Author: Valeria Taddei
Publisher: Taylor & Francis
ISBN: 1040010644
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The poetics of epiphany have long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that in many modernist works exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers – Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield – illuminates epiphanies as complex phenomena, connected to multiple aspects of modernist culture, which appear in artistic experiences developed independently in the same decades. The ideas of Henri Bergson, William James, Martin Heidegger, and Maurice Merleau-Ponty, among others, nuance our understanding of the stories and of the author's vision behind them. At least three threads emerge, as a result, as common characteristics of modernist epiphanies. First, they are a result of the ‘inward turn’ and of the curiosity about the psyche’s subconscious processes. Second, they attempt to rediscover lived experience as a source of partial but reliable knowledge. Third, they re-actualise mystical experiences as conduits to a secular insight about life. The main appeal of these modernist moments of enlightenment is precisely that they establish an atmosphere of ambiguity where multiple and sometimes irreconcilable potential meanings can be found. By so doing, they succeed in evoking the undifferentiated creative potential that, according to the widespread vitalist philosophies of the age, constitutes the essence of life. In reframing ambiguity and indeterminacy as spaces of creation and choice, epiphanies thus bring out a lesser known, life-affirming but not naïve vein of modernist inspiration.
Epiphanies in the Modernist Short Story
Author: Valeria Taddei
Publisher: Taylor & Francis
ISBN: 1040010644
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The poetics of epiphany have long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that in many modernist works exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers – Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield – illuminates epiphanies as complex phenomena, connected to multiple aspects of modernist culture, which appear in artistic experiences developed independently in the same decades. The ideas of Henri Bergson, William James, Martin Heidegger, and Maurice Merleau-Ponty, among others, nuance our understanding of the stories and of the author's vision behind them. At least three threads emerge, as a result, as common characteristics of modernist epiphanies. First, they are a result of the ‘inward turn’ and of the curiosity about the psyche’s subconscious processes. Second, they attempt to rediscover lived experience as a source of partial but reliable knowledge. Third, they re-actualise mystical experiences as conduits to a secular insight about life. The main appeal of these modernist moments of enlightenment is precisely that they establish an atmosphere of ambiguity where multiple and sometimes irreconcilable potential meanings can be found. By so doing, they succeed in evoking the undifferentiated creative potential that, according to the widespread vitalist philosophies of the age, constitutes the essence of life. In reframing ambiguity and indeterminacy as spaces of creation and choice, epiphanies thus bring out a lesser known, life-affirming but not naïve vein of modernist inspiration.
Publisher: Taylor & Francis
ISBN: 1040010644
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
The poetics of epiphany have long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that in many modernist works exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers – Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield – illuminates epiphanies as complex phenomena, connected to multiple aspects of modernist culture, which appear in artistic experiences developed independently in the same decades. The ideas of Henri Bergson, William James, Martin Heidegger, and Maurice Merleau-Ponty, among others, nuance our understanding of the stories and of the author's vision behind them. At least three threads emerge, as a result, as common characteristics of modernist epiphanies. First, they are a result of the ‘inward turn’ and of the curiosity about the psyche’s subconscious processes. Second, they attempt to rediscover lived experience as a source of partial but reliable knowledge. Third, they re-actualise mystical experiences as conduits to a secular insight about life. The main appeal of these modernist moments of enlightenment is precisely that they establish an atmosphere of ambiguity where multiple and sometimes irreconcilable potential meanings can be found. By so doing, they succeed in evoking the undifferentiated creative potential that, according to the widespread vitalist philosophies of the age, constitutes the essence of life. In reframing ambiguity and indeterminacy as spaces of creation and choice, epiphanies thus bring out a lesser known, life-affirming but not naïve vein of modernist inspiration.
