Eucharist and the Poetic Imagination in Early Modern England PDF Download
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Author: Sophie Read
Publisher: Cambridge University Press
ISBN: 1107032733
Category : History
Languages : en
Pages : 249
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Book Description
A study of six canonical early modern lyric poets and the impact of the Eucharist on their work.
Author: Sophie Read
Publisher: Cambridge University Press
ISBN: 1107032733
Category : History
Languages : en
Pages : 249
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Book Description
A study of six canonical early modern lyric poets and the impact of the Eucharist on their work.
Author: Brian Douglas
Publisher: Rowman & Littlefield
ISBN: 1978714084
Category : Religion
Languages : en
Pages : 153
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Book Description
This book explores sacramental poetics through the lens of moderate realism in the thought and work of Anglican theologians Richard Hooker (c. 1554-1600) and George Herbert (1593-1648). It does this in relation to the Christian sacraments of baptism and the Eucharist and as a way of exploring the abundance of God. Brian Douglas begins in chapter 1 with a general discussion of a sacramental poetic and sacramentality in the Anglican tradition and proceeds to a more detailed examination of the writings of both Hooker (chapter 2) and Herbert (chapter 3). Each writer explores, in their own way, abundant life, found as participation in and relationship with Christ, and expressed as a sacramental poetic based on moderate realism. Douglas goes on in chapter 4 to explore the idea of conversation and dialogue as employed by Hooker and Herbert as part of a sacramental poetic. The book concludes in chapter 5 with a more general discussion on the abundance of God and living of the good and abundant life and some of the issues this involves in the modern world.
Author: Shaun Ross
Publisher: Oxford University Press
ISBN: 0192872893
Category : Religion
Languages : en
Pages : 295
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Book Description
The Eucharist, Poetics, and Secularization from the Middle Ages to Milton explains the astonishing centrality of the eucharist to poets with a variety of denominational affiliations, writing on a range of subjects, across an extended period in literary history. Whether they are praying, thinking about politics, lamenting unrequited love, or telling fart jokes, late medieval and early modern English poets return again and again to the eucharist as a way of working out literary problems. Tracing this connection from the fourteenth through the seventeenth century, this book shows how controversies surrounding the nature of signification in the sacrament informed understandings of poetry. Connecting medieval to early modern England, it presents a history of 'eucharistic poetics' as it appears in the work of seven key poets: the Pearl-poet, Chaucer, Robert Southwell, John Donne, George Herbert, Richard Crashaw, and John Milton. Reassessing this range of poetic voices, The Eucharist, Poetics, and Secularization overturns an oft-repeated argument that early modern poetry's fascination with the eucharist resulted from the Protestant rejection of transubstantiation and its supposedly enchanted worldview. Instead of this tired secularization story, it fleshes out a more capacious conception of eucharistic presence, showing that what interested poets about the eucharist was its insistence that the mechanics of representation are always entangled with the self's relation to the body and to others. The book thus forwards a new historical account of eucharistic poetics, placing this literary phenomenon within a longstanding negotiation between embodiment and disembodiment in Western religious and cultural history.
Author: Abigail Shinn
Publisher: Springer
ISBN: 3319965778
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
This book is a study of English conversion narratives between 1580 and 1660. Focusing on the formal, stylistic properties of these texts, it argues that there is a direct correspondence between the spiritual and rhetorical turn. Furthermore, by focusing on a comparatively early period in the history of the conversion narrative the book charts for the first time writers’ experimentation and engagement with rhetorical theory before the genre’s relative stabilization in the 1650s. A cross confessional study analyzing work by both Protestant and Catholic writers, this book explores conversion’s relationship with reading; the links between conversion, eloquence, translation and trope; the conflation of spiritual movement with literal travel; and the use of the body as a site for spiritual knowledge and proof.
Author: James A. Knapp
Publisher: Edinburgh University Press
ISBN: 1474457126
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
Examines literary engagement with immateriality since the 'material turn' in early modern studiesProvides six case studies of works by Shakespeare, Donne, and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine, and theologyEmploys an innovative organization around three major areas in which problem of immaterial was particularly pitched: Ontology, Theology, and Psychology (or Being, Believing, and Thinking)Includes wide-ranging references to early modern literary, philosophical, and theological textsDemonstrates how innovations in natural philosophy influenced thought about the natural world and how it was portrayed in literatureEngages with current early modern scholarship in the areas of material culture, cognitive literary studies, and phenomenologyImmateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds. It provides six case studies of works by Shakespeare, Donne and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine and theology. Building on the importance of addressing material culture in order to understand early modern literature, Knapp demonstrates how the literary imagination was shaped by changing attitudes toward the immaterial realm.
