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Author: Julian Murphet
Publisher: Oxford University Press
ISBN: 0190664266
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This book treats William Faulkner's major fiction--from Flags in the Dust through to Absalom, Absalom!--to a searching reappraisal under the spotlight of a media-historical inquiry. It proposes that Faulkner's inveterate attraction to the paradigms of romance was disciplined and masked by the recurrent use of metaphorical figures borrowed from the new media ecology. Faulkner dressed up his romance materials in the technological garb of radio, gramophony, photography, and cinema, along with the transportational networks of road and air that were being installed in the 1920s. His modernism emerges from a fraght but productive interplay between his anachronistic predilection for chivalric chichés and his extraordinarily knowledgeable interest in the most up-to-date media institutions and forms. Rather than see Faulkner as a divided author, who worked for money in the magazines and studios while producing his serious fiction in despite of their symbolic economies, this study demonstrates how profoundly his mature art was shot through with the figures and dynamics of the materials he publicly repudiated. The result is a richer and more nuanced understanding of the dialectics of his art.
Author: Julian Murphet
Publisher: Oxford University Press
ISBN: 0190664266
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This book treats William Faulkner's major fiction--from Flags in the Dust through to Absalom, Absalom!--to a searching reappraisal under the spotlight of a media-historical inquiry. It proposes that Faulkner's inveterate attraction to the paradigms of romance was disciplined and masked by the recurrent use of metaphorical figures borrowed from the new media ecology. Faulkner dressed up his romance materials in the technological garb of radio, gramophony, photography, and cinema, along with the transportational networks of road and air that were being installed in the 1920s. His modernism emerges from a fraght but productive interplay between his anachronistic predilection for chivalric chichés and his extraordinarily knowledgeable interest in the most up-to-date media institutions and forms. Rather than see Faulkner as a divided author, who worked for money in the magazines and studios while producing his serious fiction in despite of their symbolic economies, this study demonstrates how profoundly his mature art was shot through with the figures and dynamics of the materials he publicly repudiated. The result is a richer and more nuanced understanding of the dialectics of his art.
Author: Lawrence H. Schwartz
Publisher: Univ. of Tennessee Press
ISBN: 9780870496455
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
A systematic approach to using currently available techniques of artificial intelligence to develop computer programs for commercial use. From basic concepts of knowledge engineering through managing a complete system. Schwartz (English, Montclair State College-NJ) asks: How was it possible for a writer, out-of-print and generally ignored in the early 1940s, to be proclaimed a literary genius in 1950? His research illuminates the process by which Faulkner was chosen to be revivified as an important American nationalist writer during the heating up of the Cold War. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Peter Lurie
Publisher: JHU Press
ISBN: 0801879299
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.
Author: Meta Carpenter Wilde
Publisher: Simon & Schuster
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 368
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Book Description
Author: Katherine Faulkner
Publisher: Simon and Schuster
ISBN: 1982150335
Category : Fiction
Languages : en
Pages : 480
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Book Description
This “gloriously tangled game of cat and mouse” (Ruth Ware, #1 New York Times bestselling author) explores the anxieties of impending motherhood, unreliable friendship, and the high price of keeping secrets. Perfect for fans of the thrillers by Paula Hawkins and Robyn Harding. In this “outstanding debut thriller” (Booklist, starred review), Helen’s idyllic life—handsome architect husband, gorgeous Victorian house, and cherished baby on the way—begins to change the day she attends her first prenatal class. There, she meets Rachel, an unpredictable single mother-to-be who doesn’t seem very maternal: she smokes, drinks, and professes little interest in parenthood. Still, Helen is drawn to her. Maybe Rachel just needs a friend. And to be honest, Helen’s a bit lonely herself. At least Rachel is fun to be with. She makes Helen laugh, invites her confidences, and distracts her from her fears. But her increasingly erratic behavior is unsettling. And Helen’s not the only one who’s noticed. Her friends and family begin to suspect that her strange new friend may be linked to their shared history in unexpected ways. When Rachel threatens to expose a past crime that could destroy all of their lives, it becomes clear that there are more than a few secrets laying beneath the broad-leaved trees and warm lamplight of Greenwich Park.
