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Author: Marina Warner
Publisher: New York Review of Books
ISBN: 168137644X
Category : Biography & Autobiography
Languages : en
Pages : 433
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Book Description
By one of the finest English writers of our time, a luminous memoir that travels from southern Italy to the banks of the Nile, capturing a lost past both personal and historical. Marina Warner’s father, Esmond, met her mother, Ilia, while serving as an officer in the British Army during the Second World War. As Allied forces fought their way north through Italy, Esmond found himself in the southern town of Bari, where Ilia had grown up, one of four girls of a widowed mother. The Englishman approaching middle age and the twenty-one-year-old Italian were soon married. Before the war had come to an end, Ilia was on her way alone to London to wait for her husband’s return and to learn how to be Mrs. Esmond Warner, an Englishwoman. Ilia begins to learn the world of cricket, riding, canned food, and distant relations she has landed in, while Esmond, in spite of his connections, struggles to support his wife and young daughter. He comes up with the idea of opening a bookshop, a branch of W.H. Smith’s, in Cairo, where he had spent happy times during the North African campaign. In Egypt, however, nationalists are challenging foreign influences, especially British ones, and before long Cairo is on fire. Deeply felt, closely observed, rich with strange lore, Esmond and Ilia is a picture of vanished worlds, a portrait of two people struggling to know each other and themselves, a daughter’s story of trying to come to terms with a past that is both hers and unknowable to her. It is an “unreliable memoir”—what memoir isn’t?—and a lasting work of literature, lyrical, sorrowful, shaped by love and wonder.
Author: Marina Warner
Publisher: New York Review of Books
ISBN: 168137644X
Category : Biography & Autobiography
Languages : en
Pages : 433
Get Book Here
Book Description
By one of the finest English writers of our time, a luminous memoir that travels from southern Italy to the banks of the Nile, capturing a lost past both personal and historical. Marina Warner’s father, Esmond, met her mother, Ilia, while serving as an officer in the British Army during the Second World War. As Allied forces fought their way north through Italy, Esmond found himself in the southern town of Bari, where Ilia had grown up, one of four girls of a widowed mother. The Englishman approaching middle age and the twenty-one-year-old Italian were soon married. Before the war had come to an end, Ilia was on her way alone to London to wait for her husband’s return and to learn how to be Mrs. Esmond Warner, an Englishwoman. Ilia begins to learn the world of cricket, riding, canned food, and distant relations she has landed in, while Esmond, in spite of his connections, struggles to support his wife and young daughter. He comes up with the idea of opening a bookshop, a branch of W.H. Smith’s, in Cairo, where he had spent happy times during the North African campaign. In Egypt, however, nationalists are challenging foreign influences, especially British ones, and before long Cairo is on fire. Deeply felt, closely observed, rich with strange lore, Esmond and Ilia is a picture of vanished worlds, a portrait of two people struggling to know each other and themselves, a daughter’s story of trying to come to terms with a past that is both hers and unknowable to her. It is an “unreliable memoir”—what memoir isn’t?—and a lasting work of literature, lyrical, sorrowful, shaped by love and wonder.
Author: Marina Warner
Publisher: HarperCollins UK
ISBN: 0008347603
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
A luminous memoir of post-war childhood, adventure and loss on the banks of the Nile. ‘Wonderful – a brave, inventive, touching distillation of memory and imagination’ JENNY UGLOW
Author: Marina Warner
Publisher: Oxford University Press, USA
ISBN: 0195178211
Category : Fiction
Languages : en
Pages : 254
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Book Description
Especially for grown-ups, this is a selection of subversive, satirical, and sophisticated fairy tales full of polished wit and prose.
Author: Marina Warner
Publisher: Arrow
ISBN: 9780099739814
Category : Fear
Languages : en
Pages : 435
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Book Description
Ogres and giants, bogeymen and bugaboos embody some of our deepest fears, dominating popular fiction, from tales such as 'Jack the Giant Killer' to the cannibal monster Hannibal Lecter, from the Titans of Greek mythology to the dinosaurs of JURASSIC PARK, from Frankenstein to MEN IN BLACK. Following her brilliant study of fairy tales, FROM THE BEAST TO THE BLONDE, Marina Warner's enthralling new book explores the ever increasing presence of such figures of male terror, and the stratagems we invent to allay the monsters we conjure up. From ogres to cradle songs, from bananas to cannibals, Warner traces the roots of our commonest anxieties, unravelling with vigorous intelligence, originality and relish, the myths and fears which define our sensibilities. Illustrated with a wealth of images - from the beautiful and the bizarre to the downright scary - this is a tour de force of scholarship and imagination.
