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Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415939430
Category : Art
Languages : en
Pages : 200
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Book Description
In this intimate history, James Elkins demonstrates that there is - and can never be - only one story of art. He opens up the questions that traditional art history usually avoids.
Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415939430
Category : Art
Languages : en
Pages : 200
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Book Description
In this intimate history, James Elkins demonstrates that there is - and can never be - only one story of art. He opens up the questions that traditional art history usually avoids.
Author: David C. Driskell
Publisher: Giles
ISBN: 9781911282761
Category : Art
Languages : en
Pages : 360
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Book Description
An expansive collection catalogue that offers a multiplicity of fresh perspectives on recent modern and contemporary art acquisitions in The Phillips Collection
Author: Stephen Duffy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
The Wallace Collection is both a national museum and the finest private collection of art ever assembled by one family. It was bequeathed to the nation in 1897 by Lady Wallace, widow of Sir Richard Wallace, the illegitimate son of the fourth Marquess of
Author: LSU Museum of Art
Publisher:
ISBN: 9780976377146
Category :
Languages : en
Pages :
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Book Description
Author: Tiffany Bell
Publisher: Yale University Press
ISBN: 0300106335
Category : Art
Languages : en
Pages : 444
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Book Description
"New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
Author: Joan Mitchell
Publisher: Kunsthaus Bregenz
ISBN: 9783863357948
Category : Abstract expressionism
Languages : en
Pages : 0
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Book Description
"Lots of painters are obsessed with inventing something," American painter Joan Mitchell (1925-92) said in 1986. "When I was young, it never occurred to me to invent. All I wanted to do was paint." Throughout her life Mitchell remained committed to totally autonomous abstract painting, always driven by this fundamental love for the craft and technique of painting. In a career spanning more than four decades, Mitchell's painting style married the dynamic gesture of the Abstract Expressionists, her generational peers, to a keen sensitivity to natural phenomena such as light and water. Characterized by an intense color palette and fresh gestural energy, often applied on a very large scale, Mitchell's paintings both sensually seduce and intellectually stimulate viewers. Published to accompany a large-scale survey of Mitchell's painting, Joan Mitchell: Retrospective draws from Mitchell's entire oeuvre, from her early work of the 1950s to her late, multipart works painted in her last years. Both catalogue and exhibition insist on the importance of biography to any retrospective account of Mitchell's work, and a large part of the exhibition is dedicated to the first extensive public presentation of archival materials from the Joan Mitchell Foundation. Photographs, correspondence and ephemera from the archives are reproduced here, along with an illustrated timeline that relates Mitchell's life to her work. Born in Chicago in 1925, Joan Mitchell studied at Smith College before training at The Art Institute of Chicago. After a fellowship in Paris, Mitchell lived in New York, where she became part of the community of Abstract Expressionist painters. She spent increasing amounts of time in France, eventually moving to Paris in 1959, and remaining there until her death in 1992.
Author: James Cuno
Publisher: Princeton University Press
ISBN: 0691188688
Category : Art
Languages : en
Pages : 209
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Book Description
During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating--and surprisingly frank--roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
Author: Robert Williams
Publisher:
ISBN: 9781614040125
Category : Art
Languages : en
Pages : 0
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Book Description
An all-new collection of paintings and sculpture by art legend Robert Williams. First exhibited at the Los Angeles Municipal Art Gallery in early 2015, the work in this oversized, hardcover exhibition catalog is accompanied by insightful essays by the artist. --- "The current international capitol of artistic sophistication is New York City. Ever since the end of the Second World War, every small city in the United States that has an art community has looked to New York for cultural parenting. However, an interesting anomaly has developed over the years. "Sophistication," like any other folkway, travels slowly with misinterpretations happening along the way. By the time high culture reached the West Coast it had traded its Brooks Brothers suit for cut-offs, a Hawaiian shirt, and flip-flops. Art on the West Coast, as much as it tries to maintain blue blood affectations shows mutations. It just doesn't have the aloof adroit coldness the Eastern Seaboard art society seems to portray." - Robert Williams, from his introduction to Slang Aesthetics
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Rubin Museum of Art (New York, N.Y.)
Publisher:
ISBN: 9780984519064
Category : Art
Languages : en
Pages : 253
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Book Description
Images and descriptions of art objects that represent the scope of the museum's collecting.
