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Author: John Milton
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 640
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Book Description
Author: John Milton
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 464
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Book Description
Author: Walter Cochrane Bronson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 572
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Book Description
Author: John Milton
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 640
Get Book Here
Book Description
Author: Walter Cochrane Bronson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 572
Get Book Here
Book Description
Author: Walter Cochrane Bronson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 570
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Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
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Book Description
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
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Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author: Robert Bridges
Publisher: Oxford : Clarendon Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Book Description
Author: Daniel Donoghue
Publisher: University of Pennsylvania Press
ISBN: 0812294882
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.
