Author:
Publisher:
ISBN:
Category : Imari porcelain
Languages : en
Pages : 278
Book Description
古伊万里の道
Author:
Publisher:
ISBN:
Category : Imari porcelain
Languages : en
Pages : 278
Book Description
Publisher:
ISBN:
Category : Imari porcelain
Languages : en
Pages : 278
Book Description
Ceramics in America
Author:
Publisher:
ISBN:
Category : Ceramic industries
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category : Ceramic industries
Languages : en
Pages : 358
Book Description
Annual Bibliography of Modern Art
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 598
Book Description
Taking Shape
Author: Martina Droth
Publisher: Getty Publications
ISBN: 9780892369638
Category : Art
Languages : en
Pages : 224
Book Description
"This exhibition challenges the reasons why sculpture is usually considered alone, in the gallery, and the decorative arts are considered as part of a period setting. It suggests that by breaking away from these conventional categories we can see how sculpture is also part of a spatial conversation, and how furniture and fittings can be appreciated as unique works." "With five original essays and forty complete catalogue entries, this publication both documents an exhibition and goes beyond it, opening our eyes to the fluidity of formal language in the 'long' eighteenth century, and to the ways in which objects can change according to whether they are seen together or apart, as mobile or fixed, as two- or three-dimensional, as ideal or as functional." --Book Jacket.
Publisher: Getty Publications
ISBN: 9780892369638
Category : Art
Languages : en
Pages : 224
Book Description
"This exhibition challenges the reasons why sculpture is usually considered alone, in the gallery, and the decorative arts are considered as part of a period setting. It suggests that by breaking away from these conventional categories we can see how sculpture is also part of a spatial conversation, and how furniture and fittings can be appreciated as unique works." "With five original essays and forty complete catalogue entries, this publication both documents an exhibition and goes beyond it, opening our eyes to the fluidity of formal language in the 'long' eighteenth century, and to the ways in which objects can change according to whether they are seen together or apart, as mobile or fixed, as two- or three-dimensional, as ideal or as functional." --Book Jacket.
European Ceramics, Dutch Delftware and Glass
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
English & Irish Delftware 1570-1840
Author: Aileen Dawson
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 328
Book Description
"Tin-glazed earthenware has been made in Europe since the 15th century. In Britain, floor tiles and drug pots were made in Aldgate, London in the 16th century by immigrant potters from the Low Countries. In the early 17th century, factories making dishes and other wares were set up in London close to the River Thames. Their products were initially much influenced by Chinese porcelain as well as by Italian maiolica. Manufacture spread from London to centres such as Bristol, Liverpool and Dublin. Known as 'gally ware' in the 17th century, this type of pottery has come to be known as 'delftware' from the Dutch town of Delft which was renowned for its manufacture ... The British Museum collection of delftware, which was established in the later part of the 19th century, is one of the finest in the world. It is especially notable for the number of pieces bearing dates and for those which document historical personages and events. This beautifully illustrated book will feature more than 140 items from this extensive collection and include pieces which have never before been fully described or published in colour."--Publisher's description.
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 328
Book Description
"Tin-glazed earthenware has been made in Europe since the 15th century. In Britain, floor tiles and drug pots were made in Aldgate, London in the 16th century by immigrant potters from the Low Countries. In the early 17th century, factories making dishes and other wares were set up in London close to the River Thames. Their products were initially much influenced by Chinese porcelain as well as by Italian maiolica. Manufacture spread from London to centres such as Bristol, Liverpool and Dublin. Known as 'gally ware' in the 17th century, this type of pottery has come to be known as 'delftware' from the Dutch town of Delft which was renowned for its manufacture ... The British Museum collection of delftware, which was established in the later part of the 19th century, is one of the finest in the world. It is especially notable for the number of pieces bearing dates and for those which document historical personages and events. This beautifully illustrated book will feature more than 140 items from this extensive collection and include pieces which have never before been fully described or published in colour."--Publisher's description.
European Ceramics, Dutch Delftware and Glass Including Five Private Collections [Christie' S, 2004].
