Author: MR Edward Rozinsky
Publisher: Physical Theater Publishers, USA
ISBN: 9780578074368
Category : Performing Arts
Languages : en
Pages : 480

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Book Description

Author: Edwin C Acting White
Publisher: Hassell Street Press
ISBN: 9781013918735
Category :
Languages : en
Pages : 214

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Robert Barton
Publisher: Routledge
ISBN: 1317440919
Category : Performing Arts
Languages : en
Pages : 240

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Book Description
Movement: Onstage and Off is the complete guide for actors to the most effective techniques for developing a fully expressive body. It is a comprehensive compilation of established fundamentals, a handbook for movement centered personal growth and a guide to helping actors and teachers make informed decisions for advanced study. This book includes: fundamental healing/conditioning processes essential techniques required for versatile performance specialized skills various training approaches and ways to frame the actor’s movement training. Using imitation exercises to sharpen awareness, accessible language and adaptable material for solo and group work, the authors aim to empower actors of all levels to unleash their extraordinary potential.

Author: Tracy Lybbert
Publisher: CreateSpace
ISBN: 9781505285031
Category :
Languages : en
Pages : 30

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Book Description
The performers tools are the body and voice. A diversified program will explore the stage and movement possibilities giving a wider range of tools for performers to express characterization. Students will learn stage composition, blocking, and various movement techniques. Students will ... Employ stage movement consistently to express thoughts, feelings, and actions, Identify the nine basic stage areas of a proscenium stage, Understand Stage Positions and Grouping, Demonstrate how Sets and Scenery supports movement, Define and give examples of theatrical conventions, Perform with awareness of Focus and Stage Composition, Effectively use Stage Business to move action forward, and Understand Blocking notation. The power of movement is explored in this unit as students effectively master the basic skills of the performer and move into advanced scene and production work. Stage Geography is the precursor for this unit.

Author: Jacques Lecoq
Publisher: Routledge
ISBN: 113424097X
Category : Performing Arts
Languages : en
Pages : 198

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Book Description
Published in France in 1987, this is the book in which Lecoq first set out his philosophy of human movement, and the way it takes expressive form in a wide range of different performance traditions. He traces the history of pantomime, sets out his definition of the components of the art of mime, and discusses the explosion of physical theatre in the second half of the twentieth century. Interviews with major theatre practitioners Ariane Mnouchkine and Jean-Louis Barrault by Jean Perret, together with chapters by Perret on Étienne Decroux and Marcel Marceau, fill out the historical material written by Lecoq, and a final section by Alain Gautré celebrates the many physical theatre practitioners working in the 1980s.

Author: Jean Sabatine
Publisher: Backstage Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 248

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Book Description
In her innovative Triadic Approach, author Jean Sabatine's constant aim is to integrate the mind, spirit, and body, helping the actor to discover and progressively build the organic connections between them - primarily through physical movement. The book includes dozens of movement exercises, each with a strongly defined physical or emotional focus, and these are fully illustrated with more than 200 step-by-step photographs. These exercises teach actors relaxation techniques, correct posture and alignment, and breath control. They are then further explored and applied to character development. In the characterization phase, scenes from such plays as Sam Shepard's True West are the basis for more physical work, which is also fully illustrated.

Author: Edwin C. White
Publisher: Meriwether Publishing
ISBN: 9780916260309
Category : Juvenile Nonfiction
Languages : en
Pages : 212

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Book Description
A course in all phases of acting and stage movement. Speech control, interpretation of a character style -- all the essentials of good acting are fully reviewed. Every phase of acting and motion is include: sitting, walking, standing, hand and arm co-ordination and opposition, the eyes, the head, body movement, exits and entrances, mechanics of emotional range and relaxation and tension.

Author: Julie Burrell
Publisher: Springer
ISBN: 3030121887
Category : Performing Arts
Languages : en
Pages : 236

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Book Description
This book argues that African American theatre in the twentieth century represented a cultural front of the civil rights movement. Highlighting the frequently ignored decades of the 1940s and 1950s, Burrell documents a radical cohort of theatre artists who became critical players in the fight for civil rights both onstage and offstage, between the Popular Front and the Black Arts Movement periods. The Civil Rights Theatre Movement recovers knowledge of little-known groups like the Negro Playwrights Company and reconsiders Broadway hits including Lorraine Hansberry’s A Raisin in the Sun, showing how theatre artists staged radically innovative performances that protested Jim Crow and U.S. imperialism amidst a repressive Cold War atmosphere. By conceiving of class and gender as intertwining aspects of racism, this book reveals how civil rights theatre artists challenged audiences to reimagine the fundamental character of American democracy.