Author: G. J. H. van Gelder
Publisher: NYU Press
ISBN: 0814768962
Category : Foreign Language Study
Languages : en
Pages : 361
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Book Description
One of the most unusual books in classical Arabic literature, The Epistle of Forgiveness is the lengthy reply by the prolific Syrian poet and prose writer, Abu l-'Ala' al-Ma'arri (d. 449 H/1057 AD), to a letter by an obscure grammarian, Ibn al-Qarih. With biting irony, The Epistle of Forgiveness mocks Ibn al-QarihOCOs hypocrisy and sycophancy by imagining he has died and arrived with some difficulty in Heaven, where he meets famous poets and philologists from the past. He also glimpses Hell, and converses with the Devil and various heretics. Al-Ma'arriOCoa maverick, a vegan, and often branded a heretic himselfOCoseems to mock popular ideas about the Hereafter. a This second volume is a point-by-point reply to Ibn al-QarihOCOs letter using al-Ma'arriOCOs characteristic mixture of erudition, irony, and admonition, enlivened with anecdotes and poems. Among other things, he writes about hypocrites; heretical poets, princes, rebels, and mystics; apostates; piety; superstition; the plight of men of letters; collaborative authorship; wine-drinking; old age; repentance; pre-Islamic pilgrimage customs; and money. This remarkable book is the first complete translation in any language, all the more impressive because of al-Ma'arriOCOs highly ornate and difficult style, his use of rhymed prose, and numerous obscure words and expressions. a Geert Jan van Gelder awas Laudian Professor of Arabic at the University of Oxford from 1998 to 2012. He is the author of several books on classical Arabic literature, including aBeyond the Line: Classical Arabic Literary Critics on the Coherence and Unity of the Poem aand aOf Dishes and Discourse: Classical Arabic Literary Representations of Food . a Gregor Schoeler awas the chair of Islamic Studies at the University of Basel from 1982 to 2009. His books in the fields of Islamic Studies and classical Arabic literature includea The Oral and the Written in Early Islam, anda Paradies und HAlle, a partial German translation of The Epistle of Forgiveness."
Author: Marina Warner
Publisher: Farrar, Straus and Giroux
ISBN: 9780374524876
Category : Literary Criticism
Languages : en
Pages : 492
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Book Description
In this landmark study of the history and meaning of fairy tales, the celebrated cultural critic Marina Warner looks at storytelling in art and legend-from the prophesying enchantress who lures men to a false paradise, to jolly Mother Goose with her masqueraders in the real world. Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?
Author: Dorothy Eva Praschma
Publisher: Createspace Independent Publishing Platform
ISBN: 9781718833920
Category :
Languages : en
Pages : 310
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Book Description
An account of a remarkable life - of love, courage and survival in the dark days of World War II. Dorothy Eva Ferreira grew up on a remote farm in South Africa, but in 1930, she met and married Engelbert, Count Praschma, Baron von Bilkau, an adventuring German aristocrat. Upon the death of his father in 1933, Engelbert took his wife and children to Germany to claim his rightful inheritance - only to be rebuffed by his status-conscious siblings. The family castle and estates were held in a fideicommiss which stated that the oldest son would be the sole heir. But the family maneuvered to have Engelbert disinherited as he was deemed a black sheep, an irresponsible profligate who married an African peasant while his younger brother had married a princess. The war raging about them, Dorothy and her children found refuge with an aunt and uncle, Count and Countess Stolberg, in Czechoslovakia. The aristocrats soon found it useful to have someone around who knew how to gather berries... how to slaughter a chicken... how to stand up to wave after wave of overbearing Russian soldiers and above all was not German. Her only proof: a small tattered South African flag and stamps of King George on her marriage certificate. In the horrific aftermath of the war, she retrieved her small children from distant boarding schools... and missing relatives from Soviet labor camps. In a world gone mad, she lived by the words, "My heart must never be too small for a woman." *** 31 January, 1941 I know that Engelbert got into financial trouble. He is accused of arms dealing and the family said he was a difficult case but why did they let him be taken to Leubus, this so-called sanatorium where people who are not useful to "the magnificent Third Reich" are sent. Is it possible that the family actually handed him over to the Nazis because he was such a thorn in their sides? Why did his sister Elisabeth who works for the military tell me, ten days ago, heartlessly, that as Engelbert is going to die soon the only thing for me is to go back to Africa and leave the children here to be adopted by suitable families? Leave my children? Never.
