English Stage Comedy 1490-1990

English Stage Comedy 1490-1990 PDF Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1134657900
Category : Literary Criticism
Languages : en
Pages : 193

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Book Description
First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.

English Stage Comedy 1490-1990

English Stage Comedy 1490-1990 PDF Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1134657900
Category : Literary Criticism
Languages : en
Pages : 193

Get Book

Book Description
First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.

English Stage Comedy 1490-1990

English Stage Comedy 1490-1990 PDF Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1134657897
Category : Literary Criticism
Languages : en
Pages : 196

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Book Description
First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.

Experimentation on the English Stage, 1695-1708

Experimentation on the English Stage, 1695-1708 PDF Author: Elisabeth J Heard
Publisher: Routledge
ISBN: 1317303431
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
At the beginning of the eighteenth century, British theatre saw a shift from what critics call 'Restoration' to 'sentimental' comedy. Focusing on the career of the Irish dramatist George Farquhar (1678-1707), this book argues that experimentation was the basis for this change.

The Comic Mode in English Literature

The Comic Mode in English Literature PDF Author: Murray Roston
Publisher: Bloomsbury Publishing
ISBN: 1441109900
Category : Literary Criticism
Languages : en
Pages : 288

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Book Description
From Chaucer's The Canterbury Tales to Helen Fielding's Bridget Jones's Diary, this is a comprehensive guide to comedy in the English literary canon. Beginning with a critical exploration of historical and philosophical theories of humour, the book then supplies close-readings of a wide range of major texts, authors and genres from the Medieval period to the present. The Comic Mode in English Literature examines such texts as: "Shakespeare's A Midsummer Night's Dream" Pope's The Rape of the Lock Austen's Emma "Dickens" The Pickwick Papers Wilde's The Importance of Being Earnest Amis's Lucky Jim Covering poetry, prose and drama, this comprehensive guide will be essential reading for students of comic writing, literary history and genre.

The Cambridge Companion to Shakespearean Comedy

The Cambridge Companion to Shakespearean Comedy PDF Author: Alexander Leggatt
Publisher: Cambridge University Press
ISBN: 9780521779425
Category : Drama
Languages : en
Pages : 260

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Book Description
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.

Edinburgh Introduction to Studying English Literature

Edinburgh Introduction to Studying English Literature PDF Author: Dermot Cavanagh
Publisher: Edinburgh University Press
ISBN: 0748691340
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
This introduction to the tools required for literary study provides all the skills, background and critical knowledge which students require to approach their study of literature with confidence.

Introduction To English Renaissance Comedy

Introduction To English Renaissance Comedy PDF Author: Alexander Leggatt
Publisher: Manchester University Press
ISBN: 9780719049651
Category : Drama
Languages : en
Pages : 204

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Book Description
This book provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, emphasizing the eclectic, experimental nature of this comedy--its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. In his close analysis of some of the richest comedies of the period, Alexander Leggatt makes some unexpected connections between them. The reader is given a comprehensive picture of English comedy in one of its most creative periods.

Shakespeare and the Comedy of Enchantment

Shakespeare and the Comedy of Enchantment PDF Author: Kent Cartwright
Publisher: Oxford University Press
ISBN: 019263965X
Category : Literary Criticism
Languages : en
Pages : 208

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Book Description
Shakespeare and the Comedy of Enchantment argues that enchantment constitutes a key emotional and intellectual dimension of Shakespeare's comedies. It thus makes a new claim about the rejuvenating value of comedy for individuals and society. Shakespeare's comedies orchestrate ongoing encounters between the rational and the mysterious, between doubt and fascination, with feelings moved by elements of enchantment that also seem a little ridiculous. In such a drama, lines of causality become complex, and even satisfying endings leave certain matters incomplete and contingent—openings for scrutiny and thought. In addressing enchantment, the book takes exception to the modernist vision of a deterministic 'disenchanted' world. As Shakespeare's action advances, comic mysteries accrue—uncanny coincidences; magical sympathies; inexplicable repetitions; psychic influences; and puzzlements about the meaning of events—all of whose numinous effects linger ambiguously after reason has apparently answered the play's questions. Separate chapters explore the devices, tropes, and motifs of enchantment: magical clowns who alter the action through stop-time interludes; structural repetitions that suggest mysteriously converging, even opaquely providential destinies; locales that oppose magical and protean forces to regulatory and quotidian values; desires, thoughts, and utterances that 'manifest' comically monstrous events; characters who return from the dead, facilitated by the desires of the living; play-endings crossed by harmony and dissonance, with moments of wonder that make possible the mysterious action of forgiveness. Wonder and wondering in Shakespeare's and other comedies, it emerges, become the conditions for new possibilities. Chapters refer extensively to early modern history, Renaissance and modern theories of comedy, treatises on magical science, and contemporaneous Italian and Tudor comedy.

Comedy

Comedy PDF Author: Andrew Stott
Publisher: Routledge
ISBN: 1134453973
Category : Literary Criticism
Languages : en
Pages : 218

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Book Description
This new edition of Andrew Stott’s Comedy builds on themes presented in the first edition such as focusing on the significance of comic 'events' through study of various theoretical methodologies, including deconstruction, psychoanalysis and gender theory, and provides case studies of a number of themes, ranging from the drag act to the simplicity of slipping on a banana skin. This new edition features: updates to reflect new research the field new chapters on Women in Comedy and Race and Ethnicity a broader range of literary and cultural examples. Written in a clear and accessible style, this book is ideal introduction to comedy for students studying literature and culture.

English Drama Since 1940

English Drama Since 1940 PDF Author: David Ian Rabey
Publisher: Routledge
ISBN: 1317875397
Category : Literary Criticism
Languages : en
Pages : 265

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Book Description
English Drama Since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ideal of renewal. This book introduces the period and its discourse whilst redefining them, to give proper consideration to developments of themes, styles, concerns and contexts from the 80s to the present. The book offers succinct and analytical introductions to the work of 60 dramatists, whilst arguing for (re)appraisal of many dates critical perspectives, in order to stimulate further argument in the field.