Essentials of Eighteenth-century Counterpoint PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Essentials of Eighteenth-century Counterpoint PDF full book. Access full book title Essentials of Eighteenth-century Counterpoint by Neale B. Mason. Download full books in PDF and EPUB format.
Author: Neale B. Mason
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 180
Get Book Here
Book Description
Author: Neale B. Mason
Publisher: Brown & Benchmark
ISBN:
Category : Music
Languages : en
Pages : 196
Get Book Here
Book Description
Author: Neale B. Mason
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 180
Get Book Here
Book Description
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
Get Book Here
Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Author: Kent Kennan
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 232
Get Book Here
Book Description
Author: William G. Andrews
Publisher: Alfred Music
ISBN: 9781457496707
Category : Music
Languages : en
Pages : 164
Get Book Here
Book Description
Provides students with music from the great composers to study before attempting to write themselves. Discussion of the elements of music pertinent to an understanding of the 18th century counterpoint are included.
Author: Richard S. Parks
Publisher: Prentice Hall
ISBN:
Category : Counterpoint
Languages : en
Pages : 372
Get Book Here
Book Description
Author: Robert Gauldin
Publisher: Prentice Hall
ISBN: 9780136936152
Category : Political Science
Languages : en
Pages : 335
Get Book Here
Book Description
Author: Gilbert Trythall
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Music
Languages : en
Pages : 332
Get Book Here
Book Description
This text begins with a species approach to counterpoint supported by a simultaneous synthesis of the resources of 18th-century harmony. Graded exercises seek to unify the principles of counterpoint and harmony in an expanding craft. Chapters on melodic transformation and variation, invertible counterpoint, imitation and canon follow the introductory section and these chapters are, in turn, followed by chapters addressing the harmonic, melodic, and formal organization of model 18th-century works. The last chapters cover, in order, guided original composition in Two-Part Invention, Chorale Prelude, Three Voice Fugue, Passacaglia, and Double Fugue form.
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608757
Category : Music
Languages : en
Pages : 320
Get Book Here
Book Description
Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Author: R. Evan Copley
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 290
Get Book Here
Book Description
