Federico Da Montefeltro and Sigismondo Malatesta PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Federico Da Montefeltro and Sigismondo Malatesta PDF full book. Access full book title Federico Da Montefeltro and Sigismondo Malatesta by Maria Grazia Pernis. Download full books in PDF and EPUB format.
Author: Maria Grazia Pernis
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN: 9780820467337
Category : Condottieri
Languages : en
Pages : 0
Get Book Here
Book Description
An interdisciplinary study of two Renaissance princes, this book discusses the feud between Federico da Montefeltro and Sigismondo Pandolfo Malatesta and its effect on their patronage. As each vied for political, economic, and artistic domination over the other, they were supported by young, gifted wives. In their struggle for power, the role of the humanist Pope Pius II was of paramount importance.
Author: Maria Grazia Pernis
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN: 9780820467337
Category : Condottieri
Languages : en
Pages : 0
Get Book Here
Book Description
An interdisciplinary study of two Renaissance princes, this book discusses the feud between Federico da Montefeltro and Sigismondo Pandolfo Malatesta and its effect on their patronage. As each vied for political, economic, and artistic domination over the other, they were supported by young, gifted wives. In their struggle for power, the role of the humanist Pope Pius II was of paramount importance.
Author: Erin J. Campbell
Publisher: Routledge
ISBN: 1317034902
Category : Art
Languages : en
Pages : 282
Get Book Here
Book Description
Emphasizing on the one hand the reconstruction of the material culture of specific residences, and on the other, the way in which particular domestic objects reflect, shape, and mediate family values and relationships within the home, this volume offers a distinct contribution to research on the early modern Italian domestic interior. Though the essays mainly take an art historical approach, the book is interdisciplinary in that it considers the social implications of domestic objects for family members of different genders, age, and rank, as well as for visitors to the home. By adopting a broad chronological framework that encompasses both Renaissance and Baroque Italy, and by expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers genuinely new perspectives on the home in early modern Italy.
Author: Clifford J. Rogers
Publisher: Oxford University Press, USA
ISBN: 0195334035
Category : History
Languages : en
Pages : 1798
Get Book Here
Book Description
This set is an excellent companion to J. R. Strayer's edited Dictionary of the Middle Ages (CH, Nov'87; Supplement I, ed. by W. C. Jordan, CH, Sep'04, 42-0044). The focus on warfare allows the editors to offer larger entries on major topics (e.g., "Agincourt," "Crusades," "Feudalism") and introduce many complementary topics. The editors are concerned with Europe; they expand coverage into Asia or Africa only because of the connection to medieval Europe. Coverage also includes an abundance of entries pertaining to Central and Eastern Europe. Most of the 1,000-plus entries are about a page in length, but a few approach 50 pages. Medium and large-size entries, such as "Chivalry," "Germany," and "Slavic Lands," discuss primary sources and very valuable historiographies. A thorough index helps readers locate the Knights Templar under "Orders, Military, Levantine Orders." Cross-references and bibliographies follow each of the signed entries. Locating reliable and scholarly information on the Knights Templar and Vlad Tepes (Dracula) is tricky. Some of the bibliographies include sources in foreign languages. For example, the references for the Black Army of Hungary are in Hungarian. Noticeably missing are entries for the many wars. This set is particularly suited to research libraries. Summing Up: Highly recommended. Lower-level undergraduates through professionals/practitioners; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by W. M. Fontane.
Author: Kenneth Bartlett
Publisher: Hackett Publishing
ISBN: 1624668208
Category : History
Languages : en
Pages : 414
Get Book Here
Book Description
The Italian Renaissance has come to occupy an almost mythical place in the popular imagination. The outsized reputations of the best-known figures from the period—Michelangelo, Niccolo Machiavelli, Lorenzo the Magnificent, Pope Julius II, Isabella d'Este, and so many others—engender a kind of wonder. How could so many geniuses or exceptional characters be produced by one small territory near the extreme south of Europe at a moment when much of the rest of the continent still labored under the restrictions of the Middle Ages? How did so many of the driving principles behind Western civilization emerge during this period—and how were they defined and developed? And why is it that geniuses such as Leonardo, Raphael, Petrarch, Brunelleschi, Bramante, and Palladio all sustain their towering authority to this day? To answer these questions, Kenneth Bartlett delves into the lives and works of the artists, patrons, and intellectuals—the privileged, educated, influential elites—who created a rarefied world of power, money, and sophisticated talent in which individual curiosity and skill were prized above all else. The result is a dynamic, highly readable, copiously illustrated history of the Renaissance in Italy—and of the artists that gave birth to some of the most enduring ideas and artifacts of Western civilization.
Author:
Publisher:
ISBN: 9789170421877
Category :
Languages : en
Pages :
Get Book Here
Book Description
The aim of this study is to display the role of the patrons in the commissions of Italian Renaissance art and architecture, but also to describe their usage of art and architecture for visual communication. For this purpose four condottiere princes from the 15th century have been chosen to exemplify these phenomena.
Author: Mary Hollingsworth
Publisher: Simon and Schuster
ISBN: 1643135473
Category : History
Languages : en
Pages : 304
Get Book Here
Book Description
A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.
Author: Charles M. Rosenberg
Publisher: Cambridge University Press
ISBN: 0521792487
Category : Art
Languages : en
Pages : 477
Get Book Here
Book Description
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Author: Marieke J.E. van den Doel
Publisher: BRILL
ISBN: 9004459685
Category : Art
Languages : en
Pages : 390
Get Book Here
Book Description
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.
Author: Margaret Ann Zaho
Publisher: Peter Lang
ISBN: 9780820462356
Category : Art
Languages : en
Pages : 168
Get Book Here
Book Description
Imago Triumphalis: The Function and Significance of Triumphal Imagery for Renaissance Rulers examines how independent rulers in fifteenth-century Italy used the motif of the Roman triumph for self-aggrandizement and personal expression. Triumphal imagery, replete with connotations of victory and splendor, was recognized during the Renaissance as a reflection of the glory of classical antiquity. Its appeal as a powerful visual bearer of meaning is evidenced by its appearance as a dominant theme in literature, architecture, and art. Rulers such as Alfonso of Aragon, Federico da Montefeltro, Sigismondo Malatesta, and Borso d'Este chose to incorporate the triumphal motif in major artistic commissions in which they were represented. They recognized that the image of the triumph could retain its classical associations while functioning as a highly personalized commentary.
Author: Katherine A. McIver
Publisher: Routledge
ISBN: 1351872478
Category : Art
Languages : en
Pages : 270
Get Book Here
Book Description
Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.
