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Author: William C. Carroll
Publisher: Cornell University Press
ISBN: 1501722484
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds. William C. Carroll analyzes these conflicting "truths" and reveals the various aesthetic, political, and socio-economic purposes Renaissance constructions of beggary were made to serve.Carroll begins with a broad survey of both the official images and explanations of poverty and also their unsettling unofficial counterparts. This discourse defines and contains the beggar by continually linking him with his hierarchical inversion, the king. Carroll then turns his attention to the exemplary case of Nicholas Genings, perhaps the single most famous beggar of the period, whose machinations as fraudulent parasite and histrionic genius were chronicled by Thomas Harman. Carroll next assesses institutional responses to poverty by considering two hospitals for the destitute, Bridewell and Bedlam, and their role as real and symbolic places in Elizabethan drama.Fat King, Lean Beggar then focuses on dramatic inscriptions of poverty, primarily in Shakespeare's plays. Carroll's analysis of The Taming of the Shrew and The Winter's Tale links the tradition of the merry beggar to the socioeconomic forces of the day; and his reading of King Lear makes a case for the uniqueness of Edgar, the Bedlam beggar, in the history of drama. Carroll also considers later plays such as Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial Crew to show how idealizations of the beggar ironically equate him with a monarch in his supposed freedom.
Author: William C. Carroll
Publisher: Cornell University Press
ISBN: 1501722484
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds. William C. Carroll analyzes these conflicting "truths" and reveals the various aesthetic, political, and socio-economic purposes Renaissance constructions of beggary were made to serve.Carroll begins with a broad survey of both the official images and explanations of poverty and also their unsettling unofficial counterparts. This discourse defines and contains the beggar by continually linking him with his hierarchical inversion, the king. Carroll then turns his attention to the exemplary case of Nicholas Genings, perhaps the single most famous beggar of the period, whose machinations as fraudulent parasite and histrionic genius were chronicled by Thomas Harman. Carroll next assesses institutional responses to poverty by considering two hospitals for the destitute, Bridewell and Bedlam, and their role as real and symbolic places in Elizabethan drama.Fat King, Lean Beggar then focuses on dramatic inscriptions of poverty, primarily in Shakespeare's plays. Carroll's analysis of The Taming of the Shrew and The Winter's Tale links the tradition of the merry beggar to the socioeconomic forces of the day; and his reading of King Lear makes a case for the uniqueness of Edgar, the Bedlam beggar, in the history of drama. Carroll also considers later plays such as Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial Crew to show how idealizations of the beggar ironically equate him with a monarch in his supposed freedom.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 902
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Book Description
Author: Albert Taylor Bledsoe
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 512
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 830
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 836
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 1290
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Book Description
Author: Paul Vallely
Publisher: Bloomsbury Publishing
ISBN: 1472920139
Category : Social Science
Languages : en
Pages : 901
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Book Description
'This is the definitive book on philanthropy – its history, contradictions and future' – John Gray, Emeritus Professor of European Thought, London School of Economics 'Good books lay out the lie of the land. Important books change it. This book is both' – Giles Fraser, priest, journalist and broadcaster The super-rich are silently and secretly shaping our world. In this groundbreaking exploration of historical and contemporary philanthropy, bestselling author Paul Vallely reveals how this far-reaching change came about. Vivid with anecdote and scholarly insight, this magisterial survey – from the ancient Greeks to today's high-tech geeks – provides an original take on the history of philanthropy. It shows how giving has, variously, been a matter of honour, altruism, religious injunction, political control, moral activism, enlightened self-interest, public good, personal fulfilment and plutocratic manipulation. Its narrative moves from the Greek man of honour and Roman patron, via the Jewish prophet and Christian scholastic – through the Elizabethan machiavel, Puritan proto-capitalist, Enlightenment activist and Victorian moralist – to the robber-baron philanthropist, the welfare socialist, the celebrity activist and today's wealthy mega-giver. In the process it discovers that philanthropy lost an essential element as it entered the modern era. The book then embarks on a journey to determine where today's philanthropists come closest to recovering that missing dimension. Philanthropy explores the successes and failures of philanthrocapitalism, examines its claims and contradictions, and asks tough questions of top philanthropists and leading thinkers – among them Richard Branson, Eliza Manningham-Buller, Jonathan Ruffer, David Sainsbury, John Studzinski, Bob Geldof, Naser Haghamed, Lenny Henry, Jonathan Sacks, Rowan Williams, Ngaire Woods, and the presidents of the Rockefeller and Soros foundations, Rajiv Shah and Patrick Gaspard. In extended conversations they explore the relationship between philanthropy and family, faith, society, art, politics, and the creation and distribution of wealth. Highly engaging and meticulously researched, Paul Vallely's authoritative account of philanthropy then and now critiques the excessive utilitarianism of much modern philanthrocapitalism and points to how philanthropy can rediscover its soul.
Author: Alice Equestri
Publisher: Routledge
ISBN: 1000424995
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Fools and clowns were widely popular characters employed in early modern drama, prose texts and poems mainly as laughter makers, or also as ludicrous metaphorical embodiments of human failures. Literature and Intellectual Disability in Early Modern England: Folly, Law and Medicine, 1500–1640 pays full attention to the intellectual difference of fools, rather than just their performativity: what does their total, partial, or even pretended ‘irrationality’ entail in terms of non-standard psychology or behaviour, and others’ perception of them? Is it possible to offer a close contextualised examination of the meaning of folly in literature as a disability? And how did real people having intellectual disabilities in the Renaissance period influence the representation and subjectivity of literary fools? Alice Equestri answers these and other questions by investigating the wide range of significant connections between the characters and Renaissance legal and medical knowledge as presented in legal records, dictionaries, handbooks, and texts of medicine, natural philosophy, and physiognomy. Furthermore, by bringing early modern folly in closer dialogue with the burgeoning fields of disability studies and disability theory, this study considers multiple sides of the argument in the historical disability experience: intellectual disability as a variation in the person and as a difference which both society and the individual construct or respond to. Early modern literary fools’ characterisation then emerges as stemming from either a realistic or also from a symbolical or rhetorical representation of intellectual disability.
Author: Lowell Gallagher
Publisher: University of Toronto Press
ISBN: 1487507437
Category : Drama
Languages : en
Pages : 253
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Book Description
This collection assembles essays on key words that link performance and philosophy in the works of Shakespeare.
