Author: Sandra Reeve
Publisher: Triarchy Press
ISBN: 1909470171
Category : Art
Languages : en
Pages : 181
Book Description
The first volume in this series, Nine Ways of Seeing a Body, explored different conceptions of the body in recent Western history (body as object, body as subject, somatic body, etc.).This new collection highlights 12 contemporary approaches to the body (lenses) that are currently being used by performers or in the context of performance training. The lenses draw on somatic practices like the Feldenkrais Method, the Alexander Technique and Body-Mind Centering, and approaches like Object Relations, Corporeal Feminism and Embodied Cognition. Other chapters illuminate the role of the body in music and devised performance, in experimental opera and in classical Sanskrit theatre. Instead of trying to 'improve' or 'enhance' the performer's body or vocal output, all 12 lenses emphasise the interdependence of body andplace, society, culture and other bodies. They also share the idea of the body as flux rather than fixed identity. Each approach is interlaced with a case study showing how it can be applied in practice. Students, dancers, performers, singers, musicians, directors and choreographers can find their own preferred approach(es) to the body-in-performance amongst the lenses described here and can explore alternatives that might enrich their current vocabulary.
Body and Performance
Author: Sandra Reeve
Publisher: Triarchy Press
ISBN: 1909470171
Category : Art
Languages : en
Pages : 181
Book Description
The first volume in this series, Nine Ways of Seeing a Body, explored different conceptions of the body in recent Western history (body as object, body as subject, somatic body, etc.).This new collection highlights 12 contemporary approaches to the body (lenses) that are currently being used by performers or in the context of performance training. The lenses draw on somatic practices like the Feldenkrais Method, the Alexander Technique and Body-Mind Centering, and approaches like Object Relations, Corporeal Feminism and Embodied Cognition. Other chapters illuminate the role of the body in music and devised performance, in experimental opera and in classical Sanskrit theatre. Instead of trying to 'improve' or 'enhance' the performer's body or vocal output, all 12 lenses emphasise the interdependence of body andplace, society, culture and other bodies. They also share the idea of the body as flux rather than fixed identity. Each approach is interlaced with a case study showing how it can be applied in practice. Students, dancers, performers, singers, musicians, directors and choreographers can find their own preferred approach(es) to the body-in-performance amongst the lenses described here and can explore alternatives that might enrich their current vocabulary.
Publisher: Triarchy Press
ISBN: 1909470171
Category : Art
Languages : en
Pages : 181
Book Description
The first volume in this series, Nine Ways of Seeing a Body, explored different conceptions of the body in recent Western history (body as object, body as subject, somatic body, etc.).This new collection highlights 12 contemporary approaches to the body (lenses) that are currently being used by performers or in the context of performance training. The lenses draw on somatic practices like the Feldenkrais Method, the Alexander Technique and Body-Mind Centering, and approaches like Object Relations, Corporeal Feminism and Embodied Cognition. Other chapters illuminate the role of the body in music and devised performance, in experimental opera and in classical Sanskrit theatre. Instead of trying to 'improve' or 'enhance' the performer's body or vocal output, all 12 lenses emphasise the interdependence of body andplace, society, culture and other bodies. They also share the idea of the body as flux rather than fixed identity. Each approach is interlaced with a case study showing how it can be applied in practice. Students, dancers, performers, singers, musicians, directors and choreographers can find their own preferred approach(es) to the body-in-performance amongst the lenses described here and can explore alternatives that might enrich their current vocabulary.
Volume 16, Tome I: Kierkegaard's Literary Figures and Motifs
Author: Katalin Nun
Publisher: Routledge
ISBN: 135187487X
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.
Publisher: Routledge
ISBN: 135187487X
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.
