Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1186
Book Description
Canadiana
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1186
Book Description
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1186
Book Description
Rubens to Picasso: Four Centuries of Master Drawings
Author: Victor Chan
Publisher: University of Alberta
ISBN: 9780888642813
Category : Art
Languages : en
Pages : 164
Book Description
Rarely seen drawings by 64 masters, including Braque, CZzanne, Degas, Gauguin, Hugo, Klee, Manet, Matisse, Modigliani, Mondrian, Monet, Munch, Picasso, Renoir, Rodin, Rubens, Seurat, Toulouse-Lautrec, van Gogh and Watteau, are reproduced in this exceptional collection. Victor Chan provides a full biographical sketch of the individual masters and discusses their art.
Publisher: University of Alberta
ISBN: 9780888642813
Category : Art
Languages : en
Pages : 164
Book Description
Rarely seen drawings by 64 masters, including Braque, CZzanne, Degas, Gauguin, Hugo, Klee, Manet, Matisse, Modigliani, Mondrian, Monet, Munch, Picasso, Renoir, Rodin, Rubens, Seurat, Toulouse-Lautrec, van Gogh and Watteau, are reproduced in this exceptional collection. Victor Chan provides a full biographical sketch of the individual masters and discusses their art.
Alberta Art and Artists
Author: Patricia Ainslie
Publisher: Calgary : Fifth House
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
Alberta Trade Non-Fiction Book Award nominee 2008 Just as Canada is often overlooked or undervalued within the international art world, the province of Alberta has struggled against being overlooked within the national context, despite its rich art history and vigorous and ever-changing art scene. Alberta Art and Artists, by former vice-president of collections at the Glenbow Museum Patricia Ainslie and art critic and journalist Mary-Beth Laviolette, provides a comprehensive visual record of the historical, modern, and contemporary art scene in Alberta. Throughout three sections, Ainslie and Laviolette provide introductions to the art they describe, explaining beginnings and development of movements, art schools, sketch clubs, galleries, and artist-run centres; the significance of artists and teachers to those institutions and movements; and the importance of social and political context to all artistic events. Also included in this fantastic volume are the biographies of each of the artists showcased.
Publisher: Calgary : Fifth House
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
Alberta Trade Non-Fiction Book Award nominee 2008 Just as Canada is often overlooked or undervalued within the international art world, the province of Alberta has struggled against being overlooked within the national context, despite its rich art history and vigorous and ever-changing art scene. Alberta Art and Artists, by former vice-president of collections at the Glenbow Museum Patricia Ainslie and art critic and journalist Mary-Beth Laviolette, provides a comprehensive visual record of the historical, modern, and contemporary art scene in Alberta. Throughout three sections, Ainslie and Laviolette provide introductions to the art they describe, explaining beginnings and development of movements, art schools, sketch clubs, galleries, and artist-run centres; the significance of artists and teachers to those institutions and movements; and the importance of social and political context to all artistic events. Also included in this fantastic volume are the biographies of each of the artists showcased.
Lines of Site
Author: Desmond Rochfort
Publisher: University of Alberta
ISBN: 9780888643292
Category : Art
Languages : en
Pages : 84
Book Description
Over a period of more than twenty-five years, the printmaking division at the University of Alberta's department of Art and Design has become recognized internationally as a centre for printmaking. This special exhibition celebrates the work of those who have been associated with University of Alberta's printmaking division. Some of these artists, like Liz Ingram, Walter Jule, and Lyndal Osborne, are still instructors and faculty. Others, like Koichi Yamamoto, Marna Bunnell, and Ben Wong, have studied there as graduate students. These artists share a commitment to the idea that the print medium is a form in which artists can still apply high levels of craft, push the creative boundaries of the medium beyond the conventional, and yet simultaneously express effective meanings in a new and fast-changing world. In a deliberate play on the title of the Sightlines symposium of October 1997, Lines of Site alludes to the notions of place, direction, even standpoint of view, hinting at important principles of common cause to which print artists might aspire and by which they might be inspired in a world of increasingly immediate and ephemeral visions.
