Epochal History of the International Typographical Union, Condensed and Arranged by Period Developments PDF Download
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Author: International Typographical Union
Publisher: Indianapolis : [s.l.]
ISBN:
Category : Labor unions
Languages : en
Pages : 104
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Book Description
Author: International Typographical Union
Publisher: Indianapolis : [s.l.]
ISBN:
Category : Labor unions
Languages : en
Pages : 104
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Book Description
Author:
Publisher:
ISBN:
Category : Economics
Languages : en
Pages : 540
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Book Description
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 1330
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Book Description
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 594
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
Author: Tamiment Library
Publisher: Boston : G.K. Hall
ISBN:
Category : Anarchism
Languages : en
Pages : 884
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Book Description
Author: Tamiment Library
Publisher:
ISBN:
Category : Anarchism
Languages : en
Pages : 852
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Book Description
Author: Public Affairs Information Service
Publisher:
ISBN:
Category : Economics
Languages : en
Pages : 548
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Book Description
Author: Richard W. Lee
Publisher:
ISBN:
Category : Computerized typesetting
Languages : en
Pages : 136
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Book Description
A Symposium on Electronic Composition in Printing was held at the Gaithersburg Laboratories of the National Bureau of Standards.The symposium was a state-of-the-art review of a rapidly advancing field of computer application with great potentialities for increased efficiency and savings in the Federal Government.(Author).
Author: Mark A. McCutcheon
Publisher: Athabasca University Press
ISBN: 1771992247
Category : Social Science
Languages : en
Pages : 248
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Book Description
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology—that human-made monstrosity—today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.
