, and can be seen in the growing influence of women’s and gender studies even in literary studies programs. The study of women’s writing has alerted literature to crucial social, political and cultural problems with which the discipline must continue to grapple. New Women’s Writing addresses this legacy and reflects upon the following questions: What is a critical history of women’s writing? How has women’s writing challenged literature’s rigid disciplinary construction? How can we derive a distinct philosophy of women’s writing and literary studies? How does an engagement with women’s writing contribute to a literary understanding of the complex politics of literature? This book is designed to interest both the seasoned scholar of women’s writing, as well as fledgling scholars who wish to grapple with the broad concept of women’s writing and its manifestations in the twentieth century and thereafter.
