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Author: Tony Burke
Publisher:
ISBN: 9781532603754
Category : Religion
Languages : en
Pages : 0
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Book Description
Fakes, Forgeries, and Fictions examines the possible motivations behind the production of apocryphal Christian texts. Did the authors of Christian apocrypha intend to deceive others about the true origins of their writings? Did they do so in a way that is distinctly different from New Testament scriptural writings? What would phrases like ""intended to deceive"" or ""true origins"" even mean in various historical and cultural contexts? The papers in this volume, presented in September 2015 at York University in Toronto, discuss texts from as early as second-century papyrus fragments to modern apocrypha such as tales of Jesus in India in the nineteenth-century Life of Saint Issa. The highlights of the collection include a keynote address by Bart Ehrman (""Apocryphal Forgeries: The Logic of Literary Deceit"") and a panel discussion on the Gospel of Jesus' Wife, reflecting on what reactions to this particular text--primarily on biblioblogs--can tell us about the creation, transmission, and reception of apocryphal Christian literature. The eye-opening papers presented at the panel caution and enlighten readers about the ethics of studying unprovenanced texts, the challenges facing female scholars both in the academy and online, and the shifting dynamics between online and traditional print scholarship. ""Fakes, Forgeries and Fictions is an impressive and provocative collection of essays about the hundreds of apocryphal texts and pseudo-gospels that Christians have written through the centuries. In the process, the essays ask challenging questions about the intentions of these early authors, and just what we mean when we label works as forgeries or fictions. This very informative book offers a rich array of good stories, and fine scholarship."" --Philip Jenkins, Baylor University ""Fakes, Forgeries, and Fictions moves the field forward by leaps and bounds. Through richly illuminating studies of ancient (and not-so-ancient) sources, it illustrates the high stakes of ethical practice in scholarship: how we communicate our work to the public, and how committed we are to equality and access in our scholarly communities, are not peripheral issues, but central to the quality of our intellectual work. A must-read for scholars of antiquity in the twenty-first century."" --Eva Mroczek, University of California, Davis; author of The Literary Imagination in Jewish Antiquity ""Are apocryphal Christian texts fakes and forgeries? Were they intentionally written to deceive Christians? Do they contain facts or fictions? Why were they composed? These are old questions that today's experts on apocryphal literature have taken up anew in this edited volume. The answers are as varied as the stories themselves, from intentional fakes meant to deceive like the fragment known as the Gospel of Jesus' Wife, to honest attempts to capture ongoing religious revelation like the Revelation of the Magi. This volume is a valuable contribution to how we understand authorship of ancient Christian texts, whether we define them as fakes or the real deal."" --April D. DeConick, Rice University; author of The Gnostic New Age: How Gnostic Spirituality Revolutionized Religion from Antiquity to Today Tony Burke is Associate Professor of Early Christianity at York University in Toronto, Ontario. He is the coeditor of New Testament Apocrypha (2016) and author of Secret Scriptures Revealed (2013).
Author: Tony Burke
Publisher:
ISBN: 9781532603754
Category : Religion
Languages : en
Pages : 0
Get Book Here
Book Description
Fakes, Forgeries, and Fictions examines the possible motivations behind the production of apocryphal Christian texts. Did the authors of Christian apocrypha intend to deceive others about the true origins of their writings? Did they do so in a way that is distinctly different from New Testament scriptural writings? What would phrases like ""intended to deceive"" or ""true origins"" even mean in various historical and cultural contexts? The papers in this volume, presented in September 2015 at York University in Toronto, discuss texts from as early as second-century papyrus fragments to modern apocrypha such as tales of Jesus in India in the nineteenth-century Life of Saint Issa. The highlights of the collection include a keynote address by Bart Ehrman (""Apocryphal Forgeries: The Logic of Literary Deceit"") and a panel discussion on the Gospel of Jesus' Wife, reflecting on what reactions to this particular text--primarily on biblioblogs--can tell us about the creation, transmission, and reception of apocryphal Christian literature. The eye-opening papers presented at the panel caution and enlighten readers about the ethics of studying unprovenanced texts, the challenges facing female scholars both in the academy and online, and the shifting dynamics between online and traditional print scholarship. ""Fakes, Forgeries and Fictions is an impressive and provocative collection of essays about the hundreds of apocryphal texts and pseudo-gospels that Christians have written through the centuries. In the process, the essays ask challenging questions about the intentions of these early authors, and just what we mean when we label works as forgeries or fictions. This very informative book offers a rich array of good stories, and fine scholarship."" --Philip Jenkins, Baylor University ""Fakes, Forgeries, and Fictions moves the field forward by leaps and bounds. Through richly illuminating studies of ancient (and not-so-ancient) sources, it illustrates the high stakes of ethical practice in scholarship: how we communicate our work to the public, and how committed we are to equality and access in our scholarly communities, are not peripheral issues, but central to the quality of our intellectual work. A must-read for scholars of antiquity in the twenty-first century."" --Eva Mroczek, University of California, Davis; author of The Literary Imagination in Jewish Antiquity ""Are apocryphal Christian texts fakes and forgeries? Were they intentionally written to deceive Christians? Do they contain facts or fictions? Why were they composed? These are old questions that today's experts on apocryphal literature have taken up anew in this edited volume. The answers are as varied as the stories themselves, from intentional fakes meant to deceive like the fragment known as the Gospel of Jesus' Wife, to honest attempts to capture ongoing religious revelation like the Revelation of the Magi. This volume is a valuable contribution to how we understand authorship of ancient Christian texts, whether we define them as fakes or the real deal."" --April D. DeConick, Rice University; author of The Gnostic New Age: How Gnostic Spirituality Revolutionized Religion from Antiquity to Today Tony Burke is Associate Professor of Early Christianity at York University in Toronto, Ontario. He is the coeditor of New Testament Apocrypha (2016) and author of Secret Scriptures Revealed (2013).