Author: Mary Jacobus
Publisher: Princeton University Press
ISBN: 0691231672
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
A look at how ideas of translation, migration, and displacement are embedded in the works of prominent artists, from Ovid to Tacita Dean On Belonging and Not Belonging provides a sophisticated exploration of how themes of translation, migration, and displacement shape an astonishing range of artistic works. From the possibilities and limitations of translation addressed by Jhumpa Lahiri and David Malouf to the effects of shifting borders in the writings of Eugenio Montale, W. G. Sebald, Colm Tóibín, and many others, esteemed literary critic Mary Jacobus looks at the ways novelists, poets, photographers, and filmmakers revise narratives of language, identity, and exile. Jacobus’s attentive readings of texts and images seek to answer the question: What does it mean to identify as—or with—an outsider? Walls and border-crossings, nomadic wanderings and Alpine walking, the urge to travel and the yearning for home—Jacobus braids together such threads in disparate times and geographies. She plumbs the experiences of Ovid in exile, Frankenstein’s outcast Being, Elizabeth Bishop in Nova Scotia and Brazil, Walter Benjamin’s Berlin childhood, and Sophocles’s Antigone in the wilderness. Throughout, Jacobus trains her eye on issues of transformation and translocation; the traumas of partings, journeys, and returns; and confrontations with memory and the past. Focusing on human conditions both modern and timeless, On Belonging and Not Belonging offers a unique consideration of inclusion and exclusion in our world.
Author: Nahid Kazemi
Publisher: Abrams
ISBN: 1592703984
Category : Juvenile Fiction
Languages : en
Pages : 47
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Book Description
A rebel dreamer of a girl daydreams about her role in making the world a better place—and since dreams bleed into reality, maybe she really does. A Kirkus Reviews Best Beginning Reader of 2022! Shahrzad and the Angry King is a contemporary reimagining of the Scheherazade tale, starring scooter-riding, story-loving Shahrzad. Shahrzad loves stories and looks for them everywhere. When she meets a boy and asks him to tell her his story, he recounts fleeing a country that was peaceful and happy, until its grieving king grew angry and cruel. Shahrzad can't forget the boy and his story, and so, when she sees a toy airplane in a store, she imagines herself zooming off to the boy's home country, where she confronts the king, to make him reflect on the kind of leader he really wants to be. Like Scheherazade, she tells the king story after story, but this time not to save her own life, but those of the king's people and his own. Because Shahrzad knows the power of the creative imagination and that the stories we tell and the words we use shape our very existence. We live and die by the sword? Not exactly, says Shahrzad. We live or die by the stories we tell and how we see, frame, and word the world. Brought to life by Iranian artist Nahid Kazemi, this bold heroine reminds us of how powerfully intertwined reality is with the stories we tell.
Author: Marina Warner
Publisher: New York Review Books
ISBN: 9781681376455
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
By one of the finest English writers of our time, a luminous memoir that travels from southern Italy to the banks of the Nile, capturing a lost past both personal and historical. Marina Warner’s father, Esmond, met her mother, Ilia, while serving as an officer in the British Army during the Second World War. As Allied forces fought their way north through Italy, Esmond found himself in the southern town of Bari, where Ilia had grown up, one of four girls of a widowed mother. The Englishman approaching middle age and the twenty-one-year-old Italian were soon married. Before the war had come to an end, Ilia was on her way alone to London to wait for her husband’s return and to learn how to be Mrs. Esmond Warner, an Englishwoman. Ilia begins to learn the world of cricket, riding, canned food, and distant relations she has landed in, while Esmond, in spite of his connections, struggles to support his wife and young daughter. He comes up with the idea of opening a bookshop, a branch of W.H. Smith’s, in Cairo, where he had spent happy times during the North African campaign. In Egypt, however, nationalists are challenging foreign influences, especially British ones, and before long Cairo is on fire. Deeply felt, closely observed, rich with strange lore, Esmond and Ilia is a picture of vanished worlds, a portrait of two people struggling to know each other and themselves, a daughter’s story of trying to come to terms with a past that is both hers and unknowable to her. It is an “unreliable memoir”—what memoir isn’t?—and a lasting work of literature, lyrical, sorrowful, shaped by love and wonder.