The Universal Anthology
Author: Richard Garnett
Publisher:
ISBN:
Category : Anthologies
Languages : en
Pages : 828
Book Description
Publisher:
ISBN:
Category : Anthologies
Languages : en
Pages : 828
Book Description
The Warner Library
Author: Charles Dudley Warner
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 714
Book Description
Columbia University Course in Literature
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 626
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 626
Book Description
Documentarism in Scandinavian Literature
Author: Poul Houe
Publisher: Rodopi
ISBN: 9789042001411
Category : History in literature
Languages : en
Pages : 244
Book Description
Documentary literature became an international phenomenon on the cultural and political scene in the 1960s and 1970s. From the American "New Journalism" in works by such writers as Norman Mailer and Tom Wolfe to the German "Industriereportagen" by Gunther Wallraff and others, documentarism presented a variety of controversial interplays between facts and fiction labeled as faction, ' fables of fact' or the like. Scandinavian literature made important and unique contributions to this international movement, and "Documentarism in Scandinavian Literature" is the first comprehensive volume ever published on the historical significance and future implications of these Nordic dimensions of documentarism and their international context. The volume is centered on Swedish documentary literature in the 1960s and 1970s and on such major writers as Per Olov Enquist, Sven Lindqvist, Sara Lidman, and Per Olov Sundman but the powerful voices of Danish writer Thorkild Hansen and Norwegian novelist Dag Solstad are also heard in its critical concert. The diversity of "Documentarism in Scandinavian Literature" is further enhanced by surveys and analyses of the historical background for more recent works and activities, and by theoretical inquiries into the epistemological status of documentarism, its theoretical, narrative, and theatrical devices, its predominant genres and links to other modes of mass communication, and its political affiliations and implications. For readers already familiar with its subject matter "Documentarism in Scandinavian Literature" offers an opportunity to revisit and recontextualize a crucial moment in their recent cultural past. For readers who have yet to be exposed to documentary works of fiction, the volume presents a timely theoretical, historical, and critical introduction to the key problematics and potentials of their novel field of interest. Whether viewed as part of the past or part of the present, documentarism remains an intellectual challenge, which this volume is aimed at addressing. "Documentarism in Scandinavian Literature" is edited by two Scandinavian scholars living abroad, and its essays are written by senior and junior scholars and critics from Scandinavia, Europe, and America; an interview with Per Olov Enquist and an autobio-graphical piece by Sven Lindqvist complete the volume."
Publisher: Rodopi
ISBN: 9789042001411
Category : History in literature
Languages : en
Pages : 244
Book Description
Documentary literature became an international phenomenon on the cultural and political scene in the 1960s and 1970s. From the American "New Journalism" in works by such writers as Norman Mailer and Tom Wolfe to the German "Industriereportagen" by Gunther Wallraff and others, documentarism presented a variety of controversial interplays between facts and fiction labeled as faction, ' fables of fact' or the like. Scandinavian literature made important and unique contributions to this international movement, and "Documentarism in Scandinavian Literature" is the first comprehensive volume ever published on the historical significance and future implications of these Nordic dimensions of documentarism and their international context. The volume is centered on Swedish documentary literature in the 1960s and 1970s and on such major writers as Per Olov Enquist, Sven Lindqvist, Sara Lidman, and Per Olov Sundman but the powerful voices of Danish writer Thorkild Hansen and Norwegian novelist Dag Solstad are also heard in its critical concert. The diversity of "Documentarism in Scandinavian Literature" is further enhanced by surveys and analyses of the historical background for more recent works and activities, and by theoretical inquiries into the epistemological status of documentarism, its theoretical, narrative, and theatrical devices, its predominant genres and links to other modes of mass communication, and its political affiliations and implications. For readers already familiar with its subject matter "Documentarism in Scandinavian Literature" offers an opportunity to revisit and recontextualize a crucial moment in their recent cultural past. For readers who have yet to be exposed to documentary works of fiction, the volume presents a timely theoretical, historical, and critical introduction to the key problematics and potentials of their novel field of interest. Whether viewed as part of the past or part of the present, documentarism remains an intellectual challenge, which this volume is aimed at addressing. "Documentarism in Scandinavian Literature" is edited by two Scandinavian scholars living abroad, and its essays are written by senior and junior scholars and critics from Scandinavia, Europe, and America; an interview with Per Olov Enquist and an autobio-graphical piece by Sven Lindqvist complete the volume."
