Fellowship: Letters Addressed to My Sister Mourners PDF Download
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Author: Lady Elizabeth Rigby Eastlake
Publisher:
ISBN:
Category : Suffering
Languages : en
Pages : 112
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Book Description
Author: Lady Elizabeth Rigby Eastlake
Publisher:
ISBN:
Category : Suffering
Languages : en
Pages : 112
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Book Description
Author: Fellowship
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
![Fellowship, letters addressed to my sister mourners [by lady E. Eastlake]. PDF](https://books.google.com/books/content/images/frontcover/bAEDAAAAQAAJ?fife=w80-h100)
Author: lady Elizabeth Eastlake
Publisher:
ISBN:
Category : Bereavement
Languages : en
Pages : 112
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 842
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1284
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Book Description
Author: Kate Hill
Publisher: Boydell & Brewer Ltd
ISBN: 184383961X
Category : Art
Languages : en
Pages : 351
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Book Description
Exploring the relationship between museums and biographies, this collection of essays examines examples from the early 19th century to the present day.
Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
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Book Description
Author: Anne-Marie Millim
Publisher: Routledge
ISBN: 1317012607
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety.