Publisher: University of Alberta
ISBN: 9780888643292
Category : Art
Languages : en
Pages : 84
Book Description
Over a period of more than twenty-five years, the printmaking division at the University of Alberta's department of Art and Design has become recognized internationally as a centre for printmaking. This special exhibition celebrates the work of those who have been associated with University of Alberta's printmaking division. Some of these artists, like Liz Ingram, Walter Jule, and Lyndal Osborne, are still instructors and faculty. Others, like Koichi Yamamoto, Marna Bunnell, and Ben Wong, have studied there as graduate students. These artists share a commitment to the idea that the print medium is a form in which artists can still apply high levels of craft, push the creative boundaries of the medium beyond the conventional, and yet simultaneously express effective meanings in a new and fast-changing world. In a deliberate play on the title of the Sightlines symposium of October 1997, Lines of Site alludes to the notions of place, direction, even standpoint of view, hinting at important principles of common cause to which print artists might aspire and by which they might be inspired in a world of increasingly immediate and ephemeral visions.
The Vaccination Picture
Author: Timothy Caulfield
Publisher: Penguin
ISBN: 0735235058
Category : Health & Fitness
Languages : en
Pages : 178
Book Description
Few topics in health policy have generated as much debate—and frustration—among public health experts as the issue of vaccine safety. Misinformation around the science of vaccination continues to spread, and too often the media fails to report bad science for what it is. Using science-informed analysis alongside original art and powerful essays, health science leader Timothy Caulfield debunks the myths and false assumptions about vaccination safety and effectiveness. Accessible, informative, and entertaining, The Vaccination Picture tells the true story of vaccines, their uses, and their positive effects for everyone.
Publisher: Penguin
ISBN: 0735235058
Category : Health & Fitness
Languages : en
Pages : 178
Book Description
Few topics in health policy have generated as much debate—and frustration—among public health experts as the issue of vaccine safety. Misinformation around the science of vaccination continues to spread, and too often the media fails to report bad science for what it is. Using science-informed analysis alongside original art and powerful essays, health science leader Timothy Caulfield debunks the myths and false assumptions about vaccination safety and effectiveness. Accessible, informative, and entertaining, The Vaccination Picture tells the true story of vaccines, their uses, and their positive effects for everyone.
Abstract Painting in Canada
Author: Roald Nasgaard
Publisher: Douglas & McIntyre
ISBN: 9781553653943
Category : Art
Languages : en
Pages : 464
Book Description
In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters Eleven looked south to New York. Montreal's Plasticiens launched their own razor-edged interpretation of the European tradition of geometric abstraction. In the sixties and seventies, the Prairies were influenced by Clement Greenberg's post-painterly abstraction, while Halifax became a hub of conceptual art and concrete painting. The book continues through the eighties and nineties, during which critics largely denounced painting, and concludes in the twenty-first century, with abstract painting alive and well again in the studios of Canada's young artists. A monumental tome containing 200 color reproductions, it mines a rich vein of art history ripe for international discovery.
Publisher: Douglas & McIntyre
ISBN: 9781553653943
Category : Art
Languages : en
Pages : 464
Book Description
In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters Eleven looked south to New York. Montreal's Plasticiens launched their own razor-edged interpretation of the European tradition of geometric abstraction. In the sixties and seventies, the Prairies were influenced by Clement Greenberg's post-painterly abstraction, while Halifax became a hub of conceptual art and concrete painting. The book continues through the eighties and nineties, during which critics largely denounced painting, and concludes in the twenty-first century, with abstract painting alive and well again in the studios of Canada's young artists. A monumental tome containing 200 color reproductions, it mines a rich vein of art history ripe for international discovery.
Art as Social Practice
Author: xtine burrough
Publisher: Routledge
ISBN: 1000546144
Category : Art
Languages : en
Pages : 355
Book Description
With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy’s Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer firsthand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine, and create new platforms for meaningful exchange in both physical and virtual spaces. An invaluable resource for students and scholars of art, technology, and new media, as well as artists interested in exploring these intersections.
