Author: David Jones
Publisher: Faber & Faber
ISBN: 0571309321
Category : Literary Collections
Languages : en
Pages : 273
Book Description
Written between the late 1930s and the late 1950s, Epoch and Artist represents those essays that David Jones wished to see preserved in his lifetime.Beginning with his most personal reflections upon Welsh culture, the selection turns next to Jones's thoughts on the position of art and the artist in the twentieth-century, concluding with writings on the nature of epoch and European culture and history.
Epoch and Artist
Author: David Jones
Publisher: Faber & Faber
ISBN: 0571309321
Category : Literary Collections
Languages : en
Pages : 273
Book Description
Written between the late 1930s and the late 1950s, Epoch and Artist represents those essays that David Jones wished to see preserved in his lifetime.Beginning with his most personal reflections upon Welsh culture, the selection turns next to Jones's thoughts on the position of art and the artist in the twentieth-century, concluding with writings on the nature of epoch and European culture and history.
Publisher: Faber & Faber
ISBN: 0571309321
Category : Literary Collections
Languages : en
Pages : 273
Book Description
Written between the late 1930s and the late 1950s, Epoch and Artist represents those essays that David Jones wished to see preserved in his lifetime.Beginning with his most personal reflections upon Welsh culture, the selection turns next to Jones's thoughts on the position of art and the artist in the twentieth-century, concluding with writings on the nature of epoch and European culture and history.
Divine Cartographies
Author: W. David Soud
Publisher: Oxford University Press
ISBN: 0191083348
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. Divine Cartographies: God, History, and Poiesis in W. B. Yeats, David Jones, and T. S. Eliot triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Publisher: Oxford University Press
ISBN: 0191083348
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. Divine Cartographies: God, History, and Poiesis in W. B. Yeats, David Jones, and T. S. Eliot triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Portraits by Ingres
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Of Making Many Books
Author: M. Edwards
Publisher: Springer
ISBN: 134921034X
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Publisher: Springer
ISBN: 134921034X
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
David Jones and Rome
Author: Jasmine Hunter Evans
Publisher: Oxford University Press
ISBN: 0192638599
Category : Literary Criticism
Languages : en
Pages : 575
Book Description
This interdisciplinary and archival study explores the reception of ancient Rome in the artistic, literary, and philosophical works of David Jones (1895-1974)—the Anglo-Welsh, Roman Catholic, First World War veteran. For Jones, the twentieth century was a period of crisis, an age of conflict, disillusionment and cultural decay, all of which he saw as evidence of the decline of Western civilisation. Across his lifetime, Jones would create a dynamic vision of ancient Rome in an attempt both to understand and to challenge this situation. His reimagining of Rome was not founded on a classical education. Instead, it was fashioned from his lived experience, extensive reading, and—most importantly—his engagement with four areas of contemporary discourse that were themselves built upon intricate and conflicting representations of Rome: British political rhetoric, cyclical history, the Catholic cultural revival, and the Welsh nationalist movement. Tracing Jones's developing approach to Rome across these contexts can provide a way into his art and thought. Whether in his poetic fragments, watercolours, essays, letters, marginalia or unique painted inscriptions, Jones strove to question, complicate and remake Rome's relationship with modernity. In this way, Rome appears in Jones's works both as a symbol of transhistorical imperialism, totalitarianism, and the mechanisation of life, and simultaneously as the cultural and religious progenitor of the West, and in particular, of Wales, with which artists must creatively reconnect if decline was to be avoided.
Publisher: Oxford University Press
ISBN: 0192638599
Category : Literary Criticism
Languages : en
Pages : 575
Book Description
This interdisciplinary and archival study explores the reception of ancient Rome in the artistic, literary, and philosophical works of David Jones (1895-1974)—the Anglo-Welsh, Roman Catholic, First World War veteran. For Jones, the twentieth century was a period of crisis, an age of conflict, disillusionment and cultural decay, all of which he saw as evidence of the decline of Western civilisation. Across his lifetime, Jones would create a dynamic vision of ancient Rome in an attempt both to understand and to challenge this situation. His reimagining of Rome was not founded on a classical education. Instead, it was fashioned from his lived experience, extensive reading, and—most importantly—his engagement with four areas of contemporary discourse that were themselves built upon intricate and conflicting representations of Rome: British political rhetoric, cyclical history, the Catholic cultural revival, and the Welsh nationalist movement. Tracing Jones's developing approach to Rome across these contexts can provide a way into his art and thought. Whether in his poetic fragments, watercolours, essays, letters, marginalia or unique painted inscriptions, Jones strove to question, complicate and remake Rome's relationship with modernity. In this way, Rome appears in Jones's works both as a symbol of transhistorical imperialism, totalitarianism, and the mechanisation of life, and simultaneously as the cultural and religious progenitor of the West, and in particular, of Wales, with which artists must creatively reconnect if decline was to be avoided.
