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Author: Simon Shaw-Miller
Publisher: PHP研究所
ISBN: 9781409426448
Category : Art
Languages : en
Pages : 236
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Book Description
'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music's multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.
Author: Simon Shaw-Miller
Publisher: PHP研究所
ISBN: 9781409426448
Category : Art
Languages : en
Pages : 236
Get Book Here
Book Description
'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music's multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.
Author: Sherry Barnett
Publisher:
ISBN: 9781947521438
Category :
Languages : en
Pages :
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Book Description
Sherry Rayn Barnett has been in the Eye of the Music since capturing, almost stealing, the most white-hot seconds onstage, the unguarded intimacies and the bolt of creativity, whether in the studio or at home. Beginning in New York City as a teenager, Sherry captured the artists redefining what pop music was as the '60s gave way to the '70s for various underground magazines. Early iconic images of Tina Turner, Joni Mitchell, James Taylor, and Laura Nyro created trust and opened doors for revelatory images of Janis Joplin and Bonnie Raitt.By the time she arrived in Los Angeles, the Troubadour scene was full-force. Sherry, who plays a blue Fender Stratocaster, was on the frontlines of the rock, pop, folk and Laurel Canyon country-rock scenes-as much a fellow musician as a photographer documenting the music. Disappearing into the music, she caught a young Linda Ronstadt, an almost hippie angel Emmylou Harris, the already prolific Jackson Browne, and pop superstars The Carpenters before seeing the punk upheaval deliver the Go-Go's, Prince, and the Eurythmics. Barnett's gift is her ability to feel her surroundings, to recognize the perfect moments and create images that offer the essence of the artists she encounters. Again and again, she was there. Linda Ronstadt, Roy Orbison and k.d. lang, Nina Simone, Judy Collins all saw their best, most incandescent selves delivered through the lens of Sherry's camera.Now, for the first time, here is a comprehensive collection of all the images, all the moments, all the schools of music that have been part of the first two decades of one of the most far-reaching careers in modern rock photography. To Sherry, it's being where the truth meets the players; for the rest of us, it's a reason to celebrate how good music transforms everything. Exhaustively documenting the stars who marked generations, Eye of the Music offers a profound look into why some artists last-and some moments matter.
Author: Simon Shaw-Miller
Publisher: Routledge
ISBN: 1351567330
Category : Art
Languages : en
Pages : 214
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Book Description
'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music?s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.
Author: James Kennedy
Publisher: Eye Books (US&CA)
ISBN: 1785632159
Category : Biography & Autobiography
Languages : en
Pages : 245
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Book Description
The tale that follows is not another clichéd collection of rock'n'roll debaucheries (sorry) nor is it another tired fable of triumph over adversity (you're welcome).It's the story of a half-deaf kid from a tiny, remote village in South Wales who was hailed as a genius by the UK's biggest radio station and headhunted by major record labels, only for the music industry to collapse. It crashed hard, taking with it an entire generation of talented artists who would never now get their shot. CNN called it &‘music's lost decade'.Along the way, there are goodies, baddies, gun-toting label execs, life-saving surgeons, therapy, true love, loyalty, hope, breakdowns, suicidal managers, betrayal, drummers and way too many hangovers. James Kennedy shows that the best lessons are to be learned from good losers. It really is all about the journey.Part memoir, part exposé of the music world's murky underbelly, Noise Damage is emotional, painfully honest, funny, informative and ridiculous. It's also a celebration of the life-changing magic of music.
Author: Peter Legh
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 398
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Book Description
Author: Denise Fleming
Publisher: Macmillan
ISBN: 9780805076356
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
Simple rhymes describe the sights, sounds, and smells of Halloween.
Author: David Redfern
Publisher: Reynolds & Hearn
ISBN: 9780955071805
Category : Musicians
Languages : en
Pages : 0
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Book Description
In the ever-evolving music industry, photographer David Redfern remains a constant: always there and guaranteed to get results. From jazz greats like Louis Armstrong, Miles Davis, and Ella Fitzgerald to rock legends like Jimi Hendrix, Led Zeppelin, and The Rolling Stones, Redfern has taken some of the most memorable and definitive shots in music history, as witnessed on international magazine covers, books, posters, record sleeves, even U.S. postage stamps. Featuring more than 400 photos, each with their own story, The Unclosed Eye is an extraordinary pictorial record of the last five decades of music.
Author: Oliver Sacks
Publisher: Vintage
ISBN: 0307594556
Category : Psychology
Languages : en
Pages : 261
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Book Description
NATIONAL BESTSELLER • From “the poet laureate of medicine" (The New York Times) and the author of the classic The Man Who Mistook his Wife for a Hat comes a fascinating exploration of the remarkable, unpredictable ways that our brains cope with the loss of sight by finding rich new forms of perception. “Elaborate and gorgeously detailed.... Again and again, Sacks invites readers to imagine their way into minds unlike their own, encouraging a radical form of empathy.” —Los Angeles Times With compassion and insight, Dr. Oliver Sacks again illuminates the mysteries of the brain by introducing us to some remarkable characters, including Pat, who remains a vivacious communicator despite the stroke that deprives her of speech, and Howard, a novelist who loses the ability to read. Sacks investigates those who can see perfectly well but are unable to recognize faces, even those of their own children. He describes totally blind people who navigate by touch and smell; and others who, ironically, become hyper-visual. Finally, he recounts his own battle with an eye tumor and the strange visual symptoms it caused. As he has done in classics like The Man Who Mistook his Wife for a Hat and Awakenings, Dr. Sacks shows us that medicine is both an art and a science, and that our ability to imagine what it is to see with another person's mind is what makes us truly human.
Author: John Elder Robison
Publisher: Crown
ISBN: 0307396185
Category : Psychology
Languages : en
Pages : 322
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Book Description
NEW YORK TIMES BESTSELLER “As sweet and funny and sad and true and heartfelt a memoir as one could find.” —from the foreword by Augusten Burroughs Ever since he was young, John Robison longed to connect with other people, but by the time he was a teenager, his odd habits—an inclination to blurt out non sequiturs, avoid eye contact, dismantle radios, and dig five-foot holes (and stick his younger brother, Augusten Burroughs, in them)—had earned him the label “social deviant.” It was not until he was forty that he was diagnosed with a form of autism called Asperger’s syndrome. That understanding transformed the way he saw himself—and the world. A born storyteller, Robison has written a moving, darkly funny memoir about a life that has taken him from developing exploding guitars for KISS to building a family of his own. It’s a strange, sly, indelible account—sometimes alien yet always deeply human.
Author: Gary McPherson
Publisher: Oxford University Press
ISBN: 0190056282
Category : Education
Languages : en
Pages : 737
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Book Description
The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
