Englishmen for My Money; Or, A Woman Will Have Her Will PDF Download
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Author: William Haughton
Publisher:
ISBN:
Category : Facsimiles
Languages : en
Pages : 190
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Book Description
Author: William Haughton
Publisher:
ISBN:
Category : Facsimiles
Languages : en
Pages : 190
Get Book Here
Book Description
Author: William Haughton
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
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Book Description
Author: William Haughton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 118
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Book Description
Author: John Genest
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 712
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Book Description
Author: Alan Stewart
Publisher: Oxford University Press
ISBN: 0199549273
Category : History
Languages : en
Pages : 422
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Book Description
Shakespeare's Letters shows how and why Shakespeare put letters on stage in virtually all of his plays. Showing the very different uses to which letters were put in Shakespeare's time, this book throws new light on some of his most familiar dramas. Includes new readings of Hamlet, King Lear, and The Merchant of Venice.
Author: John Berryman
Publisher: Macmillan + ORM
ISBN: 146680811X
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
Edited by John Haffenden With a Preface by Robert Giroux John Berryman, one of America's most talented modern poets, was winner of the Pulitzer Prize for 77 Dream Songs and the National Book Award for His Toy, His Dream, His Rest. He gained a reputation as an innovator whose bold literary adventures were tempered by exacting discipline. Berryman was also an active, prolific, and perceptive critic whose own experience as a major poet served to his advantage. Berryman was a protégé of Mark Van Doren, the great Shakespearean scholar, and the Bard's work remained one of his most abiding passions--he would devote a lifetime to writing about it. His voluminous writings on the subject have now been collected and edited by John Haffenden.
Author: Edinburgh University Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1424
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1072
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Book Description
Author: Natasha Korda
Publisher: University of Pennsylvania Press
ISBN: 081220431X
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Labors Lost offers a fascinating and wide-ranging account of working women's behind-the-scenes and hitherto unacknowledged contributions to theatrical production in Shakespeare's time. Natasha Korda reveals that the purportedly all-male professional stage relied on the labor, wares, ingenuity, and capital of women of all stripes, including ordinary crafts- and tradeswomen who supplied costumes, props, and comestibles; wealthy heiresses and widows who provided much-needed capital and credit; wives, daughters, and widows of theater people who worked actively alongside their male kin; and immigrant women who fueled the fashion-driven stage with a range of newfangled skills and commodities. Combining archival research on these and other women who worked in and around the playhouses with revisionist readings of canonical and lesser-known plays, Labors Lost retrieves this lost history by detailing the diverse ways women participated in the work of playing, and the ways male players and playwrights in turn helped to shape the cultural meanings of women's work. Far from a marginal phenomenon, the gendered division of theatrical labor was crucial to the rise of the commercial theaters in London and had an influence on the material culture of the stage and the dramatic works of Shakespeare and his contemporaries.
Author: Richard Rowland
Publisher: Routledge
ISBN: 1351879162
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
