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Author: James Chapman
Publisher: Bloomsbury Publishing
ISBN: 0857715577
Category : History
Languages : en
Pages : 417
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Book Description
This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
Author: James Chapman
Publisher: Bloomsbury Publishing
ISBN: 0857715577
Category : History
Languages : en
Pages : 417
Get Book Here
Book Description
This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
Author: Bruce Francis Babington
Publisher: Wipf and Stock Publishers
ISBN: 1606088157
Category : Religion
Languages : en
Pages : 257
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Book Description
Biblical Epics: Sacred Narrative in the Hollywood Cinema is a major survey and analysis of the relationship between religion and film, and traces the development of this genre in Hollywood. The book examines the impact of religion, ethnicity, sexuality, and gender on this complex genre, within the context of American history. Together, Bruce Francis Babington and Peter William Evans raise questions of narrative spectacle, Jewish-Christian relations, authorship, star meanings, the representation of Christ, and sexual desire. The authors theorize the Biblical epic in its three main forms: the Old Testament epic; the Christ film; and the Roman-Christian epic. Films analyzed include David and Bathsheba, The Last Temptation of Christ, The King of Kings, The Greatest Story Ever Told, Demetrius and the Gladiators, Samson and Delilah, and Ben Hur.
Author: Filippo Ulivieri
Publisher: Filippo Ulivieri
ISBN:
Category : Art
Languages : en
Pages : 94
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Book Description
The story of how “2001: A Space Odyssey” came to be made is in many ways as epic as the events portrayed in the film itself—and until now, just as mysterious. In 1964, with “Dr. Strangelove” ready for release, Stanley Kubrick was uncertain about what his next project would be, and considered making a film dealing with several contemporary themes. It was only when he encountered Arthur C. Clarke that he decided to make a science fiction film. Yet it took more than four years for “2001: A Space Odyssey” to reach the screen—a productive and creative odyssey that involved experimentation, last-minute rethinks, strokes of genius, quarrels, ultimatums, feats of will, and mental breakdowns. Drawing extensively from never before seen material, including production documents and private correspondences, “2001 between Kubrick and Clarke” gives for the first time a complete account of the two authors’ creative collaboration; one which casts lights on their on-again, off-again relationship, as well as revealing new information about the genesis, production, and reception of the first and most important film about space, the origin of humankind and its destiny among the stars.
Author: Brian D. Goldstein
Publisher: Princeton University Press
ISBN: 0691234752
Category : Architecture
Languages : en
Pages : 400
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Book Description
An acclaimed history of Harlem’s journey from urban crisis to urban renaissance With its gleaming shopping centers and refurbished row houses, today’s Harlem bears little resemblance to the neighborhood of the midcentury urban crisis. Brian Goldstein traces Harlem’s Second Renaissance to a surprising source: the radical social movements of the 1960s that resisted city officials and fought to give Harlemites control of their own destiny. Young Harlem activists, inspired by the civil rights movement, envisioned a Harlem built by and for its low-income, predominantly African American population. In the succeeding decades, however, the community-based organizations they founded came to pursue a very different goal: a neighborhood with national retailers and increasingly affluent residents. The Roots of Urban Renaissance demonstrates that gentrification was not imposed on an unwitting community by unscrupulous developers or opportunistic outsiders. Rather, it grew from the neighborhood’s grassroots, producing a legacy that benefited some longtime residents and threatened others.
Author: Sheldon Hall
Publisher: Wayne State University Press
ISBN: 9780814330081
Category : Business & Economics
Languages : en
Pages : 376
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Book Description
The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. It discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, it examines the roots of today's blockbuster in the "feature," "special," "superspecial," "roadshow," "epic," and "spectacle" of earlier eras, with special attention to the characteristics of each type of picture. (Editor).
