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Author: Iain Quinn
Publisher: Routledge
ISBN: 1351672401
Category : Music
Languages : en
Pages : 310
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Book Description
Studies in English Organ Music is a collection of essays by expert authors that examines key areas of the repertoire in the history of organ music in England. The essays on repertoire are placed alongside supporting studies in organ building and liturgical practice in order to provide a comprehensive contextualization. An analysis of the symbiotic relationship between the organ, liturgy, and composers reveals how the repertoire has been shaped by these complementary areas and developed through history. This volume is the first collection of specialist studies related to the field of English organ music.
Author: Archibald Vernon Butcher
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 44
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Book Description
Author: Iain Quinn
Publisher: Routledge
ISBN: 1351672401
Category : Music
Languages : en
Pages : 310
Get Book Here
Book Description
Studies in English Organ Music is a collection of essays by expert authors that examines key areas of the repertoire in the history of organ music in England. The essays on repertoire are placed alongside supporting studies in organ building and liturgical practice in order to provide a comprehensive contextualization. An analysis of the symbiotic relationship between the organ, liturgy, and composers reveals how the repertoire has been shaped by these complementary areas and developed through history. This volume is the first collection of specialist studies related to the field of English organ music.
Author: ROBERT. GOWER
Publisher:
ISBN: 9780193517677
Category :
Languages : en
Pages : 72
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Book Description
A collection of manuals-only organ music covering the church's year from Advent to Epiphany, containing arrangements of core repertoire from the 18th- to 20th-century plus new pieces. This technically accessible music (approx. grades 4-5) is perfect for less confident organists.
Author: John R. Shannon
Publisher: McFarland
ISBN: 0786488662
Category : Music
Languages : en
Pages : 316
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Book Description
The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.
Author: Stephen Bicknell
Publisher: Cambridge University Press
ISBN: 9780521654098
Category : Music
Languages : en
Pages : 430
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Book Description
This 1996 book describes the history of organs built in England from AD 900 to the present day.
Author: George Frideric Handel
Publisher:
ISBN: 9780193754294
Category : Organ music, Arranged
Languages : en
Pages : 23
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Book Description
Music Books and Printed Music.
Author: Wayne Leupold
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 148
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Book Description
Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968
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Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Author: Corliss Richard Arnold
Publisher: Scarecrow Press
ISBN: 1461670268
Category : Music
Languages : en
Pages : 399
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Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Author: Nicholas Thistlethwaite
Publisher: Music in Britain
ISBN: 9781783274673
Category : Music
Languages : en
Pages : 0
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Book Description
Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States. In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management, the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work. This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians. NICHOLAS THISTLETHWAITE has written extensively on the history of the English organ and other aspects of English church music, and his book, The making of the Victorian organ (1990) is recognised as the standard work on the subject. He has acted as consultant for the restoration and rebuilding of organs, most recently at St Edmundsbury Cathedral and Christ Church
