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Author: James Donald
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 308
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Book Description
No Marketing Blurb
Author: James Donald
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 308
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Book Description
No Marketing Blurb
Author: Bill George
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 134
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Book Description
Author: Christine Cornea
Publisher: Edinburgh University Press
ISBN: 0748628703
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.
Author: Neil Coombs
Publisher: Liverpool University Press
ISBN:
Category : Art
Languages : en
Pages : 76
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Book Description
Pan's Labyrinth, Stranger Than Fiction, The Science of Sleep ... Surreal and fantastic cinema is enjoying a resurgence. A movement that goes back to the earliest days of cinema, it provides an exemplary case study to introduce all sorts of concepts--auteur study, representations, 'shocking cinema', textual analysis. Neil Coombs's guide is ideal for students new to the field, providing an explanation of the origins of Surrealism followed by detailed analyses from the history of 'world cinema', including: Bu uel's The Phantom of Liberty, Svankmajer's Alice, Cocteau's Orph e, Lynch's Lost Highway, Jeunet and Caro's The City of Lost Children, and the work of screenwriter Charlie Kaufman (Being John Malkovich) and director David Cronenberg (A History of Violence).
Author: David Butler
Publisher: Wallflower Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
"Often dismissed as simple tales of sword and sorcery, fantasy is one of the fundamental impulses in filmmaking, a source of some of the most vivid and memorable films ever made that reaches far beyond the confines of a single genre. As well as some of the major genres, stylistic approaches and exponents of cinematic fantasy, from Georges Melies, Walt Disney, and Andrei Tarkovsky to contemporary fantasists such as Terry Gilliam and Peter Jackson. This volume focuses on fantasy's social function with case studies including The Thief of Baghdad (1924), Excalibur (1981), the Lord of the Rings trilogy (2001-03), and Bruce Almighty (2003). and interpretations. Taking in the popular and the experimental, subversive desires and reactionary dreams, this book is an engaging introduction to one of the vital energies in cinema." -- Book cover.
Author: Alec Worley
Publisher: McFarland
ISBN: 1476611831
Category : Performing Arts
Languages : en
Pages : 698
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Book Description
The warlocks and ghosts of fantasy film haunt our popular culture, but the genre has too long been ignored by critics. This comprehensive critical survey of fantasy cinema demonstrates that the fantasy genre amounts to more than escapism. Through a meticulously researched analysis of more than a century of fantasy pictures--from the seminal work of Georges Melies to Peter Jackson's recent tours of Middle-earth--the work identifies narrative strategies and their recurring components and studies patterns of challenge and return, setting and character. First addressing the difficult task of defining the genre, the work examines fantasy as a cultural force in both film and literature and explores its relation to science fiction, horror, and fairy tales. Fantasy's development is traced from the first days of film, with emphasis on how the evolving genre reflected such events as economic depression and war. Also considered is fantasy's expression of politics, as either the subject of satire or fuel for the fires of propaganda. Discussion ventures into the subgenres, from stories of invented lands inhabited by fantastic creatures to magical adventures set in the familiar world, and addresses clashes between fantasy and faith, such as the religious opposition to the Harry Potter phenomenon. From the money-making classics to little-known arthouse films, this richly illustrated work covers every aspect of fantasy film.
Author: Alexander Sergeant
Publisher: State University of New York Press
ISBN: 1438484607
Category : Performing Arts
Languages : en
Pages : 357
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Book Description
2022 CHOICE Outstanding Academic Title Shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen Studies Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible, Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D.W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production.
Author: Paul Young
Publisher: U of Minnesota Press
ISBN: 0816635994
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
Hollywood's reaction to it's media rivals throughout the history of cinema in America.
Author: Janet K. Halfyard
Publisher: Equinox Publishing (UK)
ISBN: 9781781791004
Category : Fantasy films
Languages : en
Pages : 0
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Book Description
This volume examines music in fantasy cinema across a broad historical perspective, from Bernard Herrmann's scores for Ray Harryhausen, through the popular music scores of the 1980s to contemporary scores for films such as The Mummy and the Harry Potter series.
Author: James Walters
Publisher: Berg
ISBN: 1847888429
Category : Performing Arts
Languages : en
Pages : 259
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Book Description
Fantasy Film proposes an innovative approach to the study of this most popular cinematic genre. Engaging with the diversity of tones, forms and styles that fantasy can take in the cinema, the book examines the value and significance of fantasy across a wide range of key films. This volume extends critical understanding beyond the often narrowly defined boundaries of what is seen as "fantasy". Fantasy Film uses key concepts in film studies - such as authorship, representation, history,genre, coherence and point of view - to interrogate the fantasy genre and establish its parameters. A wide range of films are held up to close scrutiny to illustrate the discussion. Moving from Alfred Hitchcock's dark thrillers to Vincente Minnelli's vibrant musicals, from George Méliès' 1904 Voyage à travers l'impossible to the X-Men series, the creative dexterity and excitement of film fantasy is evoked and explored. The book will be invaluable to students and fans of the fantasy genre.
