Le Peintre-graveur Français, Ou Catalogue Raisonné Des Estampes Gravées Par Les Peintres Et Les Dessinateurs de L'école Française Nés Dans Le XVIIIe Siècle, Ouvrage Faisant Suite Au Peintre-graveur Français de (A.-P.-F.) Robert-Dumesnil PDF Download
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Author: Prosper ¬de Baudicour
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Book Description
Author: Prosper ¬de Baudicour
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Book Description
Author: Elizabeth Dryden
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 200
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Author:
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 460
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 420
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 980
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Book Description
![A Catalogue of ... [books] ... PDF](https://books.google.com/books/content/images/frontcover/Bz01FqbyBawC?fife=w80-h100)
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
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Author: Meredith Martin
Publisher: Getty Publications
ISBN: 1606067303
Category : Art
Languages : en
Pages : 258
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Book Description
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
Author: Boston Public Library
Publisher:
ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 394
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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 546
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Author: Willa Z. Silverman
Publisher: University of Toronto Press
ISBN: 080209211X
Category : Design
Languages : en
Pages : 337
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Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
