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Author: Euripides
Publisher: Oberon Books
ISBN:
Category : Drama
Languages : en
Pages : 80
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Book Description
A new translation by Colin Teevan.
Author: Euripides
Publisher: Oberon Books
ISBN:
Category : Drama
Languages : en
Pages : 80
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Book Description
A new translation by Colin Teevan.
Author: R.Winnington Ingram
Publisher: Bristol Classical Press
ISBN:
Category : Fiction
Languages : en
Pages : 224
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Book Description
A brilliant and influential study of the god of Greek drama and the one surviving tragedy, Euripides' Bacchae, in which he appears
Author: Erika Fischer-Lichte
Publisher: John Wiley & Sons
ISBN: 1405175788
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Dionysus Resurrected analyzes the global resurgence since the late 1960s of Euripides’ The Bacchae. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play’s revival and events within the play itself. Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play’s revival and events within the play itself The first comparative study to analyse and contextualize performances of The Bacchae that took place between 1968 and 2009 from the United States, Africa, Latin America, Europe and Asia Argues that presentations of the play not only represent liminal states but also transfer the spectators into such states Contends that the play’s reflection on various stages of globalization render the tragedy a contemporary play Establishes the importance of The Bacchae within Euripides’ work as the only extant tragedy in which the god Dionysus himself appears, not just as a character but as the protagonist
Author: Charles Segal
Publisher: Princeton University Press
ISBN: 069122398X
Category : Literary Criticism
Languages : en
Pages : 438
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Book Description
In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension.
Author: Reginald Pepys Winnington-Ingram
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Book Description
Author: R. P. Winnington-Ingram
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Book Description
Author: Euripides
Publisher:
ISBN:
Category : Bacchantes
Languages : en
Pages : 104
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Book Description
Based on the Greek myth of the god Dionysus's punishment of King Pentheus and his mother Agave, Williams' The Bacchae of Euripides is a unique interpretation of one of the most celebrated plays in the history of dramatic theater.
Author: Euripides
Publisher: Penguin UK
ISBN: 0140447261
Category : Drama
Languages : en
Pages : 446
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Book Description
Through their sheer range, daring innovation, flawed but eloquent characters and intriguing plots, the plays of Euripides have shocked and stimulated audiences since the fifth century BC. Phoenician Women portrays the rival sons of King Oedipus and their mother�s doomed attempts at reconciliation, while Orestes shows a son ravaged with guilt after the vengeful murder of his mother. In the Bacchae, a king mistreats a newcomer to his land, little knowing that he is the god Dionysus disguised as a mortal, while in Iphigenia at Aulis, the Greek leaders take the horrific decision to sacrifice a princess to gain favour from the gods in their mission to Troy. Finally, the Rhesus depicts a world of espionage between the warring Greek and Trojan camps.
Author: Courtney J.P. Friesen
Publisher: Mohr Siebeck
ISBN: 9783161538131
Category : Religion
Languages : en
Pages : 352
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Book Description
Courtney J. P. Friesen explores shifting boundaries of ancient religions by way of the reception of a popular tragedy, Euripides' Bacchae. As a play staging political crises provoked by the arrival of the foreign god Dionysus and his ecstatic cult, audiences and readers found resonances with their own cultural moments. This dramatic deity became emblematic of exuberant and liberating spirituality and, at the same time, a symbol of imperial conquest. Thus, readings of the Bacchae frequently foreground conflicts between religious autonomy and political authority, and between ethnic diversity and social cohesion. This cross-disciplinary study traces appropriations and evocations of this drama ranging from the fifth century BCE through Byzantium not only among pagans but also Jews and Christians. Writers variously articulated their religious visions over against Dionysus, often while paradoxically adopting the god's language and symbols. Consequently, imitation and emulati on are at times indistinguishable from polemics and subversion.
Author: Euripides
Publisher: Memorable Classics Books
ISBN:
Category : Philosophy
Languages : en
Pages : 113
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Book Description
The Bacchae by Euripides also known as The Bacchantes is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included Iphigeneia at Aulis and Alcmaeon in Corinth, and which Euripides' son or nephew is assumed to have directed. It won first prize in the City Dionysia festival competition. The tragedy is based on the Greek myth of King Pentheus of Thebes and his mother Agave, and their punishment by the god Dionysus (who is Pentheus's cousin). The god Dionysus appears at the beginning of the play and proclaims that he has arrived in Thebes to avenge the slander, which has been repeated by his aunts, that he is not the son of Zeus. In response, he intends to introduce Dionysian rites into the city, and he intends to demonstrate to the king, Pentheus, and to Thebes that he was indeed born a god.[2] At the end of the play, Pentheus is torn apart by the women of Thebes and his mother Agave bears his head on a pike to her father Cadmus. Plot: The play begins before the palace at Thebes, with Dionysus telling the story of his birth and his reasons for visiting the city. Dionysus explains he is the son of a mortal woman, Semele, and a god, Zeus. Some in Thebes, he notes, don't believe this story. In fact, Semele's sisters—Autonoe, Agave, and Ino—claim it is a lie intended to cover up the fact that Semele became pregnant by some mortal. Dionysus reveals that he has driven the women of the city mad, including his three aunts, and has led them into the mountains to observe his ritual festivities. He has disguised himself as a mortal for the time being, but he plans to vindicate his mother by appearing before all of Thebes as a god, the son of Zeus, and establishing his permanent cult of followers. Dionysus exits to the mountains, and the chorus (composed of the titular Bacchae) enters. They perform a choral ode in praise of Dionysus. Then Tiresias, the blind and elderly seer, appears. He calls for Cadmus, the founder and former king of Thebes. The two old men start out to join the revelry in the mountains when Cadmus’ petulant young grandson Pentheus, the current king, enters. Disgusted to find the two old men in festival dress, he scolds them and orders his soldiers to arrest anyone engaging in Dionysian worship, including the mysterious "foreigner" who has introduced this worship. Pentheus intends to have him stoned to death.