Author: Lynne Anne Blom
Publisher: University of Pittsburgh Pre
ISBN: 082297438X
Category : Performing Arts
Languages : en
Pages : 252

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Book Description
Dance improvisation, the intriguing phenomenon of the creative process alive in the moving body, exists powerfully, sublimely - lending insight, solving problems, allowing moments of transcendence, diversion, and delight. Flourishing especially since the postmodern movement of the 1960s, it has come into its own in the performing arts. While there are many books containing ideas for developing improvisations, few have tackled the difficult questions: "What is dance improvisation?" "How does it work?" or "What is its body of knowledge?"The Moment of Movement goes beyond lists of improvisations and into the heart of improvising. As in their previous book, The Intimate Act of Choreography, the authors pursue both the philosophical and the practical. They begin by examining the creative process as it applies to movement and especially the kinesthetic way in which the body knows and uses movement. They answer the often unstated and pertinent questions of the novice; investigate the particular skills and traits needed by the leader; consider ways of working with specific populations; and provide challenging material for advanced movers. They discuss the use of music, and the specific situation of improvisation in performance. For leaders who want to design their own improvisations, they trace the evolution of an idea into an actual content and structure. They also address the controversial issue of the legitimacy of improvisation in an academic curriculum. A final chapter presents hundreds of improvs and improv ideas, grouped into units and cross-referenced.The Moment of Movement is not tied to any one point of view. The authors' presentation of a broad range of material is flexible enough for use by choreographers, directors, educators, and therapists. In its perceptive investigation of the experiential and conceptual aspects of dance improvisation, this book articulates the ephemeral.

Author: Edward Rozinsky
Publisher:
ISBN:
Category :
Languages : en
Pages : 196

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Book Description
Essential Stage Fencing is a sequel to my book Essential Stage Movement, Psycho-Physical Training for Actors, published in 2010. In the initial textbook of this series, I expounded the basic principles of a movement education method for actors developed in Russia for the past hundred years and virtually unknown in the West. Essential Stage Fencing is a manifestation of a unique system developed in Russia by a famous athlete/fencer Ivan Kokh, who later became a celebrated stage movement scholar and my mentor for more than eight years. Since I started my US career, I have developed this system to harmonize Western theater and theater education's ethics and aesthetics. My textbook is an attempt to unify the training of future actors in the area of Stage Fencing. It is also an effort to preserve basic knowledge in using a weapon in stage presentations for future generations of actors. It stems from my hope that classical drama's magnificent works will be celebrated and preserved in the future.The book consists of several chapters. Among others are the History of Stage Fencing, Basic terms of armed combat, and Exercises in Fencing. The main content is a presentation of four stages of training with a detailed description of exercises. There is also a section on the Methodology of the education process. Altogether, the textbook is a complete course in Stage Fencing that would serve as a teaching tool and a reference manual for actors, directors, stage managers, and choreographers of theater, TV, and Film. This book includes my knowledge and practical experience accumulated over the last fifty years of work as an actor, theater director, instructor, and choreographer. I have directed all my efforts towards the unification of movement training based on Stanislavsky's System. Stage Fencing is an engaging subject of theater education, forcing many young people to take seminars and workshops offered by private Fight Masters. The problem is that no one can develop these skills in two or three weeks. The approaches are so diverse that the two actors taught by different Masters if met in one production, would hardly recognize each other techniques. The method described in my book is straightforward, consistent, and unified. After taking only one semester of Essential Stage Fencing, gifted students would be able to choreograph a simple fight scene in a production. For that reason, I dedicated one of the chapters in a book to the "secrets" of fight choreography. A special chapter explains how the techniques acquired can be used, with minor adjustments, to create a period fight scene with different weapons. As an example, there is a chapter on Quarterstaff techniques that concludes the textbook.