Author: Gary J. Dorrien
Publisher: Yale University Press
ISBN: 0300205619
Category : Biography & Autobiography
Languages : en
Pages : 632
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Book Description
This magisterial follow-up to The New Abolition, a Grawemeyer Award winner, tells the crucial second chapter in the black social gospel's history. The civil rights movement was one of the most searing developments in modern American history. It abounded with noble visions, resounded with magnificent rhetoric, and ended in nightmarish despair. It won a few legislative victories and had a profound impact on U.S. society, but failed to break white supremacy. The symbol of the movement, Martin Luther King Jr., soared so high that he tends to overwhelm anything associated with him. Yet the tradition that best describes him and other leaders of the civil rights movement has been strangely overlooked. In his latest book, Gary Dorrien continues to unearth the heyday and legacy of the black social gospel, a tradition with a shimmering history, a martyred central figure, and enduring relevance today. This part of the story centers around King and the mid-twentieth-century black church leaders who embraced the progressive, justice-oriented, internationalist social gospel from the beginning of their careers and fulfilled it, inspiring and leading America's greatest liberation movement.
Author: J. Michael Martinez
Publisher: Skyhorse
ISBN: 1631440713
Category : History
Languages : en
Pages : 683
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Book Description
The long, dark history of political violence in the United States Violence has been employed to achieve political objectives throughout history. Taking the life of a perceived enemy is as old as mankind. Antiquity is filled with examples of political murders, such as when Julius Caesar was felled by assassins in 44 BCE. While assassinations and assassination attempts are not unique to the American way of life, denizens of other nations sometimes look upon the US as populated by reckless cowboys owing to a “Wild West” attitude about violence, especially episodes involving guns. In this book, J. Michael Martinez focuses on assassinations and attempts in the American republic. Nine American presidents—Andrew Jackson, Abraham Lincoln, James A. Garfield, William McKinley, Harry S. Truman, John F. Kennedy, Richard Nixon, Gerald Ford, and Ronald Reagan—have been the targets of assassins. President-elect Franklin D. Roosevelt was also a target shortly before he was sworn into office in 1933. Moreover, three presidential candidates—Theodore Roosevelt, Robert F. Kennedy, and George Wallace—were shot by assailants. In addition to presidents and candidates for the presidency, eight governors, seven U.S. senators, nine U.S. House members, eleven mayors, seventeen state legislators, and eleven judges have been victims of political violence. Not all political assassinations involve elected officials. Some of those targeted, such as Joseph Smith, Malcolm X, and Martin Luther King Jr., were public figures who influenced political issues. But their cases are instructive because of their connection to, and influence on, the political process. No other nation with a population of over 50 million people has witnessed as many political assassinations or attempts. These violent episodes trigger a series of important questions. First, why has the United States—a country constructed on a bedrock of the rule of law and firmly committed to due process—been so susceptible to political violence? Martinez addresses these questions as he examines twenty-five instances of violence against elected officials and public figures in American history.
Author: Gene A. Plunka
Publisher: University of Delaware Press
ISBN: 9780874137637
Category : Drama
Languages : en
Pages : 308
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Book Description
This book, the first full-length study of Guare's theater, will make his plays more accessible through an examination of the often unnerving type of black comedy that makes his plays work.".
Author:
Publisher: Dynamite Entertainment
ISBN: 1524117846
Category : Art
Languages : en
Pages : 211
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Book Description
John Romita Sr is as synonymous with Marvel as is Stan Lee. Stan was the definitive writer and visionary of the Marvel Universe, but Jazzy John was the ultimate catcher to all of Stan's pitches. Arguably the most important contributor to Marvel canon with Jack Kirby, and arguably the definitive Spider-Man artist, John Romita has left his mark creating, defining and/or designing some of Marvel's most, well, marvelous characters. From being (in our humble opinion) the definitive Spider-Man artist to helping design many of Marvel's major characters from Wolverine and the Punisher to Spider-Woman, The Kingpin and so many more. And, though it was Stan Lee and Steve Ditko who co-created Spider-Man and Peter Parker, and helped us love the boy with the problems we all grew up with, it was Jazzy John who allowed Peter to grow up and have the same problems many had growing up, and glamorized Peter Parker and rounded out his stable of characters from Gwen Stacy and Harry Osborne, and who also gave us the unbelievable entrance by Mary Jane Watson, showing us just how Peter had hit the jackpot! And John Romita Jr. has also created a rich body of work that few can follow in his