Etchers and Etching PDF Download
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Author: Joseph Pennell
Publisher:
ISBN:
Category : Etchers
Languages : en
Pages : 408
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Book Description
Author: Joseph Pennell
Publisher:
ISBN:
Category : Etchers
Languages : en
Pages : 408
Get Book Here
Book Description
Author: Joseph Pennell
Publisher:
ISBN:
Category : Etchers
Languages : en
Pages : 388
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Book Description
Author: Arthur Geisert
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618556144
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
As a young boy helps prepare etchings for sale at his grandfather's studio, he imagines himself as part of some of the pictures. Includes a description of how etchings are made.
Author: Joseph Pennell
Publisher:
ISBN:
Category : Etchers
Languages : en
Pages : 408
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Book Description
Author: Philip Gilbert Hamerton
Publisher: London : Macmillan
ISBN:
Category : Etchers
Languages : en
Pages : 450
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Book Description
Author: Arthur Ross Gallery
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 208
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Book Description
Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.
Author: Kenneth M. Guichard
Publisher: London : R. Garton
ISBN:
Category : Art
Languages : en
Pages : 186
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Book Description
Author: Perrin Stein
Publisher: Yale University Press
ISBN: 0300197004
Category : Art
Languages : en
Pages : 247
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Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311
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Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Gene Kloss
Publisher: Sunstone Press
ISBN: 9780865340084
Category : Art
Languages : en
Pages : 200
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Book Description
Today the name Gene Kloss, NA, is synonymous with copperplate etchings and when this book was first published by Sunstone Press in the early 1980s, it quickly became a collector's item. No wonder because her limited edition prints are now becoming priceless on the art market. This 20th anniversary edition, the sole complete source of information on this outstanding artist, contains 81 black and white reproductions on 192 pages and includes a text by noted author Phillips Kloss. When Gene and her poet-husband Phillips Kloss first arrived in Taos, New Mexico, her first etching press, a sixty-pound machine, was installed at their camp in Taos Canyon by cementing it to a large rock. That press was eventually replaced by a 1,084 pound Sturges etching press purchased from a defunct greeting card company. With the years and the continual dedication came honors, national and international. The Smithsonian, the National Gallery, The Corcoran Gallery of Fine Art, the Library of Congress, the Metropolitan Museum of Art, as well as many others, house the work of Gene Kloss in their permanent collections. From her spare life on the eastern edge of Taos with neither water nor electricity, but plenty of firewood, kerosene and inspiration, Gene Kloss informed the art world of the special beauty inherent in southwestern US images: the churches, the Indian faces, the mountains and valleys, the dances and intricate rhythms of life in a part of the United States that remains essentially unchanged to this day. ART NEWS called Gene Kloss ..".one of our most sensitive and sympathetic interpreters of the Southwest."
