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Author: Gdal Saleski
Publisher: New York : Bloch Pub.
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 746
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Book Description
Author: Gdal Saleski
Publisher: New York : Bloch Pub.
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 746
Get Book Here
Book Description
Author: Gdal Saleski
Publisher: New York : Bloch Pub.
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 734
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Book Description
Author: Gdal Saleski
Publisher:
ISBN:
Category : Jewish musicians
Languages : en
Pages : 488
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Book Description
Author: Charles B Hersch
Publisher: Routledge
ISBN: 131727038X
Category : Music
Languages : en
Pages : 262
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Book Description
Jews and Jazz: Improvising Ethnicity explores the meaning of Jewish involvement in the world of American jazz. It focuses on the ways prominent jazz musicians like Stan Getz, Benny Goodman, Artie Shaw, Lee Konitz, Dave Liebman, Michael Brecker, and Red Rodney have engaged with jazz in order to explore and construct ethnic identities. The author looks at Jewish identity through jazz in the context of the surrounding American culture, believing that American Jews have used jazz to construct three kinds of identities: to become more American, to emphasize their minority outsider status, and to become more Jewish. From the beginning, Jewish musicians have used jazz for all three of these purposes, but the emphasis has shifted over time. In the 1920s and 1930s, when Jews were seen as foreign, Jews used jazz to make a more inclusive America, for themselves and for blacks, establishing their American identity. Beginning in the 1940s, as Jews became more accepted into the mainstream, they used jazz to "re-minoritize" and avoid over-assimilation through identification with African Americans. Finally, starting in the 1960s as ethnic assertion became more predominant in America, Jews have used jazz to explore and advance their identities as Jews in a multicultural society.
Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311
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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Author: W. Francis Gates
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 340
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Book Description
Author: Glenda Abramson
Publisher: Routledge
ISBN: 1134428650
Category : Education
Languages : en
Pages : 1011
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Book Description
The Companion to Jewish Culture - From the Eighteenth Century to the Present was first published in 1989. It is a single-volume encyclopedia containing biographical and topic entries ranging from 200 to 1000 word each.
Author: Kenneth Morgan
Publisher: University of Illinois Press
ISBN: 025207730X
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive qualities as a conductor."--Jacket.
Author: Assaf Shelleg
Publisher: Oxford University Press, USA
ISBN: 0199354944
Category : History
Languages : en
Pages : 305
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Book Description
Jewish Contiguities and the Soundtrack of Israeli History revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind clichés about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music.
Author: Klara Moricz
Publisher: Univ of California Press
ISBN: 9780520933682
Category : Biography & Autobiography
Languages : en
Pages : 468
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Book Description
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