footsteps. Having outgrown the shadow of his father early in his career, John Romita Jr. has shown the world why he is "Mr. Marvel". From his early days working with Bob Layton on the Iron Man issues featuring the controversial issues of Tony Stark's alcoholism, to his jump to stardom in the early '90's on the Uncanny X-Men (almost a decade after his first stint on the Uncanny X-Men with Chris Claremont), to his unbelievable work on Daredevil: Man Without Fear with Frank Miller and Al Williamson, John proved that he was one of only a few artists who can shine working with a master such as Frank Miller. Moving in to the new millennium, John's work on Thor was nothing short of amazing, as well as working on Daredevil with Ann Nocenti and Al Williamson. But nothing has been more tailor made for John Jr's art than Marvel's flagship title - Spider-Man! His return on Peter Parker, Spider-Man proved that he was Marvel's best choice for a Spider-Man artist, and when Joe Michael Straczynski took hold of Marvel's flagship title, it was John Jr's art that made the great stories shine as well as they did! One thing that's kept John's art fresh is his ability to move from character to character. It definitely is bitter sweet to see John leave Spider-Man and run around the Marvel Universe on characters such as The Eternals (with Neil Gaiman), proving that once again, John Jr. is the artists artist who can tackle such great projects, and even on his run on the World War Hulk (yes, Hulk does indeed Smash!), one is mesmerized by his incredible artwork. What's amazing is, that as of this writing, John Romita Jr. will be returning to Amazing Spider-Man #568, and this fan, Nick Barrucci, President of Dynamic Forces, feels the excitement and energy to his return. These are the things that we live for in comics. it's rare to know when a series is going to be great because a great artist is working on it. We are fortunate to be on the ground floor, again, but the anticipation is something that will only be quenched with the first read of a series that will be great. The Romit's are one of the few royal families in comics. If you haven't had a chance to fully appreciate their work, here's your chance. it's a fun ride. I hope you enjoy it as much as we have in putting this book together! With an introduction by Alex Ross and an afterword by Stan "The Man" Lee, this hard cover book is perfect for every Spider-Man fan young and old!
Author: Mark D. White
Publisher: John Wiley & Sons
ISBN: 1394230052
Category : Philosophy
Languages : en
Pages : 311
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Book Description
Learn how Captain America's timeless ethical code is just as relevant in the twenty-first century as it was during the 1940s Captain America, or simply “Cap,” provides an example of the virtues that define personal excellence, as well as the ideals and principles upon which the United States of America was founded. In The Virtues of Captain America, philosopher and long-time comics fan Mark D. White shows us that this fictional superhero's “old-fashioned” moral code is exactly what we need today to restore kindness and respect in our personal and civic lives. Presenting Captain America's personal morality within a virtue ethics framework, the book opens with an introduction to basic concepts in moral and political philosophy and addresses issues surrounding the use of fictional characters as role models. The following chapters examine Captain America in detail, exploring the individual virtues that Cap exemplifies, the qualities that describe his moral character, his particular brand of patriotism, his ongoing battle with fascism, his personal vision of the “American Dream,” his moral integrity and sense of honor, and much more. Now in its second edition, The Virtues of Captain America is updated to include all the new developments in Captain America's saga, including new examples from the last ten years of Captain America's appearances in Marvel Comics. New coverage of the recent “Secret Empire” storyline, in which Captain America was brainwashed by the fascist organization Hydra, features new sections examining the nature of fascism and how Captain America's character and virtues were affected by the change. This edition also offers new material on Sam Wilson—formerly Captain America's partner the Falcon who recently became Captain America himself—and how his interpretation of the role compares to Steve Rogers'. Showing how we can be better people if we pay attention to the choices made by the Sentinel of Liberty, The Virtues of Captain America: Examines the moral and political philosophy behind 80 years of Captain America comics and movies in a light-hearted, often humorous tone Demonstrates that the core principles and judgment exhibited by Captain America in the 1940s remain relevant in the twenty-first century Describes the basic themes of Captain America's ethics, such as courage, humility, perseverance, honesty, and loyalty Illustrates how Captain America stands for the basic ideals of America, not its politics or government Requiring no background in philosophy or familiarity with the source material, the second edition of The Virtues of Captain America: Modern-Day Lessons on Character from a World War II Superhero remains a must-read for everyone wanting to make ethical decisions in complex real-world situations and tackle the personal and political issues of today with integrity and respect.