Author: Judith L. Sensibar
Publisher: Yale University Press
ISBN: 0300142439
Category : Literary Criticism
Languages : en
Pages : 617
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Book Description
In this exploration of Faulkner's creative process, Sensibar discovers that the relationships that Faulkner had with three particular women were not simply close; they gave life to his imagination. The author brings to the foreground, as Faulkner did, this 'female world', an approach unprecedented in Faulkner biography.
Author: Ted Atkinson
Publisher: University of Georgia Press
ISBN: 082033085X
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times. Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground--in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians. Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”--his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events. Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.
Author: Houston A. Baker
Publisher: Oxford University Press, USA
ISBN: 0195326555
Category : History
Languages : en
Pages : 218
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Book Description
Publisher description
Author: R. Rio-Jelliffe
Publisher: Bucknell University Press
ISBN: 9780838754627
Category : Language Arts & Disciplines
Languages : en
Pages : 214
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Book Description
On that paradoxical premise, Faulkner's theory addresses the writer's dilemma of having only the inadequate word to surmount itself; and the practice in fiction seeks to vanquish the enemy, not in the wordless, as it is often denoted, but in silence past the word."--BOOK JACKET.
Author: Anita Faulkner
Publisher: Sphere
ISBN: 0751584355
Category : Fiction
Languages : en
Pages : 356
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Book Description
The DEBUT NOVEL that you won't be able to resist falling in love with. Heart-warming romance and a breath-taking countryside escape - this is the PERFECT summer read . . . 'A lovely debut, full of fun and colour' BELLA OSBORNE 'A heart-warming and uplifting romance - the perfect summer read!' HOLLY MARTIN 'Such a fun ride! Faulkner brings colour and humour to every line in this hoot of a debut. If you're looking for a big splash of bright sunshine in your life, this is it' PERNILLE HUGHES FALLING IN LOVE ISN'T ALWAYS SO BLACK AND WHITE . . . When vibrant but penniless Lexie is dumped by her posh boyfriend who is looking for a more financially suitable match, she decides to pack up her beloved orange campervan Penny in search of a new path. Stumbling upon a vacancy at a family-run paint company in the Cotswolds, Lexie believes she's found her perfect match . . . Lexie arrives at Nutgrass Hall, home of Carrington Paints, but it seems that owner Benedict Carrington is less than impressed with her arrival, and Lexie realises she'll have her work cut out for her if she's to convince stuffy "Beige Ben" to trust her with rescuing his out-of-touch business. But Ben has more on his mind than just the company - his mother is determined to find him a suitable wife worthy of carrying the Carrington family name, or she'll take the business from him. As Lexie sets to work on injecting some life colour into Carrington Paints, Ben allows himself to be set up with Tewkesbury's finest ladies. But the more time the pair spend together, the more they realise their feelings for each other aren't so black and white. Will Lexie be able to brighten into Ben's colourless world before it's too late? Let yourself be whisked away with A Colourful Country Escape and fall in love with the cosy Cotswold charm, the colourful characters and some heart-stopping romance. Perfect for fans of Heidi Swain, Jo Thomas and Bella Osborne. 'I absolutely adored this book. Fresh, funny and upbeat, A Colourful Country Escape is rom-com perfection!' KITTY WILSON 'An impressive debut of pure delight - I loved it!' NICOLA MAY 'A debut triumph! Endlessly joy-lit. Bursting with character and warmth' CHRISTIE BARLOW 'A vibrant, charming book. Makes me quite want to take a colourful adventure of my own, especially after these rather beige past couple of years!' ISLA GORDON 'A sparkling romantic debut that whisks you along for the ride' NINA KAYE