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Painted Clay
Author: Paul Scott
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 186
Book Description
"In Painted Clay, Paul Scott proposes an alternative version of ceramic history ... one where form and function are not dominant, but where painting and the graphic development of ceramic surface are the prime concerns. Covering a range from pre-Dynastic Egyptian painting on pots, through Chinese porcelain, Persian Minai ware and Maiolica to the blue and white of the industrialized West, he charts the development of increasingly sophisticated painted and graphic works." "The book takes an extensive overview of today's contemporary (graphic) ceramic scene, and the figures and movements that have influenced it. In exploring the use "painters" such as Picasso, Miro, the CoBrA Group, Conrad Atkinson, and others have made of ceramics, it also examines the relationships artists have had with the pottery industry, from Soviet Revolutionary Propaganda ware to collaborations at the Wedgwood Pottery company. It highlights a wide range of work by contemporary ceramic artists, painters, and printmakers from around the world: Ann Kraus, Cindy Kolodziejski, Eric Mellon, Grayson Perry, and many others." "This book should appeal to anyone interested in ceramics, as well as to painters, printmakers, graphic artists, and all those generally interested in the visual arts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 186
Book Description
"In Painted Clay, Paul Scott proposes an alternative version of ceramic history ... one where form and function are not dominant, but where painting and the graphic development of ceramic surface are the prime concerns. Covering a range from pre-Dynastic Egyptian painting on pots, through Chinese porcelain, Persian Minai ware and Maiolica to the blue and white of the industrialized West, he charts the development of increasingly sophisticated painted and graphic works." "The book takes an extensive overview of today's contemporary (graphic) ceramic scene, and the figures and movements that have influenced it. In exploring the use "painters" such as Picasso, Miro, the CoBrA Group, Conrad Atkinson, and others have made of ceramics, it also examines the relationships artists have had with the pottery industry, from Soviet Revolutionary Propaganda ware to collaborations at the Wedgwood Pottery company. It highlights a wide range of work by contemporary ceramic artists, painters, and printmakers from around the world: Ann Kraus, Cindy Kolodziejski, Eric Mellon, Grayson Perry, and many others." "This book should appeal to anyone interested in ceramics, as well as to painters, printmakers, graphic artists, and all those generally interested in the visual arts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
European Ceramics
Author: R. J. C. Hildyard
Publisher: University of Pennsylvania Press
ISBN: 9780812235050
Category : Antiques & Collectibles
Languages : en
Pages : 160
Book Description
The history of ceramics is extraordinarily diverse, ranging from crude clay utensils to highly decorative pieces of immense beauty and craftsmanship. This lively book traces the story of European ceramics from the end of the Middle Ages to the present day.
Publisher: University of Pennsylvania Press
ISBN: 9780812235050
Category : Antiques & Collectibles
Languages : en
Pages : 160
Book Description
The history of ceramics is extraordinarily diverse, ranging from crude clay utensils to highly decorative pieces of immense beauty and craftsmanship. This lively book traces the story of European ceramics from the end of the Middle Ages to the present day.
APM - Archeologia Postmedievale, 19, 2015 - Gran Bretagna e Italia tra Mediterraneo e Atlantico: Livorno – ‘un porto inglese’ / Italy and Britain between Mediterranean and Atlantic worlds: Leghorn – ‘an English port’
Author: Hugo Blake
Publisher: All’Insegna del Giglio
ISBN: 8878146498
Category : Reference
Languages : en
Pages : 240
Book Description
Livorno fu una creazione postmedievale di notevole successo. Diventò il più grande porto di transito del Mediterraneo e creò il concetto di porto franco in Europa. Costruita dai Granduchi Medici, prosperò come la più importante base commerciale nel Mediterraneo per i Poteri nord-atlantici. Tra questi il principale fu inglese, la cui Royal Navy garantì il suo successo commerciale e il predominio britannico nel Mediterraneo – un’area che era ancora la fonte di prodotti e beni di lusso e che forniva un mercato popoloso per le manifatture, i metalli, il pesce, le riesportazioni coloniali ed i servizi di trasporto inglesi. Questo volume raccoglie quattordici contributi che danno prove materiali della relazione della Gran Bretagna con Livorno e la Toscana. Livorno was a remarkably successful post-medieval creation, which became the greatest transit port in the Mediterranean and pioneered the concept of the free port in Europe. Built by the Medici Grand Dukes, it prospered as the main commercial base in the Mediterranean for north Atlantic powers. Principal amongst these were the English, whose Royal Navy ensured their commercial success and Britain’s dominance of the Mediterranean – an area which was still the source of luxury produce and goods and provided a populous market for British manufactures, metals, fish, colonial re-exports and shipping. This volume brings together fourteen papers highlighting the material evidence of Britain’s relationship with Livorno and Tuscany.
Publisher: All’Insegna del Giglio
ISBN: 8878146498
Category : Reference
Languages : en
Pages : 240
Book Description
Livorno fu una creazione postmedievale di notevole successo. Diventò il più grande porto di transito del Mediterraneo e creò il concetto di porto franco in Europa. Costruita dai Granduchi Medici, prosperò come la più importante base commerciale nel Mediterraneo per i Poteri nord-atlantici. Tra questi il principale fu inglese, la cui Royal Navy garantì il suo successo commerciale e il predominio britannico nel Mediterraneo – un’area che era ancora la fonte di prodotti e beni di lusso e che forniva un mercato popoloso per le manifatture, i metalli, il pesce, le riesportazioni coloniali ed i servizi di trasporto inglesi. Questo volume raccoglie quattordici contributi che danno prove materiali della relazione della Gran Bretagna con Livorno e la Toscana. Livorno was a remarkably successful post-medieval creation, which became the greatest transit port in the Mediterranean and pioneered the concept of the free port in Europe. Built by the Medici Grand Dukes, it prospered as the main commercial base in the Mediterranean for north Atlantic powers. Principal amongst these were the English, whose Royal Navy ensured their commercial success and Britain’s dominance of the Mediterranean – an area which was still the source of luxury produce and goods and provided a populous market for British manufactures, metals, fish, colonial re-exports and shipping. This volume brings together fourteen papers highlighting the material evidence of Britain’s relationship with Livorno and Tuscany.