Modernist Short Fiction by Women
Author: Claire Drewery
Publisher: Routledge
ISBN: 1317094514
Category : Fiction
Languages : en
Pages : 159
Book Description
Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
Publisher: Routledge
ISBN: 1317094514
Category : Fiction
Languages : en
Pages : 159
Book Description
Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
Epiphanies in the Modernist Short Story
Author: Valeria Taddei
Publisher:
ISBN: 9781032649375
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
"The poetic of epiphany has long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that, in many modernist works, exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers - Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield - illuminates epiphanies as complex phenomena, connected to multiple aspects of modernist culture, which appear in artistic experiences developed independently in the same decades. The ideas of Henri Bergson, William James, Martin Heidegger, and Maurice Merleau-Ponty, among others, nuance our understanding of the stories and of the author's vision behind them. At least three threads emerge, as a result, as common characteristics of modernist epiphanies. First, they are a result of the 'inward turn' and of the curiosity for the psyche's subconscious processes. Second, they attempt to rediscover lived experience as a source of partial but reliable knowledge. Third, they re-actualise mystical experiences as conduits to a secular insight about life. The main appeal of these modernist moments of enlightenment is precisely that they establish an atmosphere of ambiguity where multiple and sometimes irreconcilable potential meanings can be found. By so doing, they succeed in evoking the undifferentiated creative potential that, according to the widespread vitalist philosophies of the age, constitutes the essence of life. In reframing ambiguity and indeterminacy as spaces of creation and choice, epiphanies thus bring out a lesser known, life-affirming but not naïve vein of modernist inspiration"--
Publisher:
ISBN: 9781032649375
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
"The poetic of epiphany has long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that, in many modernist works, exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers - Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield - illuminates epiphanies as complex phenomena, connected to multiple aspects of modernist culture, which appear in artistic experiences developed independently in the same decades. The ideas of Henri Bergson, William James, Martin Heidegger, and Maurice Merleau-Ponty, among others, nuance our understanding of the stories and of the author's vision behind them. At least three threads emerge, as a result, as common characteristics of modernist epiphanies. First, they are a result of the 'inward turn' and of the curiosity for the psyche's subconscious processes. Second, they attempt to rediscover lived experience as a source of partial but reliable knowledge. Third, they re-actualise mystical experiences as conduits to a secular insight about life. The main appeal of these modernist moments of enlightenment is precisely that they establish an atmosphere of ambiguity where multiple and sometimes irreconcilable potential meanings can be found. By so doing, they succeed in evoking the undifferentiated creative potential that, according to the widespread vitalist philosophies of the age, constitutes the essence of life. In reframing ambiguity and indeterminacy as spaces of creation and choice, epiphanies thus bring out a lesser known, life-affirming but not naïve vein of modernist inspiration"--
Modern American Short Story Sequences
Author: J. Gerald Kennedy
Publisher: Cambridge University Press
ISBN: 0521430100
Category : Language Arts & Disciplines
Languages : en
Pages : 239
Book Description
Originally published in 1995, this book gathers together eleven full-length essays on important American short story sequences of the twentieth century. The introduction by J. Gerald Kennedy elucidates problems of defining the genre, cites notable instances of the form (such as Sherwood Anderson's Winesburg, Ohio), and explores the implications of its modern emergence and popularity. Subsequent essays discuss illustrative works by such figures as Henry James, Jean Toomer, Ernest Hemingway, Richard Wright, William Faulkner, Eudora Welty, J. D. Salinger, John Cheever, John Updike, Louise Erdrich, and Raymond Carver. While examining distinctive thematic concerns, each essay also considers implications of form and arrangement in the construction of composite fictions that often produce the illusion of a fictive community.
Publisher: Cambridge University Press
ISBN: 0521430100
Category : Language Arts & Disciplines
Languages : en
Pages : 239
Book Description
Originally published in 1995, this book gathers together eleven full-length essays on important American short story sequences of the twentieth century. The introduction by J. Gerald Kennedy elucidates problems of defining the genre, cites notable instances of the form (such as Sherwood Anderson's Winesburg, Ohio), and explores the implications of its modern emergence and popularity. Subsequent essays discuss illustrative works by such figures as Henry James, Jean Toomer, Ernest Hemingway, Richard Wright, William Faulkner, Eudora Welty, J. D. Salinger, John Cheever, John Updike, Louise Erdrich, and Raymond Carver. While examining distinctive thematic concerns, each essay also considers implications of form and arrangement in the construction of composite fictions that often produce the illusion of a fictive community.
The Cambridge History of the English Short Story
Author: Dominic Head
Publisher: Cambridge University Press
ISBN: 1316739147
Category : Literary Criticism
Languages : en
Pages : 1082
Book Description
The Cambridge History of the English Short Story is the first comprehensive volume to capture the literary history of the English short story. Charting the origins and generic evolution of the English short story to the present day, and written by international experts in the field, this book covers numerous transnational and historical connections between writers, modes and forms of transmission. Suitable for English literature students and scholars of the English short story generally, it will become a standard work of reference in its field.
