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Author: Hyundai Research Institute
Publisher: 맨트립(Mantrip)
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 96
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Book Description
The opera "Norma" is a pieced adored by the composer Bellini, who said "I want to protect this Norma no matter what". Evidently, it is evaluated as the piece which brought about the renaissance and the climax of bel canto operas that were losing its strength in the 20th century. Every aspect of the piece, including the composition, the beauty of the melody and the orchestration of the opera are excellent. Let's now learn more about "Norma", the sacrificial love story of Norma who gave up her country and religious beliefs for a man who left her. 오페라 『노르마』는 작곡자 벨리니가 "무엇을 희생해서라도 이 노르마를 지키고 싶다"고 했을 정도로 아꼈던 작품입니다. 20세기에 들어서면서 저물어가던 벨칸토 오페라를 다시 부흥시켰을 뿐 아니라 최고 정점에 오르게 했다는 평을 받고 있습니다. 그만큼 오페라의 구성이나 멜로디의 아름다움, 오케스트레이션 등 어느 면 하나도 빠지지 않고 뛰어납니다. 자신을 떠난 남자를 위해 조국과 종교적 신념을 버리면서까지 선택한 노르마의 희생적인 사랑이야기, 오페라 『노르마』에 대해 알아보겠습니다.
Author: Hyundai Research Institute
Publisher: 맨트립(Mantrip)
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 96
Get Book Here
Book Description
The opera "Norma" is a pieced adored by the composer Bellini, who said "I want to protect this Norma no matter what". Evidently, it is evaluated as the piece which brought about the renaissance and the climax of bel canto operas that were losing its strength in the 20th century. Every aspect of the piece, including the composition, the beauty of the melody and the orchestration of the opera are excellent. Let's now learn more about "Norma", the sacrificial love story of Norma who gave up her country and religious beliefs for a man who left her. 오페라 『노르마』는 작곡자 벨리니가 "무엇을 희생해서라도 이 노르마를 지키고 싶다"고 했을 정도로 아꼈던 작품입니다. 20세기에 들어서면서 저물어가던 벨칸토 오페라를 다시 부흥시켰을 뿐 아니라 최고 정점에 오르게 했다는 평을 받고 있습니다. 그만큼 오페라의 구성이나 멜로디의 아름다움, 오케스트레이션 등 어느 면 하나도 빠지지 않고 뛰어납니다. 자신을 떠난 남자를 위해 조국과 종교적 신념을 버리면서까지 선택한 노르마의 희생적인 사랑이야기, 오페라 『노르마』에 대해 알아보겠습니다.
Author: Vincenzo Bellini
Publisher: Alma Books
ISBN: 0714544655
Category : Music
Languages : en
Pages : 193
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Book Description
Vincenzo Bellini's Norma, first produced at La Scala, Milan, in 1831, is widely regarded as the greatest achievement of the bel canto era. Its title role, sung at the premiere by Giuditta Pasta, has been undertaken in more recent times by Maria Callas, Joan Sutherland and Monserrat Caballe and remains one of the supremely challenging soprano parts in the operatic repertory. The opera tells of the conflicting loyalties of the High Priestess of the Druids, Norma, who is torn between her duty to her people and her love for the father of her two children, the proconsul of the occupying Roman forces in Gaul.The guide contains articles on the background to the opera and the development of bel canto, a detailed examination of its musical structure and a survey of its performance history, dealing in particular with the approaches of some of the many distinguished singers who have appeared in its principal roles. There is also a discussion of the contentious issue of which voice-types should more appropriately be singing each of the two leading female characters. The guide includes the full libretto with English translation, sixteen pages of illustrations, a musical thematic guide, a discography, a bibliography, and DVD and website guides.Contains:The Genesis of Norma, Susan RutherfordNorma's Musical Journey, Roger ParkerNorma: A Selective Performance History, John AllisonWeep, Shudder, Die: Vincenzo Bellini, Norma and Their Admirers, Gary KahnNorma: Libretto by Felice Romani after Alexandre Soumet's verse tragedy NormaNorma: English translation by Kenneth Chalmers
Author: Hilary Poriss
Publisher: Oxford University Press
ISBN: 0199744653
Category : Music
Languages : en
Pages : 237
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Book Description
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Author: Philip Gossett
Publisher: University of Chicago Press
ISBN: 0226304884
Category : Music
Languages : en
Pages : 699
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Book Description
Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.
Author: Erich Wolfgang Korngold
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 108
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Book Description
Author: Vincenzo Bellini
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Luisa Tetrazzini
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 86
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Book Description
Author: Geoffrey S. Riggs
Publisher: McFarland
ISBN: 9780786414017
Category : Music
Languages : en
Pages : 276
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Book Description
It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice. This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. Chapters consider Luigi Cherubini's Medee, Gioacchino Rossini's Armida, Carl Maria von Weber's Oberon, Gaetano Donizetti's Anna Bolena, Vincenzo Bellini's Norma, Donizetti's Gemma di Vergy and Roberto Devereux, the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's Nabucco and Macbeth.
Author: Ellen Rosand
Publisher: Univ of California Press
ISBN: 0520254260
Category : Art
Languages : en
Pages : 712
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Book Description
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Author: Renée Fleming
Publisher: Penguin
ISBN: 1101098880
Category : Music
Languages : en
Pages : 241
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Book Description
The fascinating personal story of one of the most celebrated talents in today’s music scene The star of the Metropolitan Opera's recent revival of Dvorak's Rusalka, soprano Renée Fleming brings a consummately beautiful voice, striking interpretive talents, and compelling artistry to bear on performances that have captivated audiences in opera houses and recital halls throughout the world. In The Inner Voice—a book that is the story of her own artistic development and the “autobiography” of her voice—this great performer presents a unique and privileged look at the making of a singer and offers hard-won, practical advice to aspiring performance artists everywhere. From her youth as the child of two singing teachers through her years at Juilliard, from her struggles to establish her career to her international success, The Inner Voice is a luminous, articulate, and candid self-portrait of a contemporary artist—and the most revelatory examination yet of the performing life.