Author: Ian Tattersall
Publisher: Black Dog & Leventhal
ISBN: 0316503703
Category : True Crime
Languages : en
Pages : 487
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Book Description
An entertaining collection of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, has teamed up with Peter Néaumont to tell this anti-history of the world, in which Michelangelo fakes a masterpiece; Arctic explorers seek an entrance into a hollow Earth; a Shakespeare tragedy is "rediscovered"; a financial scheme inspires Charles Ponzi; a spirit photographer snaps Abraham Lincoln's ghost; people can survive ingesting only air and sunshine; Edgar Allen Poe is the forefather of fake news; and the first human was not only British but played cricket. Told chronologically, HOAX begins with the first documented announcement of the end of the world in 2800 BC and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the worlds of art, science, literature, journalism, and finance.
Author: Mark Osteen
Publisher: University of Virginia Press
ISBN: 081394628X
Category : Literary Criticism
Languages : en
Pages : 431
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Book Description
How many layers of artifice can one artwork contain? How does forgery unsettle our notions of originality and creativity? Looking at both the literary and art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any forgery or hoax is only as good as its authenticating story—and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original. From fakes of the late eighteenth century, such as Thomas Chatterton’s Rowley poems and the notorious "Shakespearean" documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as Clifford Irving’s fake autobiography of Howard Hughes, the infamous Ern Malley forgeries, and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged.
Author: Edmund P. Cueva
Publisher: Barkhuis
ISBN: 9492444224
Category : History
Languages : en
Pages : 380
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Book Description
Scholars for centuries have regarded fakes and forgeries chiefly as an opportunity for exposing and denouncing deceit, rather than appreciating the creative activity necessary for such textual imposture. But should we not be more curious about what is spurious? Many of these long-neglected texts merit serious reappraisal, when considered as artifacts with a value beyond mere authenticity. We do not have to be fooled by a forgery to find it fascinating, when even the intention to deceive can remind us how easy it is to form beliefs about texts. The greater difficulty is that once beliefs have been formed by one text, it is impossible to approach the next without preconceptions potentially disastrous for scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship when the forger is regarded as "splendide mendax" - splendidly untruthful.
Author: Jonathon Keats
Publisher: Oxford University Press
ISBN: 0199928355
Category : Art
Languages : en
Pages : 206
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Book Description
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
Author: Lydia Pyne
Publisher: Bloomsbury Publishing
ISBN: 1472961811
Category : Science
Languages : en
Pages : 313
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Book Description
Does an authentic Andy Warhol painting need to be painted by Andy Warhol? Why do audiences feel outraged when they find out that scenes from their beloved blockbuster documentaries are staged? Can people move past assuming that a diamond grown in a lab is a fake? What happens when a forged painting or manuscript becomes more valuable than its original? This is a book about genuine fakes – the curious and complex objects that provoke these very sorts of questions. Genuine fakes fall into the space between things that are real and things that are not; whether or not we think that those things are authentic is a matter of perspective. Unsurprisingly, the world is full of genuine fakes – full of things that defy simple categorisation. From stories of audacious forgeries to feats of technological innovation, historian Lydia Pyne explores how the authenticity of eight genuine fakes depends on their unique combinations of history, science and culture. The stories of art forgeries, fake fossils, nature documentaries, synthetic flavours, museum exhibits, Maya codices and Palaeolithic replicas show that genuine fakes are both complicated and change over time. Drawing from historical archives, interviews, museum exhibits and science fiction as well as her own research, Pyne brings each genuine fake to life through unexpected and often outrageous stories. Genuine Fakes will make readers think about all the unreal things they encounter in their daily lives, and why they invoke the reactions – surprise, wonder, understanding or annoyance – that they do.
