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Author: Jay E. Caldwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 643
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Book Description
Erskine Caldwell and Margaret Bourke-White traveled to the U.S.S.R. in 1941 on their and their editor's hunch that something newsworthy was in the offing. The couple went in part to add to their library of phototext books (three had been published since 1936), but more to advance the agenda of the anti-Fascist, anti-isolationist Leftist Popular Front, whose goals coincided with those of the Roosevelt administration. When Germany invaded the Soviet Union on June 22, they immediately immersed themselves in the enterprise of bringing war news to the American listening and reading public. Through the portals of CBS radio, Life magazine, PM newspaper, and other journalistic outlets, and despite stultifying censorship, they made it clear that the Red Army was a formidable anti-Hitler force that wanted only financial and material assistance from the U.S., and that the Russian people, steeped in patriotism and family values not very different from American ideals, were worthy allies. Stalin, they hinted, was a well-intentioned and well-organized autocrat, but nothing worse. Upon returning to the United States, Bourke-White traveled extensively to promote a Russian-American alliance, and published a photo-chronicle of their Russian trip, Shooting the Russian War. Caldwell published two very different books, All-Out on the Road to Smolensk and All Night Long, that also advocated this coalition. I argue that Caldwell composed Smolensk as a heroic quest to report on the war firsthand, while All Night Long, a popular and sensational story about Russian guerillas, bears all the characteristics of a Socialist Realist novel touting the Soviet cause. Both books were successful in endorsing Soviet objectives in the West. Their individual and collaborative literary products have been largely forgotten, but Bourke-White's photographs continue to inform our memory of that war.
Author: Jay E. Caldwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 643
Get Book Here
Book Description
Erskine Caldwell and Margaret Bourke-White traveled to the U.S.S.R. in 1941 on their and their editor's hunch that something newsworthy was in the offing. The couple went in part to add to their library of phototext books (three had been published since 1936), but more to advance the agenda of the anti-Fascist, anti-isolationist Leftist Popular Front, whose goals coincided with those of the Roosevelt administration. When Germany invaded the Soviet Union on June 22, they immediately immersed themselves in the enterprise of bringing war news to the American listening and reading public. Through the portals of CBS radio, Life magazine, PM newspaper, and other journalistic outlets, and despite stultifying censorship, they made it clear that the Red Army was a formidable anti-Hitler force that wanted only financial and material assistance from the U.S., and that the Russian people, steeped in patriotism and family values not very different from American ideals, were worthy allies. Stalin, they hinted, was a well-intentioned and well-organized autocrat, but nothing worse. Upon returning to the United States, Bourke-White traveled extensively to promote a Russian-American alliance, and published a photo-chronicle of their Russian trip, Shooting the Russian War. Caldwell published two very different books, All-Out on the Road to Smolensk and All Night Long, that also advocated this coalition. I argue that Caldwell composed Smolensk as a heroic quest to report on the war firsthand, while All Night Long, a popular and sensational story about Russian guerillas, bears all the characteristics of a Socialist Realist novel touting the Soviet cause. Both books were successful in endorsing Soviet objectives in the West. Their individual and collaborative literary products have been largely forgotten, but Bourke-White's photographs continue to inform our memory of that war.
Author: Jay Caldwell
Publisher:
ISBN: 9780820350226
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Both biographically revealing and analyticallyastute, author Jay Caldwell offers a profound, new perspective on two of America'smost renowned midcentury artists at the peaks of their careers.
