Family Records and Outlines of the Harvey, Keller, Tuttle, Skidmore, Snedeker, Barnes, Shaffer and Hildebrand Families to and Including Most of the Great-great-great Grandchildren PDF Download
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Author: Reuben I. Harvey
Publisher:
ISBN:
Category : Harvey family
Languages : en
Pages : 83
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Book Description
Author: Reuben I. Harvey
Publisher:
ISBN:
Category : Harvey family
Languages : en
Pages : 83
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Author: Tuttle family
Publisher:
ISBN:
Category : Account books
Languages : en
Pages :
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Book Description
Contains Newton Tuttle's correspondence and Clara Tuttle Bartholomew's correspondence with Henry Bartholomew before, during, and after his missionary service for the LDS Church. Also contains the grade school register Henry used while teaching. Includes notes from a genealogy conference attended by Clara, as well as genealogical records and family histories from the Tuttle and Stone families. Also includes a box, belonging to Clara, containing newspaper clippings, correspondence, cards, and other memorabilia.
Author: Edythe Wilson Thoesen
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 332
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Book Description
"The immigrant with whom we are primarily interested was Georg Christoff Oechslen. Tradition has it that his family had lived in Alsace for a generation or two already after leaving Schaffhausen, and that his father had been impressed into the Army of Frederick William I ... [he] was born about 1705-1706 ... arrived in Philadelphia on October 2, 1727 on the ship "Adventure" ... apparently lived in the vacinity of Philadelphia for a few years, joining in that extensive excursion of the "Pennsylvania Germans" to Loudoun County, Virginia ... He was married about the same time, but whether in Pennsylvania or Virginia is not known, nor is the maiden name of his wife known, other than that she was called Catherine"--Page 18. Descendants eventually adopted the surname Exline and Axline. Descendants lived in Pennsylvania, Virginia, Colorado, Kansas, Ohio, Iowa, Indiana, Illinois, Missouri, California and elsewhere
Author: William Raimond Baird
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
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Author: Henry Fitz-Gilbert Waters
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 182
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Author: Minnie Ichler Kohler
Publisher:
ISBN:
Category : Hardin County (Ohio)
Languages : en
Pages : 624
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Author: Mary-Ann Tirone Smith
Publisher:
ISBN: 9780747258926
Category : Politicians' spouses
Languages : en
Pages : 407
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Book Description
Two years ago in the town of New Caxton, three people were stabbed to death and a black man imprisoned for the crime. According to congressman Owen Hall, the convicted man is innocent. Something sinister has been going on in New Caxton, something much bigger than casual murder.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
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Author: Newell Dwight Hillis
Publisher:
ISBN:
Category : Pangermanism
Languages : en
Pages : 186
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Book Description
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