Author: Tessie Prakas
Publisher: Oxford University Press
ISBN: 0192857126
Category : Christian poetry, English
Languages : en
Pages : 253
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Book Description
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests--even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them. In crafting this poetic aid to devotion, these authors practiced an alternative and even more ample form of ministry than in their ecclesiastical activities. In the wake of the Reformation, the liturgy of the English church centered on rituals of communal prayer and praise, but the poetry considered in this study suggests that such rituals in fact risk distracting worshippers from the pleasures and challenges of navigating an individual relationship with God. Yet these poets do not make this suggestion by rejecting communal rituals outright. Their verse invokes ecclesiastical practice as a basis for formal innovation that suggests how intimacy with the divine might look, feel, and sound, connecting humans with their God more precisely and more individually than the liturgy can. As they shift between explicit comment on the liturgy and more subtle departures from it in the interplay of verse form and denotation, these authors claim the work of priesthood for poetry.
Author: Geremy Carnes
Publisher: Rowman & Littlefield
ISBN: 1611496535
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
The Papist Represented situates eighteenth-century literature within the history and culture of the English Catholic community and its interactions with the nation’s Protestant majority. It demonstrates Catholic influence on some of the period’s most popular and experimental literary works, challenging the assumption that eighteenth-century literature was a fundamentally Protestant enterprise.
Author: J. Michelle Coghlan
Publisher: Cambridge University Press
ISBN: 1108561195
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
This Companion provides an engaging and expansive overview of gustation, gastronomy, agriculture and alimentary activism in literature from the medieval period to the present day, as well as an illuminating introduction to cookbooks as literature. Bringing together sixteen original essays by leading scholars, the collection rethinks literary food from a variety of critical angles, including gender and sexuality, critical race studies, postcolonial studies, eco-criticism and children's literature. Topics covered include mealtime decorum in Chaucer, Milton's culinary metaphors, early American taste, Romantic gastronomy, Victorian eating, African-American women's culinary writing, modernist food experiments, Julia Child and cold war cooking, industrialized food in children's literature, agricultural horror and farmworker activism, queer cookbooks, hunger as protest and postcolonial legacy, and 'dude food' in contemporary food blogs. Featuring a chronology of key publication and historical dates and a comprehensive bibliography of further reading, this Companion is an indispensible guide to an exciting field for students and instructors.
Author: Andrew Hiscock
Publisher: Oxford University Press
ISBN: 019165342X
Category : Literary Collections
Languages : en
Pages : 849
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Book Description
This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period. The sixteenth and seventeenth centuries were the most turbulent times in the history of the British church - and, perhaps as a result, produced some of the greatest devotional poetry, sermons, polemics, and epics of literature in English. The early-modern interaction of rhetoric and faith is addressed in thirty-nine chapters of original research, divided into five sections. The first analyses the changes within the church from the Reformation to the establishment of the Church of England, the phenomenon of puritanism and the rise of non-conformity. The second section discusses ten genres in which faith was explored, including poetry, prophecy, drama, sermons, satire, and autobiographical writings. The middle section focuses on selected individual authors, among them Thomas More, Christopher Marlowe, John Donne, Lucy Hutchinson, and John Milton. Since authors never write in isolation, the fourth section examines a range of communities in which writers interpreted their faith: lay and religious households, sectarian groups including the Quakers, clusters of religious exiles, Jewish and Islamic communities, and those who settled in the new world. Finally, the fifth section considers some key topics and debates in early modern religious literature, ranging from ideas of authority and the relationship of body and soul, to death, judgment, and eternity. The Handbook is framed by a succinct introduction, a chronology of religious and literary landmarks, a guide for new researchers in this field, and a full bibliography of primary and secondary texts relating to early modern English literature and religion.
Author: Paul Cefalu
Publisher: Oxford University Press
ISBN: 0198808712
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
The volume highlights how the Fourth Gospel and First Epistle of Saint John the Evangelist were leading apostolic texts during the early modern period in England, and the importance of Johannine theology to early modern religious poetry.
