Evelyn Pickering De Morgan and the Allegorical Body PDF Download
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Author: Elise Lawton Smith
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638835
Category : Art
Languages : en
Pages : 268
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Book Description
"This study of her work confirms that the idea of progress toward the afterlife is a recurrent motif, arising from a personal involvement in the movement of Spiritualism and paralleling the automatic writing passages in The Result of an Experiment (1909), anonymously published by Evelyn and her husband William De Morgan.".
Author: Elise Lawton Smith
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638835
Category : Art
Languages : en
Pages : 268
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Book Description
"This study of her work confirms that the idea of progress toward the afterlife is a recurrent motif, arising from a personal involvement in the movement of Spiritualism and paralleling the automatic writing passages in The Result of an Experiment (1909), anonymously published by Evelyn and her husband William De Morgan.".
Author: Anna Maria Diana Wilhelmina Pickering Stirling
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
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Book Description
Biography of William de Morgan, a potter, designer, and novelist, and friend of William Morris. de Morgan also designed for Morris & Co.
Author: William De Morgan
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 552
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Book Description
"An elderly Englishman tells the story of his life, beginning with his inimitable father, a workman out of work, who becomes a wealthy contractor in a few years, through the accident of acquiring from a peddler an old signboard, “C. Dance. Builder” easily changed to C. Vance. The magic board brings him a job, and a helper who is able to do the work, while Vance stands by and looks wise. Without knowledge of building or any capital, he succeeds as an employer of labor."--Bartleby.com
Author: Jo Devereux
Publisher: McFarland
ISBN: 1476626049
Category : Art
Languages : en
Pages : 265
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Book Description
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
Author: Lucy Ella Rose
Publisher: Edinburgh University Press
ISBN: 1474421466
Category : Art
Languages : en
Pages : 273
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Book Description
Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragists This is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans. Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists
Author: Sheona Beaumont
Publisher: Springer Nature
ISBN: 3031215540
Category : Religion
Languages : en
Pages : 323
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Book Description
This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0199884900
Category : Religion
Languages : en
Pages : 322
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Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Author: WALTER SHAW. SPARROW
Publisher:
ISBN: 9781033087046
Category :
Languages : en
Pages : 0
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Book Description
Author: David Brown
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467465992
Category : Religion
Languages : en
Pages : 1057
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Book Description
A lushly illustrated, magisterial exploration of the imaginative truth of the gospel In the modern academy, truth and imagination are thought to be mutually exclusive. But what if truth can spring from other fonts, like art, literature, and invention? The legacy of the Enlightenment favors historical and empirical inquiry above all other methods for searching for truth. But this assumption stymies our theological explorations. Though the historicity of Jesus’s life, death, and resurrection is important, it is not of sole importance. For instance, is John’s Gospel any less “true” than the Synoptics just because it’s less historically accurate? David Brown challenges us to expand our understanding of the gospel past source criticism and historical Jesus studies to include works of imagination. Reading Scripture in tandem with works of art throughout the centuries, Brown reenvisions the gospel as an open text. Scholars of theology and biblical studies, freed from literalism, will find new avenues of revelation in Gospel as Work of Art. This volume includes over one hundred color illustrations.
Author: Delphine Louis-Dimitrov
Publisher: Springer Nature
ISBN: 3031409345
Category : Fiction
Languages : en
Pages : 287
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Book Description
This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins.
