Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 324
Book Description
Extract from Captain Stormfield's Visit to Heaven and Is Shakespeare Dead?
Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 324
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 324
Book Description
Extract from Captain Stormfield's Visit to Heaven
Author: Mark Twain
Publisher:
ISBN:
Category : Heaven
Languages : en
Pages : 140
Book Description
Captain is misdirected and arrives at the wrong gate.
Publisher:
ISBN:
Category : Heaven
Languages : en
Pages : 140
Book Description
Captain is misdirected and arrives at the wrong gate.
Extract from Captain Stormfield's Visit to Heaven
Author: Mark Twain
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059654975
Category : Juvenile Fiction
Languages : en
Pages : 75
Book Description
Well, when I had been dead about thirty years I begun to get a little anxious. Mind you, had been whizzing through space all that time, like a comet. Like a comet! Why, Peters, I laid over the lot of them! Of course there warn't any of them going my way, as a steady thing, you know, because they travel in a long circle like the loop of a lasso, whereas I was pointed as straight as a dart for the Hereafter; but I happened on one every now and then that was going my way for an hour or so, and then we had a bit of a brush together. But it was generally pretty one-sided, because I sailed by them the same as if they were standing still. An ordinary comet don't make more than about 200,000 miles a minute. Of course when I came across one of that sort—like Encke's and Halley's comets, for instance—it warn't anything but just a flash and a vanish, you see. You couldn't rightly call it a race. It was as if the comet was a gravel-train and I was a telegraph despatch. But after I got outside of our astronomical system, I used to flush a comet occa-sionally that was something like. We haven't got any such comets—ours don't begin. One night I was swinging along at a good round gait, everything taut and trim, and the wind in my favor—I judged I was going about a million miles a minute—it might have been more, it couldn't have been less—when I flushed a most uncom-monly big one about three points off my starboard bow. By his stern lights I judged he was bearing about northeast-and-by-north-half-east. Well, it was so near my course that I wouldn't throw away the chance; so I fell off a point, steadied my helm, and went for him. You should have heard me whiz, and seen the electric fur fly! In about a minute and a half I was fringed out with an electrical nimbus that flamed around for miles and miles and lit up all space like broad day. The comet was burning blue in the distance, like a sickly torch, when I first sighted him, but he begun to grow bigger and bigger as I crept up on him. I slipped up on him so fast that when I had gone about 150,000,000 miles I was close enough to be swallowed up in the phosphorescent glory of his wake, and I couldn't see anything for the glare. Thinks I, it won't do to run into him, so I shunted to one side and tore along. By and by I closed up abreast of his tail. Do you know what it was like? It was like a gnat closing up on the continent of America. I forged along. By and by I had sailed along his coast for a little upwards of a hundred and fifty million miles, and then I could see by the shape of him that I hadn't even got up to his waistband yet. Why, Peters, we don't know anything about comets, down here. If you want to see comets that are comets, you've got to go outside of our solar system—where there's room for them, you understand. My friend, I've seen comets out there that couldn't even lay down inside the orbits of our noblest comets without their tails hanging over.
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6059654975
Category : Juvenile Fiction
Languages : en
Pages : 75
Book Description
Well, when I had been dead about thirty years I begun to get a little anxious. Mind you, had been whizzing through space all that time, like a comet. Like a comet! Why, Peters, I laid over the lot of them! Of course there warn't any of them going my way, as a steady thing, you know, because they travel in a long circle like the loop of a lasso, whereas I was pointed as straight as a dart for the Hereafter; but I happened on one every now and then that was going my way for an hour or so, and then we had a bit of a brush together. But it was generally pretty one-sided, because I sailed by them the same as if they were standing still. An ordinary comet don't make more than about 200,000 miles a minute. Of course when I came across one of that sort—like Encke's and Halley's comets, for instance—it warn't anything but just a flash and a vanish, you see. You couldn't rightly call it a race. It was as if the comet was a gravel-train and I was a telegraph despatch. But after I got outside of our astronomical system, I used to flush a comet occa-sionally that was something like. We haven't got any such comets—ours don't begin. One night I was swinging along at a good round gait, everything taut and trim, and the wind in my favor—I judged I was going about a million miles a minute—it might have been more, it couldn't have been less—when I flushed a most uncom-monly big one about three points off my starboard bow. By his stern lights I judged he was bearing about northeast-and-by-north-half-east. Well, it was so near my course that I wouldn't throw away the chance; so I fell off a point, steadied my helm, and went for him. You should have heard me whiz, and seen the electric fur fly! In about a minute and a half I was fringed out with an electrical nimbus that flamed around for miles and miles and lit up all space like broad day. The comet was burning blue in the distance, like a sickly torch, when I first sighted him, but he begun to grow bigger and bigger as I crept up on him. I slipped up on him so fast that when I had gone about 150,000,000 miles I was close enough to be swallowed up in the phosphorescent glory of his wake, and I couldn't see anything for the glare. Thinks I, it won't do to run into him, so I shunted to one side and tore along. By and by I closed up abreast of his tail. Do you know what it was like? It was like a gnat closing up on the continent of America. I forged along. By and by I had sailed along his coast for a little upwards of a hundred and fifty million miles, and then I could see by the shape of him that I hadn't even got up to his waistband yet. Why, Peters, we don't know anything about comets, down here. If you want to see comets that are comets, you've got to go outside of our solar system—where there's room for them, you understand. My friend, I've seen comets out there that couldn't even lay down inside the orbits of our noblest comets without their tails hanging over.