Armand V
Author: Dag Solstad
Publisher: New Directions Publishing
ISBN: 0811226298
Category : Fiction
Languages : en
Pages : 198
Book Description
New Directions proudly introduces two novels in English by the Norwegian master, who is “without question, Norway’s bravest, most intelligent novelist” (Per Petterson) Armand is a diplomat rising through the ranks of the Norwegian foreign office, but he’s caught between his public duty to support foreign wars in the Middle East and his private disdain for Western intervention. He hides behind knowing, ironic statements, which no one grasps and which change nothing. Armand’s son joins the Norwegian SAS to fight in the Middle East, despite being specifically warned against such a move by his father, and this leads to catastrophic, heartbreaking consequences. Told exclusively in footnotes to an unwritten book, this is Solstad’s radically unconventional novel about how we experience the passing of time: how it fragments, drifts, quickens, and how single moments can define a life.
Publisher: New Directions Publishing
ISBN: 0811226298
Category : Fiction
Languages : en
Pages : 198
Book Description
New Directions proudly introduces two novels in English by the Norwegian master, who is “without question, Norway’s bravest, most intelligent novelist” (Per Petterson) Armand is a diplomat rising through the ranks of the Norwegian foreign office, but he’s caught between his public duty to support foreign wars in the Middle East and his private disdain for Western intervention. He hides behind knowing, ironic statements, which no one grasps and which change nothing. Armand’s son joins the Norwegian SAS to fight in the Middle East, despite being specifically warned against such a move by his father, and this leads to catastrophic, heartbreaking consequences. Told exclusively in footnotes to an unwritten book, this is Solstad’s radically unconventional novel about how we experience the passing of time: how it fragments, drifts, quickens, and how single moments can define a life.
Ludvig Holberg (1684-1754)
Author: Knud Haakonssen
Publisher: Routledge
ISBN: 131710305X
Category : History
Languages : en
Pages : 472
Book Description
Ludvig Holberg (1684–1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women’s education and career, and a large number of comedies. These comedies secured Holberg’s status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.
Publisher: Routledge
ISBN: 131710305X
Category : History
Languages : en
Pages : 472
Book Description
Ludvig Holberg (1684–1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women’s education and career, and a large number of comedies. These comedies secured Holberg’s status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.
Volume 16, Tome II: Kierkegaard's Literary Figures and Motifs
Author: Katalin Nun
Publisher: Routledge
ISBN: 1351874845
Category : Philosophy
Languages : en
Pages : 265
Book Description
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome II covering figures and motifs from Gulliver to Zerlina.
Publisher: Routledge
ISBN: 1351874845
Category : Philosophy
Languages : en
Pages : 265
Book Description
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome II covering figures and motifs from Gulliver to Zerlina.
Ludvig Holberg, a Danish Playwright on the European Stage
Author: Bent Holm
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990124803
Category : Music
Languages : en
Pages : 458
Book Description
Ludvig Holberg (1684-1754) is the founding father of the art of theatre in the Nordic countries. He was a satirist - and university professor - who took his main inspirations from the comedies of Moliere and from the commedia dell'arte to create a number of plays that mirrored contemporary costums and conducts in a both realistic and grotesque way. Due to the psychological and philosophical strength behind the comic mask the plays have been staged and revisited ever since. In the 18th century the were part of the European canon. They should be so now again. This book presents Holberg in a European context as a reformer in the spirit of the Enlightenment even before Goldoni, Diderot and Lessing, and at the same time as an exponent of a carnivalesque tradition.
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990124803
Category : Music
Languages : en
Pages : 458
Book Description
Ludvig Holberg (1684-1754) is the founding father of the art of theatre in the Nordic countries. He was a satirist - and university professor - who took his main inspirations from the comedies of Moliere and from the commedia dell'arte to create a number of plays that mirrored contemporary costums and conducts in a both realistic and grotesque way. Due to the psychological and philosophical strength behind the comic mask the plays have been staged and revisited ever since. In the 18th century the were part of the European canon. They should be so now again. This book presents Holberg in a European context as a reformer in the spirit of the Enlightenment even before Goldoni, Diderot and Lessing, and at the same time as an exponent of a carnivalesque tradition.