Publisher: Cambridge University Press
ISBN: 1316739147
Category : Literary Criticism
Languages : en
Pages : 1082
Book Description
The Cambridge History of the English Short Story is the first comprehensive volume to capture the literary history of the English short story. Charting the origins and generic evolution of the English short story to the present day, and written by international experts in the field, this book covers numerous transnational and historical connections between writers, modes and forms of transmission. Suitable for English literature students and scholars of the English short story generally, it will become a standard work of reference in its field.
Panepiphanal World
Author: Sangam MacDuff
Publisher: University Press of Florida
ISBN: 0813065666
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
Panepiphanal World is the first in-depth study of the forty short texts James Joyce called “epiphanies.” Composed between 1901 and 1904, at the beginning of Joyce’s writing career, these texts are often dismissed as juvenilia. Sangam MacDuff argues that the epiphanies are an important point of origin for Joyce’s entire body of work, showing how they shaped the structure, style, and language of his later writings. Tracing the ways Joyce incorporates the epiphanies into Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake, MacDuff describes the defining characteristics of the epiphanies—silence and repetition, materiality and reflexivity—as a set of recurrent and inter-related tensions in the development of Joyce’s oeuvre. MacDuff uses fresh archival evidence, including a new typescript of the epiphanies that he discovered, to show the importance of the epiphanies throughout Joyce’s career. MacDuff compares Joyce’s concept of epiphany to classical, biblical, and Romantic revelations, showing that instead of pointing to divine transcendence or the awakening of the sublime, Joyce’s epiphanies are rooted in and focused on language. MacDuff argues that the Joycean epiphany is an apt characterization of modernist literature and that the linguistic forces at play in these early texts are also central to the work of Joyce’s contemporaries including Woolf, Beckett, and Eliot. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles An Open Access edition of this book was published with the support of the Swiss National Science Foundation.
Publisher: University Press of Florida
ISBN: 0813065666
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
Panepiphanal World is the first in-depth study of the forty short texts James Joyce called “epiphanies.” Composed between 1901 and 1904, at the beginning of Joyce’s writing career, these texts are often dismissed as juvenilia. Sangam MacDuff argues that the epiphanies are an important point of origin for Joyce’s entire body of work, showing how they shaped the structure, style, and language of his later writings. Tracing the ways Joyce incorporates the epiphanies into Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake, MacDuff describes the defining characteristics of the epiphanies—silence and repetition, materiality and reflexivity—as a set of recurrent and inter-related tensions in the development of Joyce’s oeuvre. MacDuff uses fresh archival evidence, including a new typescript of the epiphanies that he discovered, to show the importance of the epiphanies throughout Joyce’s career. MacDuff compares Joyce’s concept of epiphany to classical, biblical, and Romantic revelations, showing that instead of pointing to divine transcendence or the awakening of the sublime, Joyce’s epiphanies are rooted in and focused on language. MacDuff argues that the Joycean epiphany is an apt characterization of modernist literature and that the linguistic forces at play in these early texts are also central to the work of Joyce’s contemporaries including Woolf, Beckett, and Eliot. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles An Open Access edition of this book was published with the support of the Swiss National Science Foundation.
An Organon of Life Knowledge
Author: Michael Basseler
Publisher: transcript Verlag
ISBN: 3839446422
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
Can fiction teach us how to live? This study offers a fresh take on the North American short story, exploring how the genre has engaged in the construction and circulation of 'life knowledge'. Echoing the resurgence of short story scholarship in recent years, it thus contributes a genre-focused perspective to the growing field of 'literature and knowledge' studies. Drawing on stories from the late 19th century to the present by authors such as Henry James, F. Scott Fitzgerald, Eudora Welty, Junot Díaz, and Alice Munro, Michael Basseler examines how knowledge about life and how to live it is generically constituted and, vice versa, how literary genres such as the short story are embedded in broader cultural frameworks of knowledge production.
