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Author: Lagretta Lenker
Publisher: Bloomsbury Publishing USA
ISBN: 0313000573
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
How can the most silent member of the family carry the message of subversion against venerated institutions of state and society? Why would two playwrights, writing 300 years apart, employ the same dramatic methods for rebelling against the establishment, when these methods are virtually ignored by their contemporaries? This book considers these and similar questions. It examines the historical similarities of the eras in which Shakespeare and Shaw wrote and then explores types of father-daughter interactions, considering each in terms of the existing power structures of society. These two dramatists draw on themes of incest, daughter sacrifice, role playing, education, and androgyny to create both active and passive daughters. The daughters literally represent a challenge to the patriarchy and metaphorically extend that challenge to such institutions as church and state. The volume argues that the father-daughter relationship was the ideal dramatic vehicle for Shakespeare and Shaw to advance their social and political agendas. By exploring larger issues through the father-daughter relationship, both playwrights were able to avoid the watchful eyes of censors and comment on such topics as the divine right of kings, filial bonds of obedience, and even regicide.
Author: Lagretta Lenker
Publisher: Bloomsbury Publishing USA
ISBN: 0313000573
Category : Literary Criticism
Languages : en
Pages : 216
Get Book Here
Book Description
How can the most silent member of the family carry the message of subversion against venerated institutions of state and society? Why would two playwrights, writing 300 years apart, employ the same dramatic methods for rebelling against the establishment, when these methods are virtually ignored by their contemporaries? This book considers these and similar questions. It examines the historical similarities of the eras in which Shakespeare and Shaw wrote and then explores types of father-daughter interactions, considering each in terms of the existing power structures of society. These two dramatists draw on themes of incest, daughter sacrifice, role playing, education, and androgyny to create both active and passive daughters. The daughters literally represent a challenge to the patriarchy and metaphorically extend that challenge to such institutions as church and state. The volume argues that the father-daughter relationship was the ideal dramatic vehicle for Shakespeare and Shaw to advance their social and political agendas. By exploring larger issues through the father-daughter relationship, both playwrights were able to avoid the watchful eyes of censors and comment on such topics as the divine right of kings, filial bonds of obedience, and even regicide.
Author: Oliver Ford Davies
Publisher: Bloomsbury Publishing
ISBN: 1474290140
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
A theme that obsessed Shakespeare in over 20 plays from Titus Andronicus to The Tempest was the relationship between a daughter and her father. This study traces chronologically the development of this theme, relating it to the little we know of his own two daughters, and sheds new light on his exploration of the family that so dominated his approach to drama. Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies, a former university lecturer and now an Honorary Associate Artist of the RSC and Olivier Award winner, has written an engaging and deeply researched study of a topic that has intrigued him from playing Capulet in 1967, King Lear in 2002, to Polonius in 2008.
Author: Frederic B. Tromly
Publisher: University of Toronto Press
ISBN: 0802099610
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Introduction : interpreting Shakespeare's sons : ambivalence, rescue, and revenge -- Paternal authority and filial autonomy in Shakespeare's England -- Henry VI, part one : prototypical beginnings : the two John Talbots -- Richard II : patrilineal inheritance and the generation gap -- Henry IV, part one : Deep defiance and the rebel prince -- Henry IV, part two : the prince becomes the king, with a note on Henry V -- Hamlet : notes from the underground : paternal and filial subterfuge -- King Lear : the usurpation of fathers, and of fathers and sons -- Macbeth and the late plays : the disappearance of ambivalent sons -- Biographical coda : William Shakespeare, son of John Shakespeare -- Appendix 1 : Shakespearean fathers and sons in Edward III -- Appendix 2 : Thomas Plume's anecdote : the merry-cheeked, jest-cracking John Shakespeare, Sir John Mennes, and Sir John Falstaff
Author: Carl Edmund Rollyson
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 586
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Book Description
Combines, updates, and expands two earlier Salem Press reference sets: Critical survey of drama, Rev. ed., English language series, published in 1994, and Critical survey of drama, Foreign language series, published in 1986. This new 8 vol. set contains 602 essays, of which 538 discuss individual dramatists and 64 cover broad overview topics. The dramatist profiles contain more than 310 photographs and drawings.
Author: Keshav Patwardhan
Publisher: AuthorsUpFront
ISBN:
Category : Family & Relationships
Languages : en
Pages : 253
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Book Description
What does the first man in the life of a girl mean to her? Are fathers someone daughters fear or admire? On the other hand, do the fathers just want to be facilitators or friends? And what if in some cases the daughters simply despise them? Dads' Daughters is a collection of essays, seeking to examine this unique relationship from both the daughters' and the fathers' viewpoint. In these deeply introspective passages, there are daughters here who examine what their father meant to them, as also there are fathers who talk of their daughters and what that relationship means to them. A soul-searching collection Dads' Daughters also highlights that ultimately it is the father's belief that succeeds in empowering his daughter.
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1064
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Book Description
Author: S. Loftis
Publisher: Springer
ISBN: 1137321377
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Shakespeare's Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama's major aesthetic movements. Loftis posits that playwrights' reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 502
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Book Description
A journal of Irish studies.
Author: David Livingstone
Publisher: Univerzita Palackého v Olomouci
ISBN: 8024456834
Category : Art
Languages : en
Pages : 346
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Book Description
This publication looks at fictional portrayals of William Shakespeare with a focus on novels, short stories, plays, occasional poems, films, television series and even comics. In terms of time span, the analysis covers the entire twentieth century and ends in the present-day. The authors included range from well-known figures (G.B. Shaw, Kipling, Joyce) to more obscure writers. The depictions of Shakespeare are varied to say the least, with even interpretations giving credence to the Oxfordian theory and feminist readings involving a Shakespearian sister of sorts. The main argument is that readings of Shakespeare almost always inform us more about the particular author writing the specific work than about the historical personage.
Author: Mark Nicholls
Publisher: Berghahn Books
ISBN: 0857454447
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
This first book-length critical study of Jeremy Irons concentrates on his key performances and acting style. Through the analysis of some of the major screen roles in Irons’s career, such as Brideshead Revisited, The French Lieutenant’s Woman, Reversal of Fortune, Swann in Love, Dead Ringers and Lolita, Mark Nicholls identifies a new masculine identity that unites them: an emblematic figure of the 1980s and 1990s presented as an alternative to the action hero or the common man. Using clear explanations of complex theoretical ideas, this book investigates Jeremy Irons’s performances through the lens of sexual inversion and social rebellion, to uncover an entirely original but recognizable screen type.