Extract from Captain Stormfield's Visit to Heaven
Author: Марк Твен
Publisher: Litres
ISBN: 504083988X
Category : Fiction
Languages : en
Pages : 60
Book Description
Publisher: Litres
ISBN: 504083988X
Category : Fiction
Languages : en
Pages : 60
Book Description
Mark Twain
Author: Harold H. Kolb
Publisher: University Press of America
ISBN: 0761864210
Category : Literary Criticism
Languages : en
Pages : 518
Book Description
Mark Twain is America’s—perhaps the world’s—best known humorous writer. Yet many commentators in his time and our own have thought of humor as merely an attractive surface feature rather than a crucial part of both the meaning and the structure of Twain’s writings. This book begins with a discussion of humor, and then demonstrates how Twain’s artistic strategies, his remarkable achievements, and even his philosophy were bound together in his conception of humor, and how this conception developed across a forty-five year career. Kolb shows that Twain is a writer whose lifelong mode of perception is essentially humorous, a writer who sees the world in the sharp clash of contrast, whose native language is exaggeration, and whose vision unravels and reorganizes our perceptions. Humor, in all its mercurial complexity, is at the center of Mark Twain’s talent, his successes, and his limitations. It is as a humorist—amiably comic, sharply satiric, grimly ironic, simultaneously humorous and serious—that he is best understood.
Publisher: University Press of America
ISBN: 0761864210
Category : Literary Criticism
Languages : en
Pages : 518
Book Description
Mark Twain is America’s—perhaps the world’s—best known humorous writer. Yet many commentators in his time and our own have thought of humor as merely an attractive surface feature rather than a crucial part of both the meaning and the structure of Twain’s writings. This book begins with a discussion of humor, and then demonstrates how Twain’s artistic strategies, his remarkable achievements, and even his philosophy were bound together in his conception of humor, and how this conception developed across a forty-five year career. Kolb shows that Twain is a writer whose lifelong mode of perception is essentially humorous, a writer who sees the world in the sharp clash of contrast, whose native language is exaggeration, and whose vision unravels and reorganizes our perceptions. Humor, in all its mercurial complexity, is at the center of Mark Twain’s talent, his successes, and his limitations. It is as a humorist—amiably comic, sharply satiric, grimly ironic, simultaneously humorous and serious—that he is best understood.
The Art, Humor, and Humanity of Mark Twain
Author: Minnie M. Brashear
Publisher: University of Oklahoma Press
ISBN: 0806187557
Category : Biography & Autobiography
Languages : en
Pages : 434
Book Description
Mark Twain is revealed here in an entirely new autobiographical light from his own writings as they reflect his career, his thinking, and his humor. This volume captures the grandeur that distinguishes Mark Twain as, in the words of George Bernard Shaw, “by far the greatest American writer.” Made up of short stories and excerpts from Twain’s principal works, this collection demonstrates Twain’s artistry in handling anecdotes, tales, description, and characterization; the fervency of his ethical convictions; his effective use of irony, satire, burlesque, and caricature; and his essential humanity. By arranging the materials in chronological order and weaving them together with critical commentary, the editors present the many facets of Mark Twain’s experience and his dynamic personality with greater continuity than in previous collections of Twain’s writings. Here is the optimism of the young Mark Twain responding to the rough and rugged vitality of the mid-nineteenth-century American scene, and the skepticism and pessimism of the older Mark Twain reacting to the American democratic experiment of the late nineteenth century.
Publisher: University of Oklahoma Press
ISBN: 0806187557
Category : Biography & Autobiography
Languages : en
Pages : 434
Book Description
Mark Twain is revealed here in an entirely new autobiographical light from his own writings as they reflect his career, his thinking, and his humor. This volume captures the grandeur that distinguishes Mark Twain as, in the words of George Bernard Shaw, “by far the greatest American writer.” Made up of short stories and excerpts from Twain’s principal works, this collection demonstrates Twain’s artistry in handling anecdotes, tales, description, and characterization; the fervency of his ethical convictions; his effective use of irony, satire, burlesque, and caricature; and his essential humanity. By arranging the materials in chronological order and weaving them together with critical commentary, the editors present the many facets of Mark Twain’s experience and his dynamic personality with greater continuity than in previous collections of Twain’s writings. Here is the optimism of the young Mark Twain responding to the rough and rugged vitality of the mid-nineteenth-century American scene, and the skepticism and pessimism of the older Mark Twain reacting to the American democratic experiment of the late nineteenth century.
