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Author: George Elliott Clarke
Publisher: University of Toronto Press
ISBN: 1487516789
Category : Literary Criticism
Languages : en
Pages : 923
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Book Description
Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be – paradoxically – uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts – literature and criticism – from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.
Author: George Elliott Clarke
Publisher: University of Toronto Press
ISBN: 1487516789
Category : Literary Criticism
Languages : en
Pages : 923
Get Book Here
Book Description
Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be – paradoxically – uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts – literature and criticism – from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.
Author: James Buhler
Publisher: Routledge
ISBN: 1351204262
Category : Music
Languages : en
Pages : 304
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Book Description
Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today. Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.
Author: Jonas Grethlein
Publisher: Cambridge University Press
ISBN: 0521110777
Category : History
Languages : en
Pages : 363
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Book Description
Investigates literary memory in the fifth century BCE, covering poetry and oratory as well as the first Greek historians.
Author: Kurt A. Raaflaub
Publisher: John Wiley & Sons
ISBN: 1118413113
Category : History
Languages : en
Pages : 542
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Book Description
Thinking, Recording, and Writing History in the Ancient World presents a cross-cultural comparison of the ways in which ancient civilizations thought about the past and recorded their own histories. Written by an international group of scholars working in many disciplines Truly cross-cultural, covering historical thinking and writing in ancient or early cultures across in East, South, and West Asia, the Mediterranean, and the Americas Includes historiography shaped by religious perspectives, including Judaism, early Christianity, Islam, and Buddhism
Author: Evina Sistakou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110482320
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius’ epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius’ Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics.
Author: Margaret Eddershaw
Publisher: Routledge
ISBN: 1134895402
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
Performing Brecht is an unprecedented history of the productions of Brecht's plays in Britain over forty years. Margaret Eddershaw surveys all aspects of Brecht in performance, from his methodologies to his place in postmodernist theatre and beyond. She focuses on key productions by directors including George Devine, Sam Wanamaker, William Gaskill, Howard Davies, John Dexter and Richard Eyre. Eddershaw also provides three in-depth case studies of productions in the 1990s, incorporating her own exclusive access to the rehearsals and in-depth interviews with directors and performers. The case studies are: * The Good Person of Sechuan, directed by Deborah Warner and starring Fiona Shaw; * Mother Courage, directed by Philip Prowse and starring Glenda Jackson; * The Resistable Rise of Arturo Ui, directed by Di Trevis and starring Antony Sher
Author: Judith P. Hallett
Publisher: Princeton University Press
ISBN: 0691219540
Category : History
Languages : en
Pages : 354
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Book Description
This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted--in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened. In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B. Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love.
Author: W. S. Barrett
Publisher: OUP Oxford
ISBN: 0191525286
Category : Literary Criticism
Languages : en
Pages : 528
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Book Description
W. S. Barrett (1914-2001) was one of the finest Hellenists of the second half of the twentieth century, known above all for his celebrated edition of Euripides' Hippolytus. This volume of his collected scholarly papers includes five articles published between 1954 and 1978, together with a much larger number of others that remained unpublished in his lifetime and are made known here for the first time. They deal mainly with Greek lyric poetry (Stesichorus, Pindar, Bacchylides) and Tragedy. Students of Greek literature will welcome this unexpected posthumous addition to Barrett's oeuvre, as well as the reappearance of the published articles.
Author: Branko Marijanović
Publisher: Cambridge Scholars Publishing
ISBN: 1527586294
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
This book claims that Paradise Lost contains all the traits of the great epics, as well as the predominant characteristics of early modern novels, and that every history of the novel should acknowledge Milton’s (unintentional) contribution to the development of the genre. Milton’s Satan is presented as a novelistic character par excellence, preceding memorable literary characters of novelistic provenance like Dostoyevsky’s Raskolnikov, Shelley’s monster or Kafka’s beetle. In addition, this book proves that all the elements of modernity like capitalism, science, all-pervasive doubt, the absence of unquestionable ideals, radical individualism, and the insatiable desire for self-realization and incessant advancement are inherent to both Paradise Lost and Satan’s character. Just like a fully developed novelistic character and unlike any epic character in history, Satan constantly surprises us by failing, exceeding or simply contradicting our expectations. As such, the book demonstrates that Satan shares more common points with the likes of Tom Jones, Moll Flanders or Lovelace than with the traditional epic heroes like Achilles or Aeneas, proving that the novel as a genre owes an immense debt to Milton’s grand epic and that Satan may be perceived as a precursor of the great novelistic characters.
Author: Ingo Gildenhard
Publisher: Walter de Gruyter
ISBN: 3110223783
Category : Literary Criticism
Languages : en
Pages : 450
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Book Description
Beyond the Fifth Century brings together 13 scholars from various disciplines (Classics, Ancient History, Mediaeval Studies) to explore interactions with Greek tragedy from the 4th century BCE up to the Middle Ages. The volume breaks new ground in several ways. Its chronological scope encompasses periods that are not usually part of research on tragedy reception, especially the Hellenistic period, late antiquity and the Middle Ages. The volume also considers not just performance reception but various other modes of reception, between different literary genres and media (inscriptions, vase paintings, recording technology). There is a pervasive interest in interactions between tragedy and society-at-large, such as festival culture and entertainment (both public and private), education, religious practice, even life-style. Finally, the volume features studies of a comparative nature which focus less on genealogical connections (although such may be present) but rather on the study of equivalences.
