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Author: Rita Benis
Publisher: Taylor & Francis
ISBN: 1040149111
Category : Religion
Languages : en
Pages : 240
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Book Description
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it. The notion of movement as immobility (from Simone Weil) is employed to describe film and its images in motion. Its movements can reconnect us with the movements of the world, those motions in which a mysterious sense of order, what Weil calls "immobility," arises. Film is understood as a privileged form to access inscrutable spiritual (in)visibilities that can be linked with Christian concepts and practices. The chapters in Exploring Film and Christianity offer new studies of famous directors such as Andrei Tarkovsky and Robert Bresson combined with analyses of recent notable films, including Terrence Malick’s Knight of Cups, Martin Scorsese’s Silence, and Denis Villeneuve’s Blade Runner 2049. Organized around the productive topics of theory, expression, depiction and experience, this volume is a valuable contribution to interdisciplinary research on film and Christianity.
Author: Rita Benis
Publisher: Taylor & Francis
ISBN: 1040149111
Category : Religion
Languages : en
Pages : 240
Get Book Here
Book Description
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it. The notion of movement as immobility (from Simone Weil) is employed to describe film and its images in motion. Its movements can reconnect us with the movements of the world, those motions in which a mysterious sense of order, what Weil calls "immobility," arises. Film is understood as a privileged form to access inscrutable spiritual (in)visibilities that can be linked with Christian concepts and practices. The chapters in Exploring Film and Christianity offer new studies of famous directors such as Andrei Tarkovsky and Robert Bresson combined with analyses of recent notable films, including Terrence Malick’s Knight of Cups, Martin Scorsese’s Silence, and Denis Villeneuve’s Blade Runner 2049. Organized around the productive topics of theory, expression, depiction and experience, this volume is a valuable contribution to interdisciplinary research on film and Christianity.
Author: Nate Fleming
Publisher: Lulu.com
ISBN: 0615984894
Category : Fiction
Languages : en
Pages : 226
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Book Description
You know about Noah, but what about the animals? Thimblerig is a little groundhog with big problems. He's a loner con-artist who's losing his mojo; the wild dogs who run the forest harass him at every turn; he's started having vivid nightmares of apocalyptic floods; and worst of all - he believes he sees unicorns when everyone knows unicorns are only the stuff of legend. But what one animal calls problems, Thimblerig calls opportunity. His problems inspire him to come up with the ultimate con: convincing a group of gullible animals that a world-ending flood is coming, that the fabled unicorns have told him where the only safe place will be, and that only he can lead them to safety. And all for a reasonable price, of course. But when the flood really does come, Thimblerig has a choice to make: either he really does save the ones who have trusted him, or he loses everything. And he discovers that his problems have only just begun.
Author: S. Brent Plate
Publisher: Columbia University Press
ISBN: 0231545797
Category : Religion
Languages : en
Pages : 245
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Book Description
Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.
Author: William D. Romanowski
Publisher: Oxford University Press
ISBN: 0199942587
Category : Religion
Languages : en
Pages : 329
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Book Description
Religious Communication Association's Book of the Year Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen. William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.
Author: Bryan P. Stone
Publisher: Chalice Press
ISBN: 9780827210530
Category : Motion pictures
Languages : en
Pages : 212
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Book Description
Bryan Stone engages the cinema to open a discussion of theology and the culture of our time by pairing specific Christian doctrines found in the Apostles' Creed with popular movies and videos.
Author: Robert K. Johnston
Publisher: Baker Academic
ISBN: 0801031877
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
Author: Catherine M. Barsotti
Publisher: Brazos Press
ISBN: 1493410598
Category : Religion
Languages : en
Pages : 427
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Book Description
This informative guide helps readers combine their love of movies with their desire to grow closer to God. Foremost experts on faith and film, all connected with the Reel Spirituality Institute at Fuller Seminary, explore forty leading movies from the last four decades to encourage movie lovers and small groups to reflect critically and theologically on their film choices. God in the Movies introduces and analyzes the spiritual content of top films from the 1980s through the 2010s, opening viewers up to a conversation about life, faith, and God. Following a format similar to Barsotti and Johnston's successful Finding God in the Movies, this completely new book covers different films spanning four decades. This engaging resource contains production notes and film synopses, relevant Scripture texts, theological reflection, discussion questions, film stills, recommended film clips, and more, serving as a treasure chest for hours of film viewing, discussion, and ministry. Clips from the movies referenced in each chapter are available online.
Author: Kristin Kobes Du Mez
Publisher: Liveright Publishing
ISBN: 1631495747
Category : History
Languages : en
Pages : 384
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Book Description
NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.
Author: R. Albert Mohler, Jr.
Publisher: Thomas Nelson
ISBN: 0718099184
Category : Religion
Languages : en
Pages : 234
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Book Description
I believe. These two words are among the most explosive words any human can utter. The Apostles' Creed has shaped and guided Christian faith for almost two thousand years. Shared by Protestant, Roman Catholic, and Eastern Orthodox traditions, it is perhaps the most compelling statement of Christian doctrine the world has ever known. But do we know what it really means—and how it applies to us today? In The Apostles' Creed, renowned theologian and pastor R. Albert Mohler Jr. works line-by-line and phrase-by-phrase through each section of the Creed, revealing the rich truths it contains, including: the profound mystery of the Trinity the miracle of the Incarnation the world-shaking truth of the resurrection the hope of Christ's return the theological heritage contained in this ancient statement The Apostles’ Creed is an often-overlooked treasure that contains the power to shape us for vibrant and steadfast living today, equipping believers to live faithfully in a post-Christian culture.
Author: Christian Hammons
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Exploring Culture and Gender through Film introduces cultural anthropology through concepts and case studies presented in a variety of media. The book pairs accessible documentary, ethnographic, and fiction films with articles that address the same themes and issues. Conceptual tools and background information help students understand both the visual and written content. The anthology is organized into three sections: Culture, Intersections, and Entanglements. The first section introduces the anthropological perspective, the concept of culture, ethnography, documentary and ethnographic film, and Indigenous media. The second section discusses topics related to intersectionality, including gender, race, class, colonialism, globalization, and protest. In the final section, students explore the complex entanglements of human social life through topics such as genocide, structural violence, the relationship between nature and culture, surveillance capitalism, and more. The second edition features a new organizational structure, 15 new readings, and fresh coverage of contemporary issues, including Islam, gender, and cultural relativism, the critically acclaimed TV series Reservation Dogs, racism and caste in the U.S., class conflict and neocolonialism in Parasite, digital protest and the Black Lives Matter movement, and Taika Waititi's anti-anthropology. While ideally designed to be used in conjunction with the suggested films, the book also successfully stands alone as an introduction to cultural anthropology through contemporary issues. Exploring Culture and Gender through Film can be used for courses in social and cultural anthropology, media studies, and contemporary issues.
