Ezra Pound's Aesthetics and the Origins of Modernism PDF Download
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Author: Jo Brantley Berryman
Publisher:
ISBN: 9781913087166
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Ezra Pound - one of the most innovative and influential, if controversial, poets of the 20th century - continues to dominate the current literary landscape. / He was a key figure in helping to create what became 'modernism'. Pound wrote poetry and criticism based on revolutionary aesthetic principles still relevant to our understanding of the arts today. / This new work asks what are these principles and how did Pound develop them? Who and what influenced him? What beliefs enabled him not only to write poetry that remains challenging, intriguing and original, but also to recognize other writers and visual artists of distinction? / The author places Pound in the cultural context, examining how his early and wide ranging interests from antiquity to the contemporary shaped his aesthetic views. From his study and analysis of literature and art across cultures and centuries, Pound developed guiding principles for his own work and an enduring way of conceptualizing imaginative and lived experience. / Emerging from the cultural background of his immediate predecessors, the English Romantics and American Transcendentalists, Pound relied on his own understanding of particular writers from ancient Greece, Rome, and medieval Italy as well as China, in order to discover techniques and themes he could adapt. He synthesized sources from East and West. The catchphrase "Make it New" associated with Pound's modernism takes on a different light in the full context of his translation: "AS THE SUN MAKES IT NEW -- DAY BY DAY MAKE IT NEW." His aesthetics thus present not a rejection of the past, but an ongoing vision for today. This is an original study which will be widely welcomed.
Author: Jo Brantley Berryman
Publisher:
ISBN: 9781913087166
Category : Literary Criticism
Languages : en
Pages : 180
Get Book Here
Book Description
Ezra Pound - one of the most innovative and influential, if controversial, poets of the 20th century - continues to dominate the current literary landscape. / He was a key figure in helping to create what became 'modernism'. Pound wrote poetry and criticism based on revolutionary aesthetic principles still relevant to our understanding of the arts today. / This new work asks what are these principles and how did Pound develop them? Who and what influenced him? What beliefs enabled him not only to write poetry that remains challenging, intriguing and original, but also to recognize other writers and visual artists of distinction? / The author places Pound in the cultural context, examining how his early and wide ranging interests from antiquity to the contemporary shaped his aesthetic views. From his study and analysis of literature and art across cultures and centuries, Pound developed guiding principles for his own work and an enduring way of conceptualizing imaginative and lived experience. / Emerging from the cultural background of his immediate predecessors, the English Romantics and American Transcendentalists, Pound relied on his own understanding of particular writers from ancient Greece, Rome, and medieval Italy as well as China, in order to discover techniques and themes he could adapt. He synthesized sources from East and West. The catchphrase "Make it New" associated with Pound's modernism takes on a different light in the full context of his translation: "AS THE SUN MAKES IT NEW -- DAY BY DAY MAKE IT NEW." His aesthetics thus present not a rejection of the past, but an ongoing vision for today. This is an original study which will be widely welcomed.
Author: Leon Surette
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773512436
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
In The Birth of Modernism Leon Surette challenges our traditional understanding of modernism by situating the origins of modernist aesthetics in the occult.
Author: Rebecca Beasley
Publisher: Cambridge University Press
ISBN: 0521870402
Category : Art
Languages : en
Pages : 4
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Book Description
An important contribution to the study of Pound's influences and of the relationship between modernism and art.
Author: Brad Bucknell
Publisher: Cambridge University Press
ISBN: 9780521660280
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Bucknell's study investigates how music, as a discrete artistic mode of expression and a recurring theme in the work of these four writers, reveals the intricate and varied nature of the modernist project."--Jacket.
Author: Vincent Sherry
Publisher: Oxford University Press
ISBN: 0195360311
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Ezra Pound and Wyndham Lewis developed a highly experimental art; they were attracted simultaneously to political programs remarkably backward in outlook--the autocracies of Fascist Italy and Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshly addressed in this study. Here Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues, the English modernists use the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recommendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, but their mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesis" of art and politics to its originating moment, following its trajectory from 1910 to the eve of World War II.
Author: Daniel Tiffany
Publisher: Harvard University Press
ISBN: 9780674746626
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Focusing on the necrophilic dimension of Pound's poetry and the inflections of materiality enabled by the modernist image, Tiffany finds a continuum between Decadent practice and the avant-garde, between the image's prehistory and its political afterlife, between the "corpse language" of Victorian poetry and a conception of the "radioactive" image
Author: Stan Smith
Publisher: Harvester/Wheatsheaf
ISBN:
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Author: Ira B. Nadel
Publisher: Cambridge University Press
ISBN: 1139492675
Category : Literary Criticism
Languages : en
Pages : 531
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Book Description
Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.
Author: William Pratt
Publisher: AMS Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Traces Modernism's origins back to Pound's launching of Imagism in 1912 and follows his impact on the developing movement from his early aesthetic declarations and his friendships with Modernism's pantheon including Yeats and Eliot. This work also depicts Pound's evolution as a poet.
Author: Kurt Heinzelman
Publisher: University of Texas Press
ISBN: 0292702841
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
What was Modernism, and why does it still matter? The term itself first gained currency in the 1930s, describing a kind of art that already may have peaked, some would say as early as 1922. Whatever its ups and downs in its own time, as the novelist Julian Barnes claims in one of the twenty essays commissioned for the present volume, Modernism never vanished. It remains our immovable feast. Modernism was international in scope; it left its mark on all genres, from literature and painting to opera, dance, and architecture; it pushed the boundaries of what was artistically possible and aesthetically important; and finally, for all its destructive urges which it shared with the century itself, it was also celebrative. This book is a response to the exhibition of the same name that opened at the Harry Ransom Center in October 2003. It includes original essays by such noted writers and artists as Russell Banks, Anita Desai, David Douglas Duncan, Elizabeth Hardwick, and Penelope Lively, which offer fresh perspectives on important Modernist figures, including William Gaddis, Ezra Pound, William Faulkner, E. M. Forster, Paul Robeson, Virginia Woolf, Henry James, Joseph Conrad, Frank Lloyd Wright, and Le Corbusier. In addition, essays by leading scholars in literature and art history focus on specific artifacts included in the exhibit. As the Center's Director, Thomas F. Staley, puts it in the Foreword, "Ours is an attempt not of definition but of discovery and rediscovery." Book and exhibition permit both reader and viewer to experience the textures, structures, and resonances which made the first part of the twentieth century so innovative that its art is still virtually synonymous with what "newness" means.
