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Author: Erika Verzutti
Publisher:
ISBN: 9781954947085
Category : Art
Languages : en
Pages : 0
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Book Description
The first survey of Erika Verzutti's work in the United States, New Moons provides an expansive view of the Brazilian artist's bold and influential practice. It presents over 60 wall works and sculptures made over the past fifteen years, encompassing materials that are both permanent and expendable, such as bronze, clay, aluminum, Styrofoam, papier machê, wax, and porcelain. The artist integrates a multitude of references from art and architectural history alongside references to plant, human, and animal life as well as everyday and spiritual objects. The result is both singular new forms and chains of associations. Sometimes, her sculptures replicate through multiple versions, or what have been called "families."Verzutti's genealogies intersect with motifs such as eggs and orbs, the outlines of body parts, and traces of the work's making-evidenced in marks from tools and the artist's own fingerprints. The pervasive presence of Verzutti's hands and tools reminds viewers that the artist is not just taking-not just absorbing her references into her creations. Rather, she is emphasizing a relation of transference, projection, and personification.Moons recur throughout Verzutti's work as symbols of renewal and the multiple phases and cycles that one person or entity can take. They also form a frame for the exhibition. In the artist's practice, moons are part of a cosmos, alongside stars and asteroids, that signal a planetary perspective. This pulled-back viewpoint blurs the tensions and divisions on Earth, forming the basis for an artistic practice that seeks-in its strangeness and discontinuity-to break down prevailing orders, hierarchies, and divisions of knowledge classification.
Author: Erika Verzutti
Publisher:
ISBN: 9781954947085
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
The first survey of Erika Verzutti's work in the United States, New Moons provides an expansive view of the Brazilian artist's bold and influential practice. It presents over 60 wall works and sculptures made over the past fifteen years, encompassing materials that are both permanent and expendable, such as bronze, clay, aluminum, Styrofoam, papier machê, wax, and porcelain. The artist integrates a multitude of references from art and architectural history alongside references to plant, human, and animal life as well as everyday and spiritual objects. The result is both singular new forms and chains of associations. Sometimes, her sculptures replicate through multiple versions, or what have been called "families."Verzutti's genealogies intersect with motifs such as eggs and orbs, the outlines of body parts, and traces of the work's making-evidenced in marks from tools and the artist's own fingerprints. The pervasive presence of Verzutti's hands and tools reminds viewers that the artist is not just taking-not just absorbing her references into her creations. Rather, she is emphasizing a relation of transference, projection, and personification.Moons recur throughout Verzutti's work as symbols of renewal and the multiple phases and cycles that one person or entity can take. They also form a frame for the exhibition. In the artist's practice, moons are part of a cosmos, alongside stars and asteroids, that signal a planetary perspective. This pulled-back viewpoint blurs the tensions and divisions on Earth, forming the basis for an artistic practice that seeks-in its strangeness and discontinuity-to break down prevailing orders, hierarchies, and divisions of knowledge classification.
Author: Ian Berry
Publisher:
ISBN: 9780989956611
Category :
Languages : en
Pages :
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Book Description
Author: Elsa Coustou
Publisher: Yale University Press
ISBN: 0300216998
Category : Art
Languages : en
Pages : 267
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Book Description
A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop throughout the world, from the frequently studied activity in the United States, England, and France to less well-known developments in Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East. One of the first publications to examine Pop art with this global scope, The World Goes Pop explores the wide-ranging movements that developed on different continents, such as Nouveau Réalisme, Neo Dada, New Figuration, and Spiritual Pop. This unique presentation offers the opportunity to compare how Pop art around the world differed due to geography, local traditions, and different cultures' social and political underpinnings. Fascinating essays touch upon key themes that factored into various Pop movements, including feminism, political representation, sexual politics, and seriality. A bold design and 200 striking illustrations showcase pieces by more than 60 artists, many of whose works have never been exhibited outside their home nations. The book also features a combined interview with a number of the living artists featured within, giving important insight into the thoughts and processes of Pop's international practitioners.
Author: Paul O'Neill
Publisher: National Geographic Books
ISBN: 0262537907
Category : Art
Languages : en
Pages : 0
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Book Description
What it means to be global—or to be local—in the context of artistic, curatorial, and theoretical knowledge and practice. In this volume, an international, interdisciplinary group of writers discuss what it means to be global—or to be local—in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe. It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contributors to Curating After the Global explore, among other things, specific curatorial projects that may offer roadmaps for the globalized present; new institutional approaches; and ways of thinking, vocabularies, and strategies for moving forward. Contributors include Lotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon Sheikh, María Berríos and Jakob Jakobsen, Qalandar Bux Memon, Ntone Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza María Hernández Velázquez, Prem Krishnamurthy and Emily Smith, Nkule Mabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin Ross, Grace Samboh, Sumesh Sharma, Joshua Simon, Hajnalka Somogyi, Lucy Steeds, Françoise Vergès Copublished with the Center for Curatorial Studies Bard College/Luma Foundation
Author: Anna Katz
Publisher: Yale University Press
ISBN: 0300239947
Category : Art
Languages : en
Pages : 329
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Book Description
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.
