Factories of Memory: Cinematic Representations of the 12 September Military Coup PDF Download
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Author: Ozan Tekin
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 395489579X
Category : Performing Arts
Languages : en
Pages : 56
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Book Description
12 September 1980, the third successful military coup in the history of Turkey has had a debilitating impact on the social, political and cultural life of the country. This study examines the representations of the 12 September coup through the lens of film as memory. Based on the content analysis of the two films, Beynelmilel (2006) and Bu Son Olsun (2012), and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey.
Author: Ozan Tekin
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 395489579X
Category : Performing Arts
Languages : en
Pages : 56
Get Book Here
Book Description
12 September 1980, the third successful military coup in the history of Turkey has had a debilitating impact on the social, political and cultural life of the country. This study examines the representations of the 12 September coup through the lens of film as memory. Based on the content analysis of the two films, Beynelmilel (2006) and Bu Son Olsun (2012), and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey.
Author: Ozan Tekin
Publisher: GRIN Verlag
ISBN: 3656321299
Category : Performing Arts
Languages : en
Pages : 56
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Book Description
Master's Thesis from the year 2012 in the subject Film Science, grade: A, Lund University (Centre for European Studies), language: English, abstract: 12 September 1980, the third successful military coup in the history of Turkey, has had a debilitating impact on the social, political and cultural life of the country. This thesis examines the representations of the 12 September coup through the lens of film as memory. Based on content analysis of two films, Beynelmilel (2006) and Bu Son Olsun (2012) and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey. The results demonstrate that both cinematic products are reflective of multiple and fragmented memories of the 12 September, and that there is not a strong manifestation of remembering or references to memories of this event as the interpretation of online reviews of both products puts forward.
Author: Maarten van Gageldonk
Publisher: Springer Nature
ISBN: 3030348881
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Ellinor Morack
Publisher: University of Bamberg Press
ISBN: 3863094638
Category : Abandonment of property
Languages : en
Pages : 387
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Book Description
When the Greeks and surviving Armenians of present-day Turkey were forced to leave their homeland in 1922, the movable and immovable property they had to leave behind became known as "abandoned property"(emval-i metruke). In theory, this legal term implied that the absent owners continued to enjoy their property rights and were represented by the state. In practice, however, their houses, fields and belongings were stolen. They were used for the immediate housing needs of the remaining population, distributed among the rich and powerful and sold in public auctions. Initially, only a small part of abandoned property was under control of the new Ankara government, which was eager to use it as a source of revenue for the empty state coffers. Before it could do so, however, the government had to deal with various forms of active and passive resistance: homeless people and refugees squatted "abandoned" homes and fields, and members of parliament initially refused to pass laws that would have legalized government administration of "abandoned" property. From 1924 onwards, the property compensation for among incoming migrants from Greece (the so-called exchangees) threatened the financial interests of the state and pitted the newcomers against the existing population. By focusing on all these aspects of the "abandoned property" question and the multiple forms of resistance against its administration by the state, this book offers unique insights into the social and political history of early republican Turkey.
Author: Metin Heper
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 234
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Book Description
Author: V. H. Hagopian
Publisher:
ISBN:
Category : Arabic language
Languages : en
Pages : 202
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Book Description
Author: Ergun Özbudun
Publisher: Lynne Rienner Publishers
ISBN: 9781555877354
Category : Political Science
Languages : en
Pages : 188
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Book Description
Since 1945, Turkey has witnessed no fewer than three breakdowns of the democratic process (1960, 1971 and 1980) and three retransitions to democracy (1961, 1973 and 1983). In this text, the author analyzes 50 years of Turkish politics and provides a theoretical and comparative perspective.
Author: Melvyn P. Leffler
Publisher: Cambridge University Press
ISBN: 1316025616
Category : History
Languages : en
Pages : 1081
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Book Description
This volume examines the origins and early years of the Cold War. In the first comprehensive reexamination of the period, a team of leading scholars shows how the conflict evolved from the geopolitical, ideological, economic and sociopolitical environments of the two world wars and interwar period, and discusses how markets, ideas and cultural interactions affected political discourse, diplomacy and strategy after World War II. The chapters focus not only on the United States and the Soviet Union, but also on critical regions such as Europe, the Balkans and East Asia. The authors consider the most influential statesmen of the era and address issues that mattered to people around the globe: food, nutrition and resource allocation; ethnicity, race and religion; science and technology; national autonomy, self-determination and sovereignty. In so doing, they illuminate how people worldwide shaped the evolution of the increasingly bipolar conflict and, in turn, were ensnared by it.
Author: Robert Burgoyne
Publisher: U of Minnesota Press
ISBN: 9780816620715
Category : Performing Arts
Languages : en
Pages : 154
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Book Description
Explores contemporary American films that challenge official history. Our movies have started talking back to us, and Film Nation takes a close look at what they have to say. In movies like JFK and Forrest Gump, Robert Burgoyne sees a filmic extension of the debates that exercise us as a nation -- debates about race and culture and national identity, about the nature and makeup of American history. In analyses of five films that challenge the traditional myths of the nation-state -- Glory, Thunderheart, JFK, Born on the Fourth of July, and Forrest Gump -- Burgoyne explores the reshaping of our collective imaginary in relation to our history. These movies, exploring the meaning of "nation" from below, highlight issues of power that underlie the narrative construction of nationhood. Film Nation exposes the fault lines between national myths and the historical experience of people typically excluded from those myths. Throughout, Burgoyne demonstrates that these films, in their formal design, also preserve relics of the imaginary past they contest. Here we see how the "genre memory" of the western, the war film, and the melodrama shapes these films, creating a complex exchange between old concepts of history and the alternative narratives of historical experience that contemporary texts propose. The first book to apply theories of nationalism and national identity to contemporary American films, Film Nation reveals the cinematic rewriting of history now taking place as a powerful attempt to rearticulate the cultural narratives that define America as a nation.
Author: Martin Stokes
Publisher: University of Chicago Press
ISBN: 0226775062
Category : Biography & Autobiography
Languages : en
Pages : 239
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Book Description
Focusing on three entertainers who have become national icons Martin Stokes offers a portrait of Turkish identity that is very different from the official version of anthems and flags. In particular, he discusses how a Turkish concept of love has been developed through the work of the singers and the public reaction to them.
