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Author: Thomas Patrick Campbell
Publisher: Metropolitan Museum of Art
ISBN: 030015514X
Category : Tapestry
Languages : en
Pages : 367
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Book Description
This illustrated volume is a comprehensive survey of 17th century European tapestry. It features some of the finest surviving examples from many international collections, as well as a number of related designs and oil sketches.
Author: Thomas Patrick Campbell
Publisher: Metropolitan Museum of Art
ISBN: 030015514X
Category : Tapestry
Languages : en
Pages : 367
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Book Description
This illustrated volume is a comprehensive survey of 17th century European tapestry. It features some of the finest surviving examples from many international collections, as well as a number of related designs and oil sketches.
Author: Victoria and Albert Museum. Department of Textiles
Publisher:
ISBN:
Category : Heraldry
Languages : en
Pages : 152
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Book Description
This is a catalogue of tapestries illustrating the history of tapestries in six countries.
Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870992953
Category : Classicism in art
Languages : en
Pages : 420
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Book Description
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
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Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Author:
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 896
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Book Description
Author: Wallace Collection (London, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 462
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Book Description
Author: Peter Sahlins
Publisher: MIT Press
ISBN: 1935408291
Category : History
Languages : en
Pages : 497
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Book Description
When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Author: Alison McQueen
Publisher: Routledge
ISBN: 1351568329
Category : Art
Languages : en
Pages : 731
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Book Description
Reconstructing Empress Eug?e's position as a private collector and a public patron of a broad range of media, this study is the first to examine Eug?e (1826-1920), whose patronage of the arts has been overlooked even by her many biographers. The empress's patronage and collecting is considered within the context of her political roles in the development of France's institutions and international relations. Empress Eug?e and the Arts: Politics and Visual Culture in the Nineteenth Century also examines representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics. Based on extensive research at architectural sites and in archives, museums, and libraries throughout Europe, and in Britain and the United States, this book offers in-depth analysis of many works that have never before received scholarly attention - including reconstruction and analysis of Eug?e's apartment at the Tuileries. From her self-definition as empress through her collections, to her later days in exile in England, art was integral to Eug?e's social and political position.
Author:
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 1010
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Book Description
Author: Claire Goldstein
Publisher: University of Pennsylvania Press
ISBN: 9780812240580
Category : Art
Languages : en
Pages : 290
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Book Description
Goldstein shows how the connection between Vaux and Versailles is at the heart of classical style. She retraces the roots of Versailles in Fouquet's short-lived experiment, and destabilises any easy understanding of the court of the Sun King as the origin of French national style.