Rewriting the Word "God"
Author: Romana Huk
Publisher: University of Alabama Press
ISBN: 0817361715
Category : Literary Criticism
Languages : en
Pages : 502
Book Description
Innovative poetry, philosophy, theology and new sciences converge in the project of rewriting the word "God" In Rewriting the Word "God," Romana Huk examines the substantive connections between innovative poetry of the last century and contemporary theology and philosophy. Along the way, we encounter ten poets who have, without abandoning their inherited or chosen faith traditions, radically rethought conceptualizations of divinity, human ontology, and the real. From the startlingly proto-phenomenological encounters with nature by Gerard Manley Hopkins to the post-deconstructive pursuit of "oracular" speech in Fanny Howe, these poets have found inspiration in a wide range of sources, from ancient religious texts to modern philosophical movements. But what unites them is their willingness to continually change, experiment and challenge the status quo, both in their religious beliefs and their poetic practice. Huk shows how these poets have used their work to explore ultimate questions of life and death, meaning and purpose, and the relationship between humans and materiality, humans and other humans, which for these poets sheds light on humanity's relationship with the divine. She also highlights the ways in which they have engaged with social and political issues in their poetry to speak out against injustice and oppression. Rewriting the Word "God" is a thought-provoking and inspiring work that will challenge current perceptions of both religion and poetry from new positions at the intersection of faith, art, philosophy, science, literary theory, and culture.
Publisher: University of Alabama Press
ISBN: 0817361715
Category : Literary Criticism
Languages : en
Pages : 502
Book Description
Innovative poetry, philosophy, theology and new sciences converge in the project of rewriting the word "God" In Rewriting the Word "God," Romana Huk examines the substantive connections between innovative poetry of the last century and contemporary theology and philosophy. Along the way, we encounter ten poets who have, without abandoning their inherited or chosen faith traditions, radically rethought conceptualizations of divinity, human ontology, and the real. From the startlingly proto-phenomenological encounters with nature by Gerard Manley Hopkins to the post-deconstructive pursuit of "oracular" speech in Fanny Howe, these poets have found inspiration in a wide range of sources, from ancient religious texts to modern philosophical movements. But what unites them is their willingness to continually change, experiment and challenge the status quo, both in their religious beliefs and their poetic practice. Huk shows how these poets have used their work to explore ultimate questions of life and death, meaning and purpose, and the relationship between humans and materiality, humans and other humans, which for these poets sheds light on humanity's relationship with the divine. She also highlights the ways in which they have engaged with social and political issues in their poetry to speak out against injustice and oppression. Rewriting the Word "God" is a thought-provoking and inspiring work that will challenge current perceptions of both religion and poetry from new positions at the intersection of faith, art, philosophy, science, literary theory, and culture.
Schiaparelli and the Artists
Author: André Leon Talley
Publisher: Rizzoli Publications
ISBN: 0847860450
Category : Design
Languages : en
Pages : 258
Book Description
Published on the occasion of the couture house’s ninetieth anniversary, this book celebrates Elsa Schiaparelli’s shared creative passion with the twentieth century’s most esteemed artists. Known for her bravado and boundary-pushing dresses, Elsa Schiaparelli is undoubtedly one of the greatest icons of twentieth-century fashion. After launching her eponymous haute couture house in Paris in 1927, the Roman-born designer captured the attention of the world at large not only thanks to her trompe l’oeil patterns and surrealist forms—but also because of her creative relationships with some of the epoch’s most renowned artists. From Salvador Dalí, who collaborated with Schiaparelli on her infamous Lobster Dress to Alberto Giacometti’s furnishings for her salon and René Magritte, whose surrealist works inspired some of the designer’s creations, this beautifully illustrated tome delves into the couturiere’s fascinating rapports with these artistic legends. Through never-before-seen photography, intimate anecdotes, and essays penned by some of today’s most authoritative fashion critics, curators, and personalities, this volume is the first definitive work dedicated to the shared inspiration between the designer and her circle of artist friends. Unique in its breadth of artwork and diverse contributors, this visually stunning book is a must for anyone interested in avant-garde art, twentieth-century fashion, or thought-provoking design.