Author: Paul O'Neill
Publisher: National Geographic Books
ISBN: 0262534320
Category : Art
Languages : en
Pages : 0
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Book Description
Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us. Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. This anthology–taking its title from Mary Douglas's 1986 book, How Institutions Think–reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. Contributors reflect upon how institutions inform art, curatorial, educational, and research practices as much as they shape the world around us. They consider the institution as an object ofienquiry across many disciplines, including political theory, organizational science, and sociology. Bringing together an international and multidisciplinary group of writers, How Institutions Think addresses such questions as whether institution building is still possible, feasible, or desirable; if there are emergent institutional models for progressive art and curatorial research practices; and how we can establish ethical principles and build our institutions accordingly. The first part, “Thinking via Institution,” moves from the particular to the general; the second part, “Thinking about Institution,” considers broader questions about the nature of institutional frameworks. Contributors include Nataša Petrešin Bachelez, Dave Beech, Mélanie Bouteloup, Nikita Yingqian Cai, Binna Choi and Annette Kraus, Céline Condorelli, Pip Day, Clémentine Deliss, Keller Easterling and Andrea Phillips, Bassam El Baroni, Charles Esche, Patricia Falguières, Patrick D. Flores, Marina Gržinić, Stefano Harney and Fred Moten, Alhena Katsof, Emily Pethick, Sarah Pierce, Moses Serubiri, Simon Sheikh, Mick Wilson
Author: Julia Christensen
Publisher:
ISBN: 9781733688925
Category : Art
Languages : en
Pages : 144
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Book Description
"Upgrade Available. By Julia Christensen. Edited by Karen Kelly, Barbara Schroeder. Conversations with Ravi Agarwal, Cory Arcangel, Lori Emerson, Jessica Gambling, Rick Prelinger, Bobbye Tigerman, Laura Welcher. This volume documents an ongoing investigation by artist Julia Christensen into how our relentless "upgrade culture"-the perceived notion that we need to constantly upgrade our electronics to remain relevant-fundamentally impacts our experience of time. In a personal narrative interspersed with related interdisciplinary artwork and conversations with experts from different fields (other artists, archivists, academics), Christensen takes readers along a path, from the international "e-waste" industry to institutional archives, that eventually leads her to a collaboration with NASA's Jet Propulsion Lab (JPL)"--
Author: Tom Eccles
Publisher:
ISBN: 9781936192281
Category :
Languages : en
Pages :
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Book Description
Author: Glenn Adamson
Publisher: Princeton University Press
ISBN: 0691220379
Category : ART
Languages : en
Pages : 253
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Book Description
Eros and Oneness / Tamara H. Schenkenberg -- Elective Affinities: Hannah Wilke's Ceramics in Context / Glenn Adamson -- Needed Erase Her? Don't. / Connie Butler -- Daughter/Mother / Catherine Opie -- Ha-Ha-Hannah / Jeanine Oleson -- Cycling Through Gestures to Strike a Pose / Nadia Myre -- Play and Care / Hayv Kahraman -- Cindy Nemser and Hannah Wilke in Conversation, 1975.
Author: Rashid Johnson
Publisher: Hauser & Wirth Publishers/Aspen Art Press
ISBN: 9780934324915
Category : Art
Languages : en
Pages : 440
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Book Description
A massive compendium on the multimedia art of Rashid Johnson, tackling themes of Black history, literature, philosophy and material culture Rashid Johnson (born 1977) is renowned for challenging the assumptions often present in collective notions of Blackness. Based in New York, Johnson is among an influential group of American artists whose work employs a wide range of materials and images to explore themes of art history, literature, philosophy, and personal and cultural identity. After beginning his career working primarily in photography, Johnson has expanded into a variety of mediums, including text work, sculptural objects, installation, painting, drawing, collage, film, performance and choreography. Drawing on a dizzying array of historical, cultural, literary and musical references, Johnson ultimately invites audiences to find connections to their own lives. Rashid Johnson: The Hikers presents works from his highly acclaimed shows at the Aspen Art Museum, Museo Tamayo and Hauser & Wirth. This dynamic and unprecedented collection of his work features a conversation between Rashid Johnson and choreographer Claudia Schreier, as well as essays by curators Heidi Zuckerman and Manuela Moscoso.