Publisher: Routledge
ISBN: 1000546144
Category : Art
Languages : en
Pages : 355
Book Description
With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy’s Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer firsthand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine, and create new platforms for meaningful exchange in both physical and virtual spaces. An invaluable resource for students and scholars of art, technology, and new media, as well as artists interested in exploring these intersections.
North American Women Artists of the Twentieth Century
Author: Jules Heller
Publisher: Routledge
ISBN: 1135638829
Category : Art
Languages : en
Pages : 732
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135638829
Category : Art
Languages : en
Pages : 732
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Winnipeg School of Art
Author: Marilyn Baker
Publisher: Univ. of Manitoba Press
ISBN: 0887553869
Category : Art
Languages : en
Pages : 137
Book Description
Before the First World War, Winnipeg was Canada's third-largest city and the undisputed metropolis of the West. Rapid growth had given the city material prosperity, but little of its wealth went to culture or the arts. Despite the city's fragile cultural veneer, the enthusiasm and dedication of members of the arts community and a grpup of public-spirited citizens led to the establishment of the Winnipeg Art Gallery in 1912 and the Winnipeg School of Art in 1913.This volume is a history in words and illustration of the early years of the Winnipeg School of Art, its hopes and ideals and its struggles for survival. Its story is in large part a record of art and artists in Winnipeg during the period. The growth of the School is described through the terms of its first four principals: Alexander Musgrove, Frank Johnston, Keith Gebbhardt, and L. LeMoine Fitzgerald. Biographical sketches on artists involved with the School as teachers or students from 1913 to 1934 are also included.Reproductions of over 80 selected works from the exhibition marking the seventieth anniversary of the founding of the School, eight in full colour, present the most vital and provocative arrt of the period.
Publisher: Univ. of Manitoba Press
ISBN: 0887553869
Category : Art
Languages : en
Pages : 137
Book Description
Before the First World War, Winnipeg was Canada's third-largest city and the undisputed metropolis of the West. Rapid growth had given the city material prosperity, but little of its wealth went to culture or the arts. Despite the city's fragile cultural veneer, the enthusiasm and dedication of members of the arts community and a grpup of public-spirited citizens led to the establishment of the Winnipeg Art Gallery in 1912 and the Winnipeg School of Art in 1913.This volume is a history in words and illustration of the early years of the Winnipeg School of Art, its hopes and ideals and its struggles for survival. Its story is in large part a record of art and artists in Winnipeg during the period. The growth of the School is described through the terms of its first four principals: Alexander Musgrove, Frank Johnston, Keith Gebbhardt, and L. LeMoine Fitzgerald. Biographical sketches on artists involved with the School as teachers or students from 1913 to 1934 are also included.Reproductions of over 80 selected works from the exhibition marking the seventieth anniversary of the founding of the School, eight in full colour, present the most vital and provocative arrt of the period.
Art of the Spirit
Author: Helen Bradfield
Publisher: Dundurn
ISBN: 1550021524
Category : Design
Languages : en
Pages : 130
Book Description
Rich colours and arresting designs capture the mood of celebration and joy that characterizes this photographic record of contemporary religious works of art. Chosen for their excellence in design and stitchery, these works represent the achievements of artists who have created art, in fabric, for places of worship. This book celebrates this important artistic expression, a significant part of our heritage. Pieces are selected from communities across Canada: from a small parish on a Micmac reserve in Nova Scotia to a large urban synagogue in Vancouver; from the igloo-shaped cathedral in Iqaluit to a suburban church nestled beside a wildlife march in southwestern Ontario.
Publisher: Dundurn
ISBN: 1550021524
Category : Design
Languages : en
Pages : 130
Book Description
Rich colours and arresting designs capture the mood of celebration and joy that characterizes this photographic record of contemporary religious works of art. Chosen for their excellence in design and stitchery, these works represent the achievements of artists who have created art, in fabric, for places of worship. This book celebrates this important artistic expression, a significant part of our heritage. Pieces are selected from communities across Canada: from a small parish on a Micmac reserve in Nova Scotia to a large urban synagogue in Vancouver; from the igloo-shaped cathedral in Iqaluit to a suburban church nestled beside a wildlife march in southwestern Ontario.