Publisher: Rizzoli Publications
ISBN: 0847860450
Category : Design
Languages : en
Pages : 258
Book Description
Published on the occasion of the couture house’s ninetieth anniversary, this book celebrates Elsa Schiaparelli’s shared creative passion with the twentieth century’s most esteemed artists. Known for her bravado and boundary-pushing dresses, Elsa Schiaparelli is undoubtedly one of the greatest icons of twentieth-century fashion. After launching her eponymous haute couture house in Paris in 1927, the Roman-born designer captured the attention of the world at large not only thanks to her trompe l’oeil patterns and surrealist forms—but also because of her creative relationships with some of the epoch’s most renowned artists. From Salvador Dalí, who collaborated with Schiaparelli on her infamous Lobster Dress to Alberto Giacometti’s furnishings for her salon and René Magritte, whose surrealist works inspired some of the designer’s creations, this beautifully illustrated tome delves into the couturiere’s fascinating rapports with these artistic legends. Through never-before-seen photography, intimate anecdotes, and essays penned by some of today’s most authoritative fashion critics, curators, and personalities, this volume is the first definitive work dedicated to the shared inspiration between the designer and her circle of artist friends. Unique in its breadth of artwork and diverse contributors, this visually stunning book is a must for anyone interested in avant-garde art, twentieth-century fashion, or thought-provoking design.
Art on the Edge
Author: Harold Rosenberg
Publisher: University of Chicago Press
ISBN: 0226726746
Category : Art
Languages : en
Pages : 318
Book Description
Discusses the aesthetic orientations and creative directions of prominent contemporary artists as well as the nature and implications of the various modern movements.
Publisher: University of Chicago Press
ISBN: 0226726746
Category : Art
Languages : en
Pages : 318
Book Description
Discusses the aesthetic orientations and creative directions of prominent contemporary artists as well as the nature and implications of the various modern movements.
David Jones: A Christian Modernist?
Author: Jamie Callison
Publisher: BRILL
ISBN: 9004356991
Category : Art
Languages : en
Pages : 307
Book Description
David Jones: A Christian Modernist? is a major reassessment of the work of the poet, artist and essayist David Jones (1895-1974) in light of the complex, ambiguous idea of a ‘Christian modernism’. His richly experimental and palimpsestic poetry, art and thought drew extensively on Christian tradition and symbolism as a key to the future: rejecting a technocratic and utilitarian modernity in favour of a revitalised culture of sign and sacrament. This volume examines historical influences on Jones’s development, his impassioned engagement with the idea of modernity and with modernist literature and art, the theological sources and resonances of his work, and contemporary or late-modern perspectives on his achievement.
Publisher: BRILL
ISBN: 9004356991
Category : Art
Languages : en
Pages : 307
Book Description
David Jones: A Christian Modernist? is a major reassessment of the work of the poet, artist and essayist David Jones (1895-1974) in light of the complex, ambiguous idea of a ‘Christian modernism’. His richly experimental and palimpsestic poetry, art and thought drew extensively on Christian tradition and symbolism as a key to the future: rejecting a technocratic and utilitarian modernity in favour of a revitalised culture of sign and sacrament. This volume examines historical influences on Jones’s development, his impassioned engagement with the idea of modernity and with modernist literature and art, the theological sources and resonances of his work, and contemporary or late-modern perspectives on his achievement.
Newsletter
Author: Art Libraries Society
Publisher:
ISBN:
Category : Art libraries
Languages : en
Pages : 616
Book Description
Publisher:
ISBN:
Category : Art libraries
Languages : en
Pages : 616
Book Description