Is He Dead?
Author: Mark Twain
Publisher: Univ of California Press
ISBN: 9780520939899
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The University of California Press is delighted to announce the new publication of this three-act play by one of America's most important and well-loved writers. A highly entertaining comedy that has never appeared in print or on stage, Is He Dead? is finally available to the wide audience Mark Twain wished it to reach. Written in 1898 in Vienna as Twain emerged from one of the deepest depressions of his life, the play shows its author's superb gift for humor operating at its most energetic. The text of Is He Dead?, based on the manuscript in the Mark Twain Papers, appears here together with an illuminating essay by renowned Mark Twain scholar Shelley Fisher Fishkin and with Barry Moser's original woodcut illustrations in a volume that will surely become a treasured addition to the Mark Twain legacy. Richly intermingling elements of burlesque, farce, and social satire with a wry look at the world market in art, Is He Dead? centers on a group of poor artists in Barbizon, France, who stage the death of a friend to drive up the price of his paintings. In order to make this scheme succeed, the artists hatch some hilarious plots involving cross-dressing, a full-scale fake funeral, lovers' deceptions, and much more. Mark Twain was fascinated by the theater and made many attempts at playwriting, but this play is certainly his best. Is He Dead? may have been too "out there" for the Victorian 1890s, but today's readers will thoroughly enjoy Mark Twain's well-crafted dialogue, intriguing cast of characters, and above all, his characteristic ebullience and humor. In Shelley Fisher Fishkin's estimation, it is "a champagne cocktail of a play--not too dry, not too sweet, with just the right amount of bubbles and buzz."
Publisher: Univ of California Press
ISBN: 9780520939899
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The University of California Press is delighted to announce the new publication of this three-act play by one of America's most important and well-loved writers. A highly entertaining comedy that has never appeared in print or on stage, Is He Dead? is finally available to the wide audience Mark Twain wished it to reach. Written in 1898 in Vienna as Twain emerged from one of the deepest depressions of his life, the play shows its author's superb gift for humor operating at its most energetic. The text of Is He Dead?, based on the manuscript in the Mark Twain Papers, appears here together with an illuminating essay by renowned Mark Twain scholar Shelley Fisher Fishkin and with Barry Moser's original woodcut illustrations in a volume that will surely become a treasured addition to the Mark Twain legacy. Richly intermingling elements of burlesque, farce, and social satire with a wry look at the world market in art, Is He Dead? centers on a group of poor artists in Barbizon, France, who stage the death of a friend to drive up the price of his paintings. In order to make this scheme succeed, the artists hatch some hilarious plots involving cross-dressing, a full-scale fake funeral, lovers' deceptions, and much more. Mark Twain was fascinated by the theater and made many attempts at playwriting, but this play is certainly his best. Is He Dead? may have been too "out there" for the Victorian 1890s, but today's readers will thoroughly enjoy Mark Twain's well-crafted dialogue, intriguing cast of characters, and above all, his characteristic ebullience and humor. In Shelley Fisher Fishkin's estimation, it is "a champagne cocktail of a play--not too dry, not too sweet, with just the right amount of bubbles and buzz."
A Historical Guide to Mark Twain
Author: Shelley Fisher Fishkin
Publisher: Historical Guides to American Authors
ISBN: 9780195132939
Category : History
Languages : en
Pages : 330
Book Description
Mark Twain is still one of the most enduring and beloved of America's great writers. In this guide to Twain, his life and times and the historical context in which he operated Shelley Fisher Fishkin assembles original essays by leading scholars that describe and define the man.
Publisher: Historical Guides to American Authors
ISBN: 9780195132939
Category : History
Languages : en
Pages : 330
Book Description
Mark Twain is still one of the most enduring and beloved of America's great writers. In this guide to Twain, his life and times and the historical context in which he operated Shelley Fisher Fishkin assembles original essays by leading scholars that describe and define the man.
Autobiography of Mark Twain, Volume 2
Author: Mark Twain
Publisher: Univ of California Press
ISBN: 0520956516
Category : Literary Criticism
Languages : en
Pages : 773
Book Description
Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick
Publisher: Univ of California Press
ISBN: 0520956516
Category : Literary Criticism
Languages : en
Pages : 773
Book Description
Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick
Quarterly Bulletin
Author: Brockton Public Library (Brockton, Mass.)
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 266
Book Description
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 266
Book Description