Author: Margaret Bourke-White
Publisher: Pickle Partners Publishing
ISBN: 1787200914
Category : History
Languages : en
Pages : 323
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Book Description
This is the story of the internationally acclaimed American woman Margaret Bourke-White, who for over thirty years made photographic history: as the first photographer to see the artistic and storytelling possibilities in American industry, as the first to write social criticism with a lens, and as the most distinguished and venturesome foreign correspondent-with-a-camera to report wars, politics and social and political revolution on three continents. In this poignant autobiography, Bourke-White details her fight against Parkinson’s disease, and recounts tales of her struggles to master her art and craft, of photographing Stalin, Gandhi and many other notables, of being torpedoed off North Africa while reporting World War II, of flying combat missions, of photographing the dread murder camps of Nazi Germany, of touring Tobacco Road to produce the book You Have Seen Their Faces with Erskine Caldwell (whom she later married), of adventures—and wonderful picture-taking—in the mines of South Africa, in the frozen North, in war-torn Korea. Illustrated throughout with over 70 of Margaret Bourke-White’s fine photographs, this is the great life story of a great American, greatly yet modestly told.
Author: Erskine Caldwell
Publisher: University of Georgia Press
ISBN: 082031692X
Category : Photography
Languages : en
Pages : 134
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Book Description
In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South--from South Carolina to Arkansas--to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives, and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.
Author: Carolyn Daffron
Publisher: Chelsea House
ISBN: 9781555466442
Category : Juvenile Nonfiction
Languages : en
Pages : 116
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Book Description
A biography of the woman who became a staff photographer for Life magazine and served overseas as a correspondent during World War II and the Korean War.
Author: Chris Vials
Publisher: Univ. Press of Mississippi
ISBN: 1496800362
Category : Social Science
Languages : en
Pages : 459
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Book Description
Realism for the Masses is an exploration of how the concept of realism entered mass culture, and from there, how it tried to remake “America.” The literary and artistic creations of American realism are generally associated with the late nineteenth century. But this book argues that the aesthetic actually saturated American culture in the 1930s and 1940s and that the Left social movements of the period were in no small part responsible. The book examines the prose of Carlos Bulosan and H. T. Tsiang; the photo essays of Margaret Bourke-White in Life magazine; the bestsellers of Erskine Caldwell and Margaret Mitchell; the boxing narratives of Clifford Odets, Richard Wright, Nelson Algren; and the Hollywood boxing film, radio soap operas, and the domestic dramas of Lillian Hellman and Shirley Graham, and more. These writers and artists infused realist aesthetics into American mass culture to an unprecedented degree and also built on a tradition of realism in order to inject influential definitions of “the people” into American popular entertainment. Central to this book is the relationship between these mass cultural realisms and emergent notions of pluralism. Significantly, Vials identifies three nascent pluralisms of the 1930s and 1940s: the New Deal pluralism of “We're the People” in The Grapes of Wrath; the racially inclusive pluralism of Vice President Henry Wallace's “The People's Century”; and the proto-Cold War pluralism of Henry Luce's “The American Century.”
Author: Margaret Bourke-White
Publisher:
ISBN:
Category : Industries
Languages : en
Pages : 194
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Book Description
Author: Toni Morrison
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618397402
Category : Juvenile Nonfiction
Languages : en
Pages : 88
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Book Description
The Pulitzer Prize winner presents a treasure chest of archival photographs that depict the historical events surrounding school desegregation.
Author: Margaret Bourke-White
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 216
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Book Description
More than 200 black and white photographs.
Author: Erskin Caldwell
Publisher: National Geographic Books
ISBN: 1561456659
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
In With All My Might, his definitive autobiography, Caldwell tells about his work as a cotton picker, stagehand, professional football player, and war correspondent for Life magazine during World War II. In 1932, Erskine Caldwell's first novel, Tobacco Road, was the center of controversy. Some critics condemned the book; others considered it to be the work of a genius. Today Caldwell's fifty-plus books have sold more than 80 million copies worldwide, and his stature as a writer has been firmly established. In With All My Might, his definitive autobiography, Caldwell tells about his work as a cotton picker, stagehand, professional football player, and war correspondent for Life magazine during World War II. He describes his four marriages (including the much-publicized divorce from photographer Margaret Bourke-White). He writes of the sacrifices he made and the rejections he suffered during the years he was struggling to have his work published.