Publisher: transcript Verlag
ISBN: 3839446422
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
Can fiction teach us how to live? This study offers a fresh take on the North American short story, exploring how the genre has engaged in the construction and circulation of 'life knowledge'. Echoing the resurgence of short story scholarship in recent years, it thus contributes a genre-focused perspective to the growing field of 'literature and knowledge' studies. Drawing on stories from the late 19th century to the present by authors such as Henry James, F. Scott Fitzgerald, Eudora Welty, Junot Díaz, and Alice Munro, Michael Basseler examines how knowledge about life and how to live it is generically constituted and, vice versa, how literary genres such as the short story are embedded in broader cultural frameworks of knowledge production.
A Companion to the British and Irish Short Story
Author: David Malcolm
Publisher: John Wiley & Sons
ISBN: 9781444304787
Category : Literary Criticism
Languages : en
Pages : 592
Book Description
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
Publisher: John Wiley & Sons
ISBN: 9781444304787
Category : Literary Criticism
Languages : en
Pages : 592
Book Description
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
Dubliners
Author: James Joyce
Publisher: First Avenue Editions ™
ISBN: 1467797774
Category : Fiction
Languages : en
Pages : 229
Book Description
This collection of fifteen short stories by Irish author James Joyce examines how one's surroundings can shape and influence a person. Although initially considered too edgy for publication, Dubliners later became a classic as readers began to appreciate Joyce's realistic fiction. In each story, Joyce documents the daily lives and hardships of fictional Dublin citizens. Joyce's collection progresses from the struggles of childhood to the struggles of adulthood. This collection includes one of Joyce's most famous short stories, "The Dead," which depicts the ways memories of the past can intrude upon the present. Joyce provides a glimpse into twentieth-century Irish culture and history in this unabridged short story collection, first published in 1914.
Publisher: First Avenue Editions ™
ISBN: 1467797774
Category : Fiction
Languages : en
Pages : 229
Book Description
This collection of fifteen short stories by Irish author James Joyce examines how one's surroundings can shape and influence a person. Although initially considered too edgy for publication, Dubliners later became a classic as readers began to appreciate Joyce's realistic fiction. In each story, Joyce documents the daily lives and hardships of fictional Dublin citizens. Joyce's collection progresses from the struggles of childhood to the struggles of adulthood. This collection includes one of Joyce's most famous short stories, "The Dead," which depicts the ways memories of the past can intrude upon the present. Joyce provides a glimpse into twentieth-century Irish culture and history in this unabridged short story collection, first published in 1914.
Modern Indian Literature as Cosmopolis
Author: Didier Coste
Publisher: Taylor & Francis
ISBN: 1040130410
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
This book redefines modern Indian literature from a cosmopolitan comparative perspective inclusive of literature in English from India and the diaspora, in native languages, and works by non-Indians. It shows how, since the mid-19th century, Indian literary modernity pursued the conjunction of the sensuous and ethical/spiritual that characterized its three traditions (Sanskritik, Persian, and folk culture) while the encounter, both receptive and oppositional, with “the West” vastly expanded the Indian literary sphere. Aesthetics and ethics are not antithetical in the Indian cultural space, but the quest for an exclusive Indian identity versus universalist approaches offsets concerns for social justice as well as enjoyable embodied communication. The literary constellation, in many languages, now formed in and around India can be better apprehended as a virtual Cosmopolis, a commonwealth of elaborate emotions. The versatile figure of Hanuman metaphorically flies across this Ocean of Stories to make us discover new worlds of experience.
Publisher: Taylor & Francis
ISBN: 1040130410
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
This book redefines modern Indian literature from a cosmopolitan comparative perspective inclusive of literature in English from India and the diaspora, in native languages, and works by non-Indians. It shows how, since the mid-19th century, Indian literary modernity pursued the conjunction of the sensuous and ethical/spiritual that characterized its three traditions (Sanskritik, Persian, and folk culture) while the encounter, both receptive and oppositional, with “the West” vastly expanded the Indian literary sphere. Aesthetics and ethics are not antithetical in the Indian cultural space, but the quest for an exclusive Indian identity versus universalist approaches offsets concerns for social justice as well as enjoyable embodied communication. The literary constellation, in many languages, now formed in and around India can be better apprehended as a virtual Cosmopolis, a commonwealth of elaborate emotions. The versatile figure of Hanuman metaphorically flies across this Ocean of Stories to make us discover new worlds of experience.