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Author: Camilla Stevens
Publisher:
ISBN: 9780813027074
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Stevens illuminates the link between the pervasive image of the family in the theater and the struggle for national and cultural identity in Cuba and Puerto Rico. By focusing on two key periods of family drama productions - the mid-1950s to the mid-1960s and the mid-1980s to the mid-1990s - she traces the historical articulation of the concepts of family and nation in the theater. Through the close readings of 16 plays, Stevens demonstrates how onstage family quarrels between husbands and wives, parents and children, and siblings allegorize divergent views of national experience and provide insight into how and by whom communities are defined, as well as how visions of national culture change over time. America and the Hispanic Caribbean to identify the role of writing in the project of constructing and defining nationhood, the place of performance in the cultural politics of representing the nation has been less rigorously investigated. Stevens's genealogy of modern Cuban and Puerto Rican drama reveals theater and performance to be a special site and activity for imagining communities.
Author: Camilla Stevens
Publisher:
ISBN: 9780813027074
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
Stevens illuminates the link between the pervasive image of the family in the theater and the struggle for national and cultural identity in Cuba and Puerto Rico. By focusing on two key periods of family drama productions - the mid-1950s to the mid-1960s and the mid-1980s to the mid-1990s - she traces the historical articulation of the concepts of family and nation in the theater. Through the close readings of 16 plays, Stevens demonstrates how onstage family quarrels between husbands and wives, parents and children, and siblings allegorize divergent views of national experience and provide insight into how and by whom communities are defined, as well as how visions of national culture change over time. America and the Hispanic Caribbean to identify the role of writing in the project of constructing and defining nationhood, the place of performance in the cultural politics of representing the nation has been less rigorously investigated. Stevens's genealogy of modern Cuban and Puerto Rican drama reveals theater and performance to be a special site and activity for imagining communities.
Author: Sharon Magnarelli
Publisher: Associated University Presse
ISBN: 9780838757079
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Sharon Magnarelli's contribution to the critical dialogue on Spanish-American literature offers fresh, new reading of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied.
Author: Camilla Stevens
Publisher: University of Pittsburgh Press
ISBN: 0822987163
Category : Performing Arts
Languages : en
Pages : 259
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Book Description
Aquí and Allá: Transnational Dominican Theater and Performance explores how contemporary Dominican theater and performance artists portray a sense of collective belonging shaped by the transnational connections between the homeland and the diaspora. Through close readings of plays and performances produced in the Dominican Republic and the United States in dialogue with theories of theater and performance, migration theory, and literary, cultural, and historical studies, this book situates theater and performance in debates on Dominican history and culture and the impact of migration on the changing character of national identity from end of the twentieth century to the present. By addressing local audiences of island-based and diasporic Dominicans with stories of characters who are shaped by both places, the theatrical performances analyzed in this book operate as a democratizing force on conceptions of Dominican identity and challenge assumptions about citizenship and national belonging. Likewise, the artists’ bi-national perspectives and work methods challenge the paradigms that have traditionally framed Latin(o) American theater studies.
Author: Mauricio A. Font
Publisher: Routledge
ISBN: 1315524996
Category : Education
Languages : en
Pages : 478
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Book Description
First Published in 2016. If scholarship on Cuban studies after the 1959 revolution focused on the historical and cultural aspects of the construction of a socialist order, the post-1989 crisis of socialism in Central and Eastern Europe raised questions about the island’s state as a socialist model. The scholarly gaze gradually began to focus on possibilities for alternative transformations at various levels of social life rather than on the deepening of traditional twentieth-century state socialism. This volume explores the newly emergent themes and debates about Cuban society and history.
Author: Lawrence La Fountain-Stokes
Publisher: University of Michigan Press
ISBN: 0472126075
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
Translocas focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx “locas” (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence to which queer individuals in Puerto Rico and the U.S. are subjected. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul’s Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement while they posit a relationship between audiences and performers that has a ritual-like, communal dimension. The book also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. The author also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and abjection.
Author: Louis A. Perez, Jr.
Publisher: University of Pittsburgh Press
ISBN: 0822971003
Category : History
Languages : en
Pages : 274
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Book Description
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field. This volume contains articles on economics, politics, racial and gender issues, and the exodus of Cuban Jewry in the early 1960s, among others.
Author: Jacqueline Eyring Bixler
Publisher: Bucknell University Press
ISBN: 083875726X
Category : Drama
Languages : en
Pages : 267
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Book Description
This collection offer a series of new essays authored by leading scholars of Latin American and U.S. Latino theater as well as the performance script Mexterminator vs. The Global Predator, written by Guillermo Gomez-Pena. The fourteen essays focus on contemporary Latin American and U.S. Latino plays and performances and challenge the meanings of genre, gender, race, cultural identity, and performance itself in the context of globalization and shifting borders. The concept of trans/acting, a term that connotes negotiation and/or exchange, provides the framework for essays that include such topics as tansculturation, transnationalism, transgender, transgenre, translation, and adaptation. These individual studies of contemporary theater and performance arts are complimented by trans/actor Gomez-Pena's Mexterminator vs. The Global Predator, a striking transgressive script that underscores the performance nature of territorial and symbolic border crossings. Jacqueline Bixler is Alumni Distinguished Professor of Spanish at Virginia Tech. Laurietz Seda is Associate Professor of Spanish at the University of Connecticut-Storrs.
Author: F. Becker
Publisher: Springer
ISBN: 113702710X
Category : History
Languages : en
Pages : 415
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Book Description
There is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors open the way toward understanding the character and significance of this encounter.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 586
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Book Description
Author: Gail Bulman
Publisher: UNC Press Books
ISBN: 1469667444
Category : Drama
Languages : en
Pages : 354
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Book Description
Feeling the Gaze explores the visual elements in eight contemporary Argentine and Chilean theater performances. Gail A. Bulman shows how staged images can awaken spectators' emotions to activate their intellect, provoking nuanced and deep contemplation of social, historical, and political themes. Ranging from simple props, costumes, body movements and spatial constructions to integrated media and digital images, the aesthetic components in these pieces engage to forge multifaceted storytelling, stimulate the public's relation to memory, and create affective bonds that help build individual and collective social consciousness. Recent innovations in Southern Cone theatre aesthetics have been shifting traditional performance/spectator relationships and animating ideological discussions. The various works presented here give readers a holistic understanding of the emerging prominence of visuality and affect as a vehicle for political advocacy in Latin American theatre and performance. The book asks us to consider the formation of new spectator-performance bonds as authors, directors, and theatre groups increasingly turn toward alternative settings for their work. Lingering visual memories of the performances, together with the feelings that the performative experience stirs up, provide spectators with an enduring focal point through which to reflect on and judge what is "beyond" the performed scenes. Staged live in the Southern Cone and internationally since 2014, these plays demonstrate the transgressive power of the visual to make spectators see, feel, and potentially act against injustices and violence. This study offers comprehensive critical discussions of Teatro Banda's O'Higgins: un hombre en pedazos; Teatro Nino Proletario's Fulgor; Mario, Luiggi y sus fantasmas's Manual de carrona; Agustin Leon Pruzzo's En la sombra de la cupula; Teatro la Maria's Los millonarios; Claudio Tolcachir's Proximo; Sergio Blanco's Tebas Land; and Lola Arias's Doble de Riesgo.