Author: Ken Perenyi
Publisher: Simon and Schuster
ISBN: 163936305X
Category : True Crime
Languages : en
Pages : 235
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Book Description
It is said that the greatest art forger in the world is the one who has never been caught. Caveat Emptor reveals the astonishing story of America’s most accomplished art forger. Ten years ago, an FBI investigation in conjunction with the U.S. Attorney’s Office in the Southern District of New York was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, renowned experts, and the major auction houses, the investigation inexplicably ended, despite an abundance of evidence collected. The case was closed and the FBI file was marked “exempt from public disclosure.” Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this book, Caveat Emptor, is Ken Perenyi’s confession. It is the story, in detail, of how he pulled it all off. Glamorous stories of art-world scandal have always captured the public imagination. However, not since Clifford Irving’s 1969 bestselling Fake has there been a story at all like this one. Caveat Emptor is unique in that it is the first and only book by and about America’s first and only great art forger. And unlike other forgers, Perenyi produced no paper trail, no fake provenance whatsoever; he let the paintings speak for themselves. And that they did, routinely mesmerizing the experts in mere seconds. In the tradition of Frank Abagnale’s Catch Me If You Can, and certain to be a bombshell for the major international auction houses and galleries, here is the story of America’s greatest art forger.
Author: Stefan Koldehoff
Publisher: Seven Stories Press
ISBN: 1644211203
Category : Art
Languages : en
Pages : 351
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Book Description
A thrilling, eye-popping look at true crime in the billion-dollar art world. The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world--everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud. However, the extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. The stories of high-stakes, brazen art crimes told by art experts Stefan Koldehoff and Tobias Timm are by turns thrilling, disturbing, and unbelievable (the imagination for using art to commit crimes seems boundless). The authors also provide a well-founded analysis of what needs to change in the art market and at museums. From the authors of False Pictures, Real Money (about the Beltracchi art forgery case), Art and Crime includes a chapter on art owned by Donald Trump. It is a thoroughly researched, explosive, and highly topical book that uncovers the extraordinary and multifarious thefts of art and cultural objects around the world.
Author: Nancy Moses
Publisher: Rowman & Littlefield
ISBN: 1442274441
Category : Art
Languages : en
Pages : 217
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Book Description
A fascinating read about fakes, forgeries, and frauds. What’s real? What’s fake? Why do we care? In this time of false news and fake science, these questions are more important than ever. Fakes, Forgeries, and Frauds goes beyond the headlines, tweets, and blogs to explore the true nature of authenticity and why it means so much today. This book delivers nine fascinating true stories that introduce the fakers, forgers, art authenticators, and others that populate this dark world. Examples include: Shakespeare—How an enterprising teenager in the 1790s faked Shakespeare and duped Literary London. Rembrandt—How art history, connoisseurship, and science are re-shaping our view of what Rembrandt painted and how the canvas changed over time. Relics—Was Saint Cecilia, the patron saint of music, a real Roman teenager who was martyred 1,800 years ago in the same place where her church stands today? Jackson Pollock—How do experts pick out the real Pollocks from the thousands of fakes? Nuremberg—How repeated reconstructions of medieval Nuremburg—including one by Adolf Hitler—show how historic preservation became a tool for propaganda. Fakes, Forgeries, and Frauds also raises provocative questions about the meaning of reality. What happens when spiritual truth conflicts with historic fact? Can an object retain its essence when most of it was replaced? Why did some art patrons value an excellent copy more than the original? Why do we find fakes so eternally fascinating, and forgers such appealing con artists? Fakes, Forgeries, and Frauds is a full-color book with 30 color photos. It shows that reality, exemplified by discrete physical objects, is actually mutable, unsettling, and plainly weird. Readers discover things that are less than meets the eye—and might even reconsider what’s real, what’s fake, and why they should care.
Author: Anthony M. Amore
Publisher: Macmillan + ORM
ISBN: 1466879114
Category : Art
Languages : en
Pages : 275
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Book Description
“Must reading for any true-crime fan . . . [a] diverse, colorful crew of art-gallery grifters and scammers . . . Highly recommended!” —Howie Carr, New York Times–bestselling author Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore’s The Art of the Con tells the stories of some of history’s most notorious yet untold cons. They involve stolen art hidden for decades; elaborate ruses that involve the Nazis and allegedly plundered art; the theft of a conceptual prototype from a well-known artist by his assistant to be used later to create copies; the use of online and television auction sites to scam buyers out of millions; and other confidence scams incredible not only for their boldness but more so because they actually worked. Using interviews and newly released court documents, The Art of the Con will also take the reader into the investigations that led to the capture of the con men, who oftentimes return back to the world of crime. For some, it’s an irresistible urge because their innocent dupes all share something in common: they want to believe. “An engrossing read about brazen, artful scams.” —Kirkus Reviews “A riveting, fast-moving account of shameless fraudsters who wreak havoc on the art world. A must read!” —Brian T. Kelly, former Assistant United States Attorney
