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Author: Archer Taylor
Publisher:
ISBN: 9781888215700
Category : Humor
Languages : en
Pages : 1000
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Book Description
Reprint of Archer Taylor's collection of riddles from oral tradition in the British Isles and in the English-speaking part of the Western Hemisphere originally published in 1951.
Author: Archer Taylor
Publisher:
ISBN: 9781888215700
Category : Humor
Languages : en
Pages : 1000
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Book Description
Reprint of Archer Taylor's collection of riddles from oral tradition in the British Isles and in the English-speaking part of the Western Hemisphere originally published in 1951.
Author: Patrick J. Murphy
Publisher: Penn State Press
ISBN: 0271078170
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
The vibrant and enigmatic Exeter Riddles (ca. 960–980) are among the most compelling texts in the field of medieval studies, in part because they lack textually supplied solutions. Indeed, these ninety-five Old English riddles have become so popular that they have even been featured on posters for the London Underground and have inspired a sculpture in downtown Exeter. Modern scholars have responded enthusiastically to the challenge of solving the Riddles, but have generally examined them individually. Few have considered the collection as a whole or in a broader context. In this book, Patrick Murphy takes an innovative approach, arguing that in order to understand the Riddles more fully, we must step back from the individual puzzles and consider the group in light of the textual and oral traditions from which they emerged. He offers fresh insights into the nature of the Exeter Riddles’ complexity, their intellectual foundations, and their lively use of metaphor.
Author: Gregg A. Hecimovich
Publisher: Peter Lang
ISBN: 9781433101427
Category : History
Languages : en
Pages : 150
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Book Description
Puzzling the Reader establishes the place of charms and riddles in nineteenth-century British literature by exploring the literary and political work riddles performed at cultural thresholds: courtship, initiation, death rituals, moments of greeting, and intercultural relations. Furthermore, Puzzling the Reader investigates the new narrative genre that riddles uncover by transforming traditional narrative techniques. Far from disappearing from view, the oral tradition of the riddles rises into view alongside the literary narratives of William Blake, John Keats, and Charles Dickens. The folk tradition of the riddle is imported into print media and reaches its zenith in the nineteenth century. Through analyses of riddles in weekly literature and satire magazines, parlor game books, and popular collected riddles, such as Queen Victoria's «Windsor Enigma», this volume examines the literary and political roles riddles play as they migrate into mass print culture. Three crucial texts illustrate this argument: Blake's «Jerusalem», Keats's «The Eve of St. Agnes», and Dickens's Our Mutual Friend. Each is a work of formal experimentation and each typifies the full range of word play in the period. From Blake to Keats to Dickens, nineteenth-century British literature charts a «history» of the literary riddle.
Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 1906924708
Category : Social Science
Languages : en
Pages : 614
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Book Description
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Author: Patrick J. Murphy
Publisher: Penn State Press
ISBN: 0271048417
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
"Examines the Old English riddles found in the tenth-century Exeter Book manuscript, with particular attention to their relationship to larger traditions of literary and traditional riddling"--Provided by publisher.
Author: Craig Williamson
Publisher: UNC Press Books
ISBN: 1469610299
Category : Literary Criticism
Languages : en
Pages : 505
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Book Description
The Exeter Book, a late tenth-century manuscript of early Old English poetry, is an anthology of religious homiletic verse, elegiac poetry, and ninety-one lyric riddles. The riddles are of particular interest to students of Old English poetry and Anglo-Saxon culture, to archeologists, anthropologists, and folklorists. This volume will supersede all earlier editions of the riddles as the text contains many new manuscript readings, and a summary is given of the scholarship on each riddle. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Ben Waggoner
Publisher: Lulu.com
ISBN: 1941136117
Category : Literary Collections
Languages : en
Pages : 82
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Book Description
Say What I Am collects forty-nine of the best of the Old English riddles found in the Exeter Book, the largest surviving collection of Old English poetry, plus two more found in other manuscripts. Carefully translated by Ben Waggoner, these riddles provide a unique look into the Anglo-Saxon worldview. Through their poetry, common tools and household objects-a key, a plough, an oven, a butter churn-are shown to possess hidden beauty, humor, and wonder. Birds, bees, plants, beasts, men and women, and even stars are described in rich metaphor, often getting a chance to speak for themselves. These riddles make a witty and charming introduction to the culture and daily life of Anglo-Saxon England.
Author: Andrew Welsh
Publisher: Princeton University Press
ISBN: 0691656940
Category : Reference
Languages : en
Pages : 295
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Book Description
Folk riddles, emblems, charms, and chants are a few of the traditional forms examined by Andrew Welsh to discover the means by which poetic language achieves its powerful effects. His book shows how the roots of lyric are embodied in primitive verse forms, how they are raised to higher powers in poetry from the Renaissance to the twentieth century, and how an awareness of them can illuminate our reading of the poetry of any age. Andrew Welsh is Associate Professor of English at Rutgers University. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 1400880645
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholars Features entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone) Includes an introduction, bibliographies, cross-references, and a full index
Author: Lynn Festa
Publisher: University of Pennsylvania Press
ISBN: 